Marten Eskil Winge (1825-1896) - Tiberina Island, Rome






Specialised in 17th century Old Master paintings and drawings with auction house experience.
€420 | ||
|---|---|---|
€400 | ||
€380 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 141948 reviews
Rated Excellent on Trustpilot.
Description from the seller
Martin Eskil Winge (1825-1896)
Title: Tiberina Island Rome
Watercolor, Roman Period (approx 1870–1880)
This refined watercolor by Martin Eskil Winge, created during his stay in Rome, depicts one of the city’s most evocative views: the Tiber Island, rendered with the luminous sensitivity and descriptive precision characteristic of the artist’s Roman production.
The scene captures the island from a harmonious vantage point, where the waters of the Tiber reflect the warm light of the sky and the historic architecture emerges with delicate clarity. The watercolor technique, applied with confident mastery, reveals a soft and transparent palette typical of the works Winge produced during his Italian years, when he devoted particular attention to urban landscapes and ancient monuments.
The work stands out for:
Architectural accuracy — reflecting the artist’s interest in historic Rome.
Balanced composition — creating a harmonious dialogue between landscape, river, and buildings.
Delicate palette — featuring ochres, blues, and atmospheric greys.
This painting is a significant example of Winge’s work during his Roman period, ideal for collectors of 19th‑century views, admirers of Northern European artists in Italy, and catalogues dedicated to travel painting and European schools active in Rome during the nineteenth century.
Martin Eskil Winge (1825-1896)
Title: Tiberina Island Rome
Watercolor, Roman Period (approx 1870–1880)
This refined watercolor by Martin Eskil Winge, created during his stay in Rome, depicts one of the city’s most evocative views: the Tiber Island, rendered with the luminous sensitivity and descriptive precision characteristic of the artist’s Roman production.
The scene captures the island from a harmonious vantage point, where the waters of the Tiber reflect the warm light of the sky and the historic architecture emerges with delicate clarity. The watercolor technique, applied with confident mastery, reveals a soft and transparent palette typical of the works Winge produced during his Italian years, when he devoted particular attention to urban landscapes and ancient monuments.
The work stands out for:
Architectural accuracy — reflecting the artist’s interest in historic Rome.
Balanced composition — creating a harmonious dialogue between landscape, river, and buildings.
Delicate palette — featuring ochres, blues, and atmospheric greys.
This painting is a significant example of Winge’s work during his Roman period, ideal for collectors of 19th‑century views, admirers of Northern European artists in Italy, and catalogues dedicated to travel painting and European schools active in Rome during the nineteenth century.
