Joan Canós (1928) - Parc de la Ciutadella

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Parc de la Ciutadella, an original oil painting by Joan Canós (born 1928) from Spain, dated 2010–2020, on canvas, 45 cm high by 55 cm wide, signed by hand, in good condition, sold by Galería.

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Description from the seller

Pictura Galeria presents this magnificent work of art belonging to Joan Canós, which depicts two boats sailing in front of a dome-roofed building surrounded by trees and palm trees, as a symbol of calm, memory, travel and harmony. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 45x55x2 cm.
· Oil on canvas signed by the artist in the lower right corner.
· The piece is in good condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included form an integral part of the lot description.

The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transportation itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

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This painting presents a serene scene beside a pond or river with tranquil waters, where two small boats advance slowly in front of an elegant building crowned by a large dome. The vegetation surrounds the architecture and occupies a large part of the composition with palm trees, leafy trees and branches that extend over the water. In the foreground, the boats and their occupants introduce a discreet human presence, while the reflections of the buildings and trees mingle on the surface. The landscape conveys calm, balance and a sense of rest, as if time had stood still during a bright afternoon.

Water occupies the entire lower area and acts as a large surface of reflections. The palette comprises gray-greens, pale blues, whites, violets, and small brown tones. The surface seems calm, although numerous horizontal lines suggest light currents and the motion caused by the oars. This softness allows the boats to move forward without disturbing the overall serenity.

On the left foreground sits the larger boat. Its hull is elongated and narrow, with a blue stripe along the top. Whites, grays, and small violet tones define its volume. The boat is oriented horizontally and appears to be slowly moving to the left.

Inside this boat appears a figure wearing a reddish garment. Their body leans slightly forward and occupies the central area of the hull. The head and shoulders are distinguished by dark and light tones. Although their features cannot be seen, their posture conveys calm.

A long oar extends from the boat into the water. Its diagonal line introduces movement and disrupts the landscape’s horizontality. The blade seems to sink gently, leaving a small disturbance on the surface. This gesture lets us imagine the slow, repeated rhythm of navigation.

The shadow or reflection of the boat appears underneath in blues, grays and dark tones. Its elongated shape blends with the water, creating a sense of depth. Boundaries are not fully defined due to the movement. The boat seems to float with great lightness.

A bit further back is a second boat, oriented nearly facing forward. Its smaller size indicates it is farther away. The hull shows whites, blues and grays, while two dark figures occupy its interior. The boat moves directly toward the viewer or toward the center of the pond.

The two people in the second boat appear very close. Their heads are distinguished by small dark shapes and their bodies merge with the hull. One seems to be handling the oars, while the other remains seated. This presence adds a sense of companionship and shared ride.

From the second boat extend two long oars to either side. The diagonal lines form an open and balanced structure. The blades touch the water and suggest a slow movement. The symmetry of the oars contrasts with the lateral position of the first boat.

Between the two boats there is a considerable distance of clear water. This space prevents the foreground from feeling congested and reinforces tranquility. The boats seem to follow different paths without interfering. Each lives its own moment within the same landscape.

The water collects numerous reflections from the opposite shore. Near the center appear whites, yellows, greens and violets that may correspond to the façades and the palm trees. These shapes descend vertically and fragment when touching the small waves. The reflection transforms the architecture into a moving image.

On the right side, the surface becomes darker due to the shade of the large tree. Deep greens, blacks and browns accumulate near the shore. This area contrasts with the lightness of the center. The shadow creates a sense of shelter and coolness.

The opposite shore traverses the composition with a horizontal line. A clear promenade separates the water from the vegetation and the buildings. Its beige, white and pink tones suggest a surface illuminated by the sun. This strip organizes the landscape and establishes a boundary between nature and architecture.

Above the promenade, several palm trees line up. Their tall, slender trunks rise vertically and support open crowns in a fan shape. The leaves combine dark greens, bluish tones and small yellow reflections. The palms contribute a warm and elegant atmosphere.

Two palms located near the upper left center stand out particularly. Their crowns partly overlap and form large vegetal stars. The dark trunks contrast with the light façade behind. These shapes frame the central area of the building.

The palms create a transition between the water and the architecture. Their reflections descend toward the pond in vertical patches of dark tones. At the same time, their crowns open toward the sky. They visually connect the bottom and the top.

On the left side there is a mass of trees and shrubs. The dark greens mix with grayish and bluish tones. Some crowns are rounded, while others have more irregular shapes. This vegetation partly hides the structures and softens their lines.

In the center rises the main building. Its facade presents beige, pink, gray and brown tones. Some dark windows are distributed regularly, allowing recognition of different levels. The architecture has a monumental character but blends harmoniously with the landscape.

The front part of the building shows a sloped roof in orange, ocher and brown tones. In the center opens a small triangular structure that could correspond to a window or a pediment. This shape directs the gaze toward the dome behind. The roof adds warmth to the ensemble.

A light area extends on the left side of the façade. Several tall, narrow windows follow one after another beside the palm trees. Their dark outlines create a vertical rhythm. The light seems to reach directly this part of the building.

To the right, the façade acquires pink and brown tones. Two dark windows appear partially obscured by the tree crowns. The vegetation visually invades the architecture. This relationship conveys the sense of a building surrounded by an old park.

Behind the roofs rises a large dome. Its rounded shape occupies the upper center and becomes the main architectural focal point. Grays, whites, yellows and violets are distributed in wide segments that suggest its structure. The dome is clearly outlined against the sky.

At the base of the dome there is a dark horizontal band. This line marks the transition between the body of the building and the roof. Small color variations help perceive the volume. The construction conveys stability and solemnity.

At the top there is a small lantern or cylindrical tower. Several dark openings are arranged around its body and a rounded cap crowns it. Its verticality extends the building toward the sky. This finish adds elegance and makes the dome a reference point.

The dome may belong to a church, a pavilion, a palace or a public building. Its exact function is not essential to understanding the scene. What matters is its serene and monumental presence. The architecture seems to observe the calm movement of the boats.

On the right side extends a large tree with broad branches. Its trunk rises from the edge and divides into numerous limbs that cross the top. The dark greens, grays, blacks and bluish tones form a dense canopy. The tree acts as a natural frame.

Some branches extend horizontally toward the dome and the sky. Their thin, dark shapes stand out against the clouds. This direction guides the eye toward the central building. The tree seems to lean over the water and protect the shore.

The right-hand vegetation is especially abundant at the lower part. Shrubs, leaves and branches cluster into a dark mass reaching the pond’s edge. The yellowish greens introduce small sparks of light. This area balances the openness of the water.

Between the leaves there are gaps through which fragments of architecture and the promenade are visible. This superimposition creates depth. The viewer feels as if they are watching the scene from a protected spot among the trees. Nearby vegetation increases intimacy.

The sky occupies a wide upper band and presents a clear, bright blue. Large white and grayish clouds are distributed mainly toward the left and center. Their soft outlines create a tranquil atmosphere. The light seems to correspond to a pleasant and slightly changing day.

The clouds behind the dome accentuate its silhouette. The whites blend with blues and small violets. The clarity of the sky contrasts with the dark trees. This opposition increases depth and luminosity.

The chromatic range remains within a serene harmony. Greens of the vegetation dominate the sides, blues and grays concentrate in the water and the sky, and beiges and pinks appear in the architecture. The red of the figure in the first boat introduces a small warm accent. All colors contribute to the overall balance.

The composition is organized into three main levels. The water and boats occupy the foreground; the promenade, the palm trees and the building form the middle zone; and the sky completes the background. This sequence generates great depth. The gaze naturally moves from the figures to the dome.

The two boats bring movement without breaking the calm. The water seems to respond softly to the passage of the oars. There is no rush or agitation. Navigation becomes a contemplative activity.

The scene could unfold in an urban park, a historic garden, or a setting near a monumental building. The combination of water, vegetation and architecture creates a space designed for rest. People seem to enjoy a stroll away from the noise. The landscape conveys well-being.

The boats can be interpreted as symbols of travel and the passage of time. They move slowly across a changing surface, leaving small traces that soon disappear. Each vessel follows its own course. Yet both share the same space and the same serenity.

Water symbolizes reflection and memory. It collects images of the building, the trees and the people, but transforms them through movement. Nothing reflects in a completely stable way. This quality recalls that every experience changes when it becomes a memory.

The dome represents permanence, history and human presence. Its solid architecture contrasts with the fluidity of the water. While the boats advance and the reflections change, the building remains firm. This opposition adds a poetic dimension.

The trees symbolize protection and continuity. They surround the building, provide shade and frame the pond. Their growth shows how nature and architecture can coexist. The palms add a sense of elegance and warm climate.

The presence of several people in the boats introduces a reflection on companionship. The solitary figure in the left boat contrasts with the couple in the background. One represents individual contemplation and the other, shared experience. Both ways of traveling the water seem equally valid.

Overall, this painting represents a quiet boat ride on waters surrounded by trees and palm trees, in front of an elegant building crowned by a large dome. The boats bring movement and human presence; the water symbolizes reflection and the passage of time; the architecture, permanence and memory; and the vegetation, protection and harmony. The reflections unite all elements and turn the landscape into a serene, luminous and deeply contemplative scene. The work invites stopping, observing and enjoying the calm of a shared moment between nature, history and everyday life.

Pictura Galeria presents this magnificent work of art belonging to Joan Canós, which depicts two boats sailing in front of a dome-roofed building surrounded by trees and palm trees, as a symbol of calm, memory, travel and harmony. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 45x55x2 cm.
· Oil on canvas signed by the artist in the lower right corner.
· The piece is in good condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included form an integral part of the lot description.

The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transportation itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a serene scene beside a pond or river with tranquil waters, where two small boats advance slowly in front of an elegant building crowned by a large dome. The vegetation surrounds the architecture and occupies a large part of the composition with palm trees, leafy trees and branches that extend over the water. In the foreground, the boats and their occupants introduce a discreet human presence, while the reflections of the buildings and trees mingle on the surface. The landscape conveys calm, balance and a sense of rest, as if time had stood still during a bright afternoon.

Water occupies the entire lower area and acts as a large surface of reflections. The palette comprises gray-greens, pale blues, whites, violets, and small brown tones. The surface seems calm, although numerous horizontal lines suggest light currents and the motion caused by the oars. This softness allows the boats to move forward without disturbing the overall serenity.

On the left foreground sits the larger boat. Its hull is elongated and narrow, with a blue stripe along the top. Whites, grays, and small violet tones define its volume. The boat is oriented horizontally and appears to be slowly moving to the left.

Inside this boat appears a figure wearing a reddish garment. Their body leans slightly forward and occupies the central area of the hull. The head and shoulders are distinguished by dark and light tones. Although their features cannot be seen, their posture conveys calm.

A long oar extends from the boat into the water. Its diagonal line introduces movement and disrupts the landscape’s horizontality. The blade seems to sink gently, leaving a small disturbance on the surface. This gesture lets us imagine the slow, repeated rhythm of navigation.

The shadow or reflection of the boat appears underneath in blues, grays and dark tones. Its elongated shape blends with the water, creating a sense of depth. Boundaries are not fully defined due to the movement. The boat seems to float with great lightness.

A bit further back is a second boat, oriented nearly facing forward. Its smaller size indicates it is farther away. The hull shows whites, blues and grays, while two dark figures occupy its interior. The boat moves directly toward the viewer or toward the center of the pond.

The two people in the second boat appear very close. Their heads are distinguished by small dark shapes and their bodies merge with the hull. One seems to be handling the oars, while the other remains seated. This presence adds a sense of companionship and shared ride.

From the second boat extend two long oars to either side. The diagonal lines form an open and balanced structure. The blades touch the water and suggest a slow movement. The symmetry of the oars contrasts with the lateral position of the first boat.

Between the two boats there is a considerable distance of clear water. This space prevents the foreground from feeling congested and reinforces tranquility. The boats seem to follow different paths without interfering. Each lives its own moment within the same landscape.

The water collects numerous reflections from the opposite shore. Near the center appear whites, yellows, greens and violets that may correspond to the façades and the palm trees. These shapes descend vertically and fragment when touching the small waves. The reflection transforms the architecture into a moving image.

On the right side, the surface becomes darker due to the shade of the large tree. Deep greens, blacks and browns accumulate near the shore. This area contrasts with the lightness of the center. The shadow creates a sense of shelter and coolness.

The opposite shore traverses the composition with a horizontal line. A clear promenade separates the water from the vegetation and the buildings. Its beige, white and pink tones suggest a surface illuminated by the sun. This strip organizes the landscape and establishes a boundary between nature and architecture.

Above the promenade, several palm trees line up. Their tall, slender trunks rise vertically and support open crowns in a fan shape. The leaves combine dark greens, bluish tones and small yellow reflections. The palms contribute a warm and elegant atmosphere.

Two palms located near the upper left center stand out particularly. Their crowns partly overlap and form large vegetal stars. The dark trunks contrast with the light façade behind. These shapes frame the central area of the building.

The palms create a transition between the water and the architecture. Their reflections descend toward the pond in vertical patches of dark tones. At the same time, their crowns open toward the sky. They visually connect the bottom and the top.

On the left side there is a mass of trees and shrubs. The dark greens mix with grayish and bluish tones. Some crowns are rounded, while others have more irregular shapes. This vegetation partly hides the structures and softens their lines.

In the center rises the main building. Its facade presents beige, pink, gray and brown tones. Some dark windows are distributed regularly, allowing recognition of different levels. The architecture has a monumental character but blends harmoniously with the landscape.

The front part of the building shows a sloped roof in orange, ocher and brown tones. In the center opens a small triangular structure that could correspond to a window or a pediment. This shape directs the gaze toward the dome behind. The roof adds warmth to the ensemble.

A light area extends on the left side of the façade. Several tall, narrow windows follow one after another beside the palm trees. Their dark outlines create a vertical rhythm. The light seems to reach directly this part of the building.

To the right, the façade acquires pink and brown tones. Two dark windows appear partially obscured by the tree crowns. The vegetation visually invades the architecture. This relationship conveys the sense of a building surrounded by an old park.

Behind the roofs rises a large dome. Its rounded shape occupies the upper center and becomes the main architectural focal point. Grays, whites, yellows and violets are distributed in wide segments that suggest its structure. The dome is clearly outlined against the sky.

At the base of the dome there is a dark horizontal band. This line marks the transition between the body of the building and the roof. Small color variations help perceive the volume. The construction conveys stability and solemnity.

At the top there is a small lantern or cylindrical tower. Several dark openings are arranged around its body and a rounded cap crowns it. Its verticality extends the building toward the sky. This finish adds elegance and makes the dome a reference point.

The dome may belong to a church, a pavilion, a palace or a public building. Its exact function is not essential to understanding the scene. What matters is its serene and monumental presence. The architecture seems to observe the calm movement of the boats.

On the right side extends a large tree with broad branches. Its trunk rises from the edge and divides into numerous limbs that cross the top. The dark greens, grays, blacks and bluish tones form a dense canopy. The tree acts as a natural frame.

Some branches extend horizontally toward the dome and the sky. Their thin, dark shapes stand out against the clouds. This direction guides the eye toward the central building. The tree seems to lean over the water and protect the shore.

The right-hand vegetation is especially abundant at the lower part. Shrubs, leaves and branches cluster into a dark mass reaching the pond’s edge. The yellowish greens introduce small sparks of light. This area balances the openness of the water.

Between the leaves there are gaps through which fragments of architecture and the promenade are visible. This superimposition creates depth. The viewer feels as if they are watching the scene from a protected spot among the trees. Nearby vegetation increases intimacy.

The sky occupies a wide upper band and presents a clear, bright blue. Large white and grayish clouds are distributed mainly toward the left and center. Their soft outlines create a tranquil atmosphere. The light seems to correspond to a pleasant and slightly changing day.

The clouds behind the dome accentuate its silhouette. The whites blend with blues and small violets. The clarity of the sky contrasts with the dark trees. This opposition increases depth and luminosity.

The chromatic range remains within a serene harmony. Greens of the vegetation dominate the sides, blues and grays concentrate in the water and the sky, and beiges and pinks appear in the architecture. The red of the figure in the first boat introduces a small warm accent. All colors contribute to the overall balance.

The composition is organized into three main levels. The water and boats occupy the foreground; the promenade, the palm trees and the building form the middle zone; and the sky completes the background. This sequence generates great depth. The gaze naturally moves from the figures to the dome.

The two boats bring movement without breaking the calm. The water seems to respond softly to the passage of the oars. There is no rush or agitation. Navigation becomes a contemplative activity.

The scene could unfold in an urban park, a historic garden, or a setting near a monumental building. The combination of water, vegetation and architecture creates a space designed for rest. People seem to enjoy a stroll away from the noise. The landscape conveys well-being.

The boats can be interpreted as symbols of travel and the passage of time. They move slowly across a changing surface, leaving small traces that soon disappear. Each vessel follows its own course. Yet both share the same space and the same serenity.

Water symbolizes reflection and memory. It collects images of the building, the trees and the people, but transforms them through movement. Nothing reflects in a completely stable way. This quality recalls that every experience changes when it becomes a memory.

The dome represents permanence, history and human presence. Its solid architecture contrasts with the fluidity of the water. While the boats advance and the reflections change, the building remains firm. This opposition adds a poetic dimension.

The trees symbolize protection and continuity. They surround the building, provide shade and frame the pond. Their growth shows how nature and architecture can coexist. The palms add a sense of elegance and warm climate.

The presence of several people in the boats introduces a reflection on companionship. The solitary figure in the left boat contrasts with the couple in the background. One represents individual contemplation and the other, shared experience. Both ways of traveling the water seem equally valid.

Overall, this painting represents a quiet boat ride on waters surrounded by trees and palm trees, in front of an elegant building crowned by a large dome. The boats bring movement and human presence; the water symbolizes reflection and the passage of time; the architecture, permanence and memory; and the vegetation, protection and harmony. The reflections unite all elements and turn the landscape into a serene, luminous and deeply contemplative scene. The work invites stopping, observing and enjoying the calm of a shared moment between nature, history and everyday life.

Details

Artist
Joan Canós (1928)
Sold with frame
No
Sold by
Gallery
Edition
Original
Title of artwork
Parc de la Ciutadella
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Good condition
Height
45 cm
Width
55 cm
Style
Post-Impressionism
Period
2010-2020
SpainVerified
1984
Objects sold
100%
protop

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