Günther Uecker (after) - Bühnenbilder - Original lithographic print ** HANDSIGNED + COA **

Original autographed lithograph by Günther Uecker (*).
This work was edited for the artist's solo exhibition at Erker Galerie St. Gallen, in 1987, under the supervision of Günther Uecker.
Printed on high‑weight cotton lithographic paper (250 g/m2)
Large format.
Hand-signed by the artist.
Includes Certificate of Authenticity (COA).

Specifications:

Dimensions: 99.5 x 60 cm
Year: 1987
Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, thus it remains in perfect condition).
Provenance: Private Collection.

The work will be carefully handled and packed in reinforced cardboard packaging. Shipping will be tracked with a corroborating number.

The shipment will also include transit insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Günther Uecker (*1930, Wendorf) is a German artist and a member of the ZERO movement, best known for his characteristic use of screws arranged in tactile paintings and sculptural works. Following his interest in Eastern philosophies, the use of screws on canvas by Uecker served as a meditative ritual, with the repetitive nature of hammering, turning his theories into a lived artistic practice. Initially attracted to socialist realism painting while studying in postwar Berlin, Uecker began creating reliefs in 1957. The artist met John Cage in 1959, who influenced the scope of his practice. In Uecker's later work, the artist simply initiates a project and allows it to take him wherever it needs to go, wherever he is, even if it eventually escapes his hands. In 1961, after joining the ZERO group alongside Heinz Mack and Otto Piene, Uecker expanded his practice to include audience participation. The artist currently lives and works in Düsseldorf, Germany. Uecker's works are held in the collections of the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., the Museum of Modern Art in New York, and the Courtauld Institute of Art in London, among others.