Manuel Doblas Pinto (1957) - Composición de estudio





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Composición de estudio by Manuel Doblas Pinto (born 1957), an original 1990–2000 oil painting from Spain, signed by hand, in good condition and sold by Galería, with frame, measuring 48 cm high by 57 cm wide (frame: 63 x 55 cm) and depicting a still life; a certificate of authenticity is included.
Description from the seller
Signed by the artist on the bottom part
On the back, it is again signed and titled
The work is presented framed
The condition is good
Dimensions of the artwork: 41 x 33 cm.
Frame dimensions: 63 x 55 cm.
The certificate of authenticity is attached to the painting
:::::::::::::::::::::::::::::::::::::::::::::::::::::::
BIOGRAPHY OF THE ARTIST
Manuel Doblas, born in Humilladero (Málaga) in 1957, but trained from a very young age in Catalonia and with a mindset well rooted among us, has been a painter for many years. He followed the path of group exhibitions starting in 1981 and held his first solo show in 1992, precisely in this same Sala Rusiñol where we find him again today. He has won many awards in various places and has not hesitated to regularly participate—he still does—in rapid-painting competitions across Spain. This, which for others may seem an obstacle, because after helping to gain ease and to find personal formulas that define the style, very often leads to recurring approaches, has, in his case, represented a highly useful system for discovering himself and being able to say with authority what he desires.
Only those who fear to explain themselves believe they will find themselves very soon. And those who are always thinking—this is the case of Manuel Doblas—never stop feeling the restlessness to move forward. Therefore this painter, of whom we are now seeing what he has just done, seeks elevated spaces by capturing the verticality of skyscrapers and describes abandoned train stations because he is not interested in waiting, but in looking for exits toward a horizon marked by the iron tracks which, after crossing junctions, are fixed because they serve the inner movement of people.
Manuel Doblas has changed his way of expressing himself and he has done so for the better. Gifted for plastic expression and with mastery of technique, he does not stop, but advances.
Signed by the artist on the bottom part
On the back, it is again signed and titled
The work is presented framed
The condition is good
Dimensions of the artwork: 41 x 33 cm.
Frame dimensions: 63 x 55 cm.
The certificate of authenticity is attached to the painting
:::::::::::::::::::::::::::::::::::::::::::::::::::::::
BIOGRAPHY OF THE ARTIST
Manuel Doblas, born in Humilladero (Málaga) in 1957, but trained from a very young age in Catalonia and with a mindset well rooted among us, has been a painter for many years. He followed the path of group exhibitions starting in 1981 and held his first solo show in 1992, precisely in this same Sala Rusiñol where we find him again today. He has won many awards in various places and has not hesitated to regularly participate—he still does—in rapid-painting competitions across Spain. This, which for others may seem an obstacle, because after helping to gain ease and to find personal formulas that define the style, very often leads to recurring approaches, has, in his case, represented a highly useful system for discovering himself and being able to say with authority what he desires.
Only those who fear to explain themselves believe they will find themselves very soon. And those who are always thinking—this is the case of Manuel Doblas—never stop feeling the restlessness to move forward. Therefore this painter, of whom we are now seeing what he has just done, seeks elevated spaces by capturing the verticality of skyscrapers and describes abandoned train stations because he is not interested in waiting, but in looking for exits toward a horizon marked by the iron tracks which, after crossing junctions, are fixed because they serve the inner movement of people.
Manuel Doblas has changed his way of expressing himself and he has done so for the better. Gifted for plastic expression and with mastery of technique, he does not stop, but advances.

