Elizabeth (XXI) - Utopía Suspendida

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Utopía Suspendida is an original oil on canvas by Elizabeth (XXI), a surrealist piece from after 2020, measuring 80 cm high by 60 cm wide, signed hand, from Spain.

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Description from the seller

Artwork by the artist Elizabeth created in the technique of oil on high-quality professional canvas. Dimension of 60 x 80 cm of painting. Original edition. Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world. The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube. Once the artwork is paid for, three days are required for the packing process and delivery to the shipping company. The piece will reach you within ten days, depending on the destination country.

The Cuban painter Elizabeth (professional training), based and active in Havana, develops a series of dream landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions —between the sea and the celestial— offer a poetic reflection on refuge, memory, and the fragility of what is inhabitable. With an atmospheric handling of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoke from chimneys, stairs that ascend, trees that bloom at improbable heights. The work blends precision in detail with expressiveness in matter, achieving images of strong visual and narrative impact, capable of existing between contemplation and wonder.

These Elizabeth pieces build a universe where the house —that intimate symbol of refuge— becomes a poetic idea more than architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on tiny islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase that climbs toward the uncertain, the smoke rising from a chimney as a sign of life, the lit windows that warm the remote, and the trees that, even at improbable heights, open up as a promise of continuity.

The theme is, at its core, a metaphor about belonging and balance: to “inhabit” is not only to be in a place, but to sustain it. Elizabeth turns the landscape into an emotional state. The stone —heavy, ancestral— appears worked with volume and nuances, with colors ranging from violet to ochre and from deep blue to mossy greens, as if each rock kept memory and time. On top of it, life: red roofs, illuminated wood, lush foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes with greater strength.

In color, there is a clear decision: expansive, atmospheric skies, filled with clouds that function as stage and as music. The color does not merely “describe”; it interprets. The blues become ocean and also distance; the pinks and oranges of twilight bring a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft areas (skies and glazes) and more emphatic moments in foliage and rock, where there is a taste for contrast and texture. The result is an image of great legibility —almost like a fairy tale— but with symbolic depth that avoids mere decoration.

Also notable is the compositional sense: Elizabeth knows how to guide the eye with clear routes (stairs, railings, diagonals of the cliff, curves of trunks) and to create centers of interest without overwhelming. The birds, the waves, the foreground stones or the details of doors and balconies are not accessories: they are signs that trigger the scene, small “proofs” of reality within a world that allows the impossible. That blend of fantasy and emotional truth places these works in a territory close to magical realism painting: a place where the extraordinary does not surprise, it simply happens.

This captivating oil-on-canvas work, with a marked surrealist and illustrative style, presents an elegant wooden Victorian house perched atop a pillar of stacked rocks that rises proudly above a dense sea of clouds. The composition stands out for its bold handling of chromatic contrast, opposing the intense crimson and magenta foliage of the majestic tree that embraces the house against the cool tones and violets of the sky and the rocky shadows. The warmth of the lit windows, added to the dynamism of the suspended rope bridge and the flock of birds on the horizon, imbue the scene with an atmosphere of poetic isolation, homely warmth, and imaginative fantasy.

Artwork by the artist Elizabeth created in the technique of oil on high-quality professional canvas. Dimension of 60 x 80 cm of painting. Original edition. Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world. The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube. Once the artwork is paid for, three days are required for the packing process and delivery to the shipping company. The piece will reach you within ten days, depending on the destination country.

The Cuban painter Elizabeth (professional training), based and active in Havana, develops a series of dream landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions —between the sea and the celestial— offer a poetic reflection on refuge, memory, and the fragility of what is inhabitable. With an atmospheric handling of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoke from chimneys, stairs that ascend, trees that bloom at improbable heights. The work blends precision in detail with expressiveness in matter, achieving images of strong visual and narrative impact, capable of existing between contemplation and wonder.

These Elizabeth pieces build a universe where the house —that intimate symbol of refuge— becomes a poetic idea more than architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on tiny islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase that climbs toward the uncertain, the smoke rising from a chimney as a sign of life, the lit windows that warm the remote, and the trees that, even at improbable heights, open up as a promise of continuity.

The theme is, at its core, a metaphor about belonging and balance: to “inhabit” is not only to be in a place, but to sustain it. Elizabeth turns the landscape into an emotional state. The stone —heavy, ancestral— appears worked with volume and nuances, with colors ranging from violet to ochre and from deep blue to mossy greens, as if each rock kept memory and time. On top of it, life: red roofs, illuminated wood, lush foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes with greater strength.

In color, there is a clear decision: expansive, atmospheric skies, filled with clouds that function as stage and as music. The color does not merely “describe”; it interprets. The blues become ocean and also distance; the pinks and oranges of twilight bring a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft areas (skies and glazes) and more emphatic moments in foliage and rock, where there is a taste for contrast and texture. The result is an image of great legibility —almost like a fairy tale— but with symbolic depth that avoids mere decoration.

Also notable is the compositional sense: Elizabeth knows how to guide the eye with clear routes (stairs, railings, diagonals of the cliff, curves of trunks) and to create centers of interest without overwhelming. The birds, the waves, the foreground stones or the details of doors and balconies are not accessories: they are signs that trigger the scene, small “proofs” of reality within a world that allows the impossible. That blend of fantasy and emotional truth places these works in a territory close to magical realism painting: a place where the extraordinary does not surprise, it simply happens.

This captivating oil-on-canvas work, with a marked surrealist and illustrative style, presents an elegant wooden Victorian house perched atop a pillar of stacked rocks that rises proudly above a dense sea of clouds. The composition stands out for its bold handling of chromatic contrast, opposing the intense crimson and magenta foliage of the majestic tree that embraces the house against the cool tones and violets of the sky and the rocky shadows. The warmth of the lit windows, added to the dynamism of the suspended rope bridge and the flock of birds on the horizon, imbue the scene with an atmosphere of poetic isolation, homely warmth, and imaginative fantasy.

Details

Artist
Elizabeth (XXI)
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Utopía Suspendida
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Excellent condition
Colour
Multicolour
Height
80 cm
Width
60 cm
Style
Surrealism
Period
2020+
SpainVerified
1061
Objects sold
100%
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