Mario Smeraglia (1977) - Profumo di Primavera





Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 140426 reviews
Rated Excellent on Trustpilot.
Profumo di Primavera, an oil on canvas by Mario Smeraglia (born 1977) from Italy, dated 2020+, 40 × 30 cm, hand-signed and executed in a classical style.
Description from the seller
Title: Spring Scent
Oil on canvas, 40 × 30 cm
An exuberant floral composition, executed in oil on canvas in the 40 × 30 cm format, in which Mario Smaraglia interprets the theme of nature in full bloom through a vibrant, tactile, and highly expressive painting. At the center of the scene, a deep blue vase welcomes a rich bouquet composed of poppies, hydrangeas, daisies, and numerous variegated flowers, arranged in a free and seemingly spontaneous structure.
The palette is dominated by the warm gold of the background, which creates a precious contrast with the blues, greens, and the numerous shades of pink, red, orange, white, and violet of the flowers. The corollas are built with rapid, thick brushstrokes, often overlapped, which give the forms a particular visual immediacy and a sense of movement. The petals, barely defined, seem to unfold on the canvas surface with a almost tactile freshness.
Particularly evocative is the central group of blue hydrangeas, the true chromatic fulcrum of the work, around which a rich pattern of green leaves and stems develops. The upper poppies, with their red and pinkish corollas, emerge brightly from the golden background, while the lower flowers expand the composition toward the supporting plane, creating a harmonious vertical flow.
The vase, painted in several shades of blue, introduces an element of order and stability to the bouquet’s liveliness. On the lower plane, fallen petals and small fragments of vegetation are scattered, a detail that intensifies the naturalness of the scene and suggests the passage of time.
The work is distinguished by a free, energetic, gestural brushstroke, capable of privileging the perception of the overall image over meticulous detailing. The painting material thus becomes the protagonist, returning the ephemeral vitality of the flowers and transforming the traditional subject of still life into a luminous, spontaneous, and contemporary celebration of spring.
Title: Spring Scent
Oil on canvas, 40 × 30 cm
An exuberant floral composition, executed in oil on canvas in the 40 × 30 cm format, in which Mario Smaraglia interprets the theme of nature in full bloom through a vibrant, tactile, and highly expressive painting. At the center of the scene, a deep blue vase welcomes a rich bouquet composed of poppies, hydrangeas, daisies, and numerous variegated flowers, arranged in a free and seemingly spontaneous structure.
The palette is dominated by the warm gold of the background, which creates a precious contrast with the blues, greens, and the numerous shades of pink, red, orange, white, and violet of the flowers. The corollas are built with rapid, thick brushstrokes, often overlapped, which give the forms a particular visual immediacy and a sense of movement. The petals, barely defined, seem to unfold on the canvas surface with a almost tactile freshness.
Particularly evocative is the central group of blue hydrangeas, the true chromatic fulcrum of the work, around which a rich pattern of green leaves and stems develops. The upper poppies, with their red and pinkish corollas, emerge brightly from the golden background, while the lower flowers expand the composition toward the supporting plane, creating a harmonious vertical flow.
The vase, painted in several shades of blue, introduces an element of order and stability to the bouquet’s liveliness. On the lower plane, fallen petals and small fragments of vegetation are scattered, a detail that intensifies the naturalness of the scene and suggests the passage of time.
The work is distinguished by a free, energetic, gestural brushstroke, capable of privileging the perception of the overall image over meticulous detailing. The painting material thus becomes the protagonist, returning the ephemeral vitality of the flowers and transforming the traditional subject of still life into a luminous, spontaneous, and contemporary celebration of spring.

