MEDSAN - Kintsugi Godzilla (金継ぎのゴジラ) - UNIQUE WORK

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Medsan’s Kintsugi Godzilla (金継ぎのゴジラ) – UNIQUE WORK is a 40 x 60 cm giclée on canvas from France (2026), an edition limitée, 1/1 signed by the artist and sold directly by En direct de l’artiste in excellent condition.

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Description from the seller

ONLY ONE IN THE WORLD EXISTS - EDITION 1/1

With this vertical-format work, Medsan confronts Godzilla, the kaijū born in 1954 under Ishirō Honda's camera for Toho, with the Japanese tradition of blue-and-white porcelain — Arita sometsuke, cousin of Delft blue and the great Ming depictions. The atomic monster appears treated as a dragon of antique tableware, and the entire surface mimics a crackled enamel, broken and repaired according to the principle of kintsugi. The mashup is contained in a single image: the icon of destruction becomes the fragile object itself.

Godzilla erupts from three-quarters, mouth open on a double row of teeth drawn with fine lines, the eye reduced to a dark dot encircled in red. Its spiny back plates occupy the rising diagonal, while its claws close on a miniature skyline with some windows lighting up in bright red. A scarlet flow descends along the throat, the only other warm accent in the composition: the atomic breath starting to rise. The rest is held in a wash of blue hatchings on an ivory background, and the network of cracks, outlined by veins that imitate kintsugi gilding, guides the eye from top left to the city below.

Kintsugi does not hide the crack; it highlights it: the fracture becomes the most precious ornament of the object. By applying this principle to Godzilla, Medsan inverts the roles — the being that breaks cities is here the broken piece, re glued, sublimated. The reading is compelling for a monster that Japan made to be a metaphor for its own nuclear wound, in a country that repairs its porcelain rather than discarding it.

A graphic piece that is immediately legible, ideal for adding a Japanese-inspired and pop touch to an interior of a collector who values precise references. What you receive: a unique screenprint on canvas, a pigment-ink print numbered 1/1 and hand-signed.

Technical specifications:
Artist: Medsan
Reference: Godzilla / Kintsugi / Blue-white porcelain / Kaijū / Sometsuke / Toho
Dimensions: 40 x 60 cm
Edition: Unique work — 1/1 (world's only copy)
Year: 2026
Support: Giclee print on canvas, using high-quality pigment ink to faithfully reproduce details and colors.
Signature: Yes, hand-signed
Condition: Excellent condition
Certificate: Certificate of authenticity (upon request)

About the Studio:
Atelier Joconde is a workshop of artists gathered around a living, plural contemporary creation. Established as a genuine production space, the studio operates both in collective creation and in individual approaches, depending on projects and works. Atelier Joconde is also a family venture. Le Yack, a contemporary figurative painter, develops a narrative and introspective body of work influenced by cinematic and realistic influences. At his side, Medsan, oriented toward pop art painting, explores color, modern iconography, and visual culture. Finally, Neo Pablo engages in a more instinctive search, blending abstract art, brut art, and figurative abstraction. Each work is conceived, created, and followed within the studio, with a shared artistic standard and an identity of its own for each artist.

Keywords:
Medsan, Atelier Joconde, Le Yack, Godzilla, Kintsugi, Blue-white porcelain, Kaijū, Sometsuke, Toho, Vertical format, Contemporary, Unique work, 1/1

ONLY ONE IN THE WORLD EXISTS - EDITION 1/1

With this vertical-format work, Medsan confronts Godzilla, the kaijū born in 1954 under Ishirō Honda's camera for Toho, with the Japanese tradition of blue-and-white porcelain — Arita sometsuke, cousin of Delft blue and the great Ming depictions. The atomic monster appears treated as a dragon of antique tableware, and the entire surface mimics a crackled enamel, broken and repaired according to the principle of kintsugi. The mashup is contained in a single image: the icon of destruction becomes the fragile object itself.

Godzilla erupts from three-quarters, mouth open on a double row of teeth drawn with fine lines, the eye reduced to a dark dot encircled in red. Its spiny back plates occupy the rising diagonal, while its claws close on a miniature skyline with some windows lighting up in bright red. A scarlet flow descends along the throat, the only other warm accent in the composition: the atomic breath starting to rise. The rest is held in a wash of blue hatchings on an ivory background, and the network of cracks, outlined by veins that imitate kintsugi gilding, guides the eye from top left to the city below.

Kintsugi does not hide the crack; it highlights it: the fracture becomes the most precious ornament of the object. By applying this principle to Godzilla, Medsan inverts the roles — the being that breaks cities is here the broken piece, re glued, sublimated. The reading is compelling for a monster that Japan made to be a metaphor for its own nuclear wound, in a country that repairs its porcelain rather than discarding it.

A graphic piece that is immediately legible, ideal for adding a Japanese-inspired and pop touch to an interior of a collector who values precise references. What you receive: a unique screenprint on canvas, a pigment-ink print numbered 1/1 and hand-signed.

Technical specifications:
Artist: Medsan
Reference: Godzilla / Kintsugi / Blue-white porcelain / Kaijū / Sometsuke / Toho
Dimensions: 40 x 60 cm
Edition: Unique work — 1/1 (world's only copy)
Year: 2026
Support: Giclee print on canvas, using high-quality pigment ink to faithfully reproduce details and colors.
Signature: Yes, hand-signed
Condition: Excellent condition
Certificate: Certificate of authenticity (upon request)

About the Studio:
Atelier Joconde is a workshop of artists gathered around a living, plural contemporary creation. Established as a genuine production space, the studio operates both in collective creation and in individual approaches, depending on projects and works. Atelier Joconde is also a family venture. Le Yack, a contemporary figurative painter, develops a narrative and introspective body of work influenced by cinematic and realistic influences. At his side, Medsan, oriented toward pop art painting, explores color, modern iconography, and visual culture. Finally, Neo Pablo engages in a more instinctive search, blending abstract art, brut art, and figurative abstraction. Each work is conceived, created, and followed within the studio, with a shared artistic standard and an identity of its own for each artist.

Keywords:
Medsan, Atelier Joconde, Le Yack, Godzilla, Kintsugi, Blue-white porcelain, Kaijū, Sometsuke, Toho, Vertical format, Contemporary, Unique work, 1/1

Details

Artist
MEDSAN
Sold by
Direct from the artist
Edition
Limited edition
Edition number
1
Title of artwork
Kintsugi Godzilla (金継ぎのゴジラ) - UNIQUE WORK
Technique
Giclée
Signature
Hand signed
Country of origin
France
Year
2026
Condition
Excellent condition
Height
60 cm
Width
40 cm
Depiction/theme
Pop Culture
Style
Pop Art
Period
2020+
Sold with frame
No
Sold by
FranceVerified
574
Objects sold
94.9%
Private

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