KromaTik - Luna, estrellas y campos de trigo XL

I am a visual artist based in Spain and KromaTiK is my alter ego. The name KromaTik, or Kroma, as my friends usually call me, refers to the use of color as an artistic act. As Kroma I prefer to remain anonymous.

Based in Barcelona, where from my studio and creative laboratory I develop my most personal work, projects and collaborations with brands for over 20 years. I have worked for brands such as Cervezas Alhambra, TotCor, Raima, Diputación de Barcelona, Grup ATRA, Sr. Martín and Therapyside, among others.

I hold a degree in Fine Arts, a master’s degree in communication and marketing focused on art, and a higher degree in plastic arts and design in textile art. I earned the teaching credential where I combine my passion for painting, which I work on 90%, with teaching 10%, I especially enjoy it in social work contexts, as I consider the importance of art in less favored environments: “art can transform people’s mindsets and it is the people who can improve the world.”

I enjoy teaching art, also because it forces me to leave the studio and engage with people, to create real connections and reflect them in my pictorial work.

I have exhibited in galleries such as Ola Gallery in Barcelona and La Panartería, specialized in urban and contemporary art in Madrid. Also in Creatitis Gallery in Madrid and Casa Panot in Barcelona. I have exhibited in Berlin at BCM_A Contemporary Art Laboratory. My work has also been part of the exhibition at the National Museum of Ceramics and Decorative Arts ‘González Martí’ in Valencia.

I experiment with urban art, installation, and mural painting. I have created several large-format walls in Madrid and Barcelona.

I have participated in numerous urban art festivals such as Pintamalasaña and CALLE in Madrid, winning the prize for poster design in 2024. I have also participated in CI Urban Fest in Madrid and FemFabrik in Barcelona.

I have received various mentions and my collectors are all over the world: France, Belgium, Spain, the United States, Portugal, and Germany.

Before studying Fine Arts, I came from the world of mathematics and physics, so topics like the cosmos and the universe, science, and human and universal connections interest me greatly.

Although I come from a classical and figurative academic education from the University of Fine Arts, what I like is working in abstract art because it forces me to paint without paying too much attention to what appears on the canvas, embracing and taking advantage of accident. It is gesture-based, intuitive painting that connects with my most primitive and authentic self. I tend to work in series, which helps me organize emotions and feelings.

I am inspired by films like “Contact” or “Interstellar,” and they directly influence my painting with their aesthetics and their vision of dystopian futures that ignite my imagination. Artists who have also influenced my plastic language include Joan Miró, Hilma af Klint, Sonia Delaunay, and Kandinsky.

I like to create connections with my clients; I believe it is the way to close the circle between artist and collector, where the energy of the collective is transformed and gives meaning to the act of creation.

This work explores human and universal connections through a dance of brushstrokes, textures, and colors, creating a vital flow. The Dialogue of Humanity with Nature manifests in a deep connection, harmony and cosmic chaos between the human being and everything around us.

Technique: Mixed media: acrylic, spray, waxes. There are no prints.

The indicated measurements refer to the canvas; mounted on a frame they will be smaller for mounting.

The work is delivered unframed (professional packaging, rolled in a tube).

The painting is created from free improvisation. Hand-signed on the back. Includes certificate of authenticity.