Hubert Duprilot - (2026) acrylique sur papier 65x50cm





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Hubert Duprilot, (2026) acrylic on paper 65 × 50 cm, original edition, signed, created in 2026, depicting a nude.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper 300g (50x65cm) "signed bottom right and on the back".
A neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for over thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a measure of hope in a universe that is sometimes dark and uncertain. His work probes our condition, our fears, but also our capacity to forge connections and reinvent ourselves.
For several years, convinced that traditional exhibitions require a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to invest in urban space. By turning to street art, he offers a new freedom to his characters, making them step out of the studio and take their place at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space becomes an open-air gallery where art invites itself into daily life, prompting questions, emotions, and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper 300g (50x65cm) "signed bottom right and on the back".
A neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for over thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a measure of hope in a universe that is sometimes dark and uncertain. His work probes our condition, our fears, but also our capacity to forge connections and reinvent ourselves.
For several years, convinced that traditional exhibitions require a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to invest in urban space. By turning to street art, he offers a new freedom to his characters, making them step out of the studio and take their place at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space becomes an open-air gallery where art invites itself into daily life, prompting questions, emotions, and encounters.

