Giovanni Paolo Panini (1691–1765), Follower of - Capriccio architettonico - NO RESERVE
01
day
00
hours
30
minutes
25
seconds
Current bid
€ 150
No reserve price
Expert
Selected by Giulia Santoro
Specialised in 17th century Old Master paintings and drawings with auction house experience.
Estimate € 800 - € 1,000
 | €150 | |
|---|---|---|
 | €141 | |
| €131 | |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 141948 reviews
Rated Excellent on Trustpilot.
Capriccio architettonico with Roman ruins and figures, oil on canvas, 19th century, attributed to a follower of Giovanni Paolo Panini, Italy, 41 × 21 cm, unsigned.
AI-assisted summary
Description from the seller
Architectural Capriccio with Roman Ruins and Figures. Oil on canvas.
Follower of Giovanni Paolo Panini (1691–1765).
Roman School, 19th century.
The elegiac painting proposed here offers a refined and dense testament to the great era of the Roman Capriccio of the eighteenth century. The composition, with its peculiar horizontal format—historically conceived as a precious element for an over-door or boiserie in a patrician drawing room—organized in the manner of the circle of the master Giovanni Paolo Panini, the foremost codifier of this genre.
The canvas invites the observer to a mental journey suspended in time, where archaeology becomes poetry. At the center of the scene rises the geometric silhouette of the Pyramid of Cestius, visual and ideal focal point of the Urbs, flanked by monumental backdrops of ruined columns and a majestic triumphal arch framing the background.
The composition evokes an immersive atmosphere: the palette plays on warm, earthy tones, where the browns of the millennial stones convey the solar warmth imprinted on the stone. The background opens onto a river basin bathed in a golden, powdery light, typical of the Lazio sunset, which reflects on the calm waters, imprinting a sense of widespread quiet.
Small “streaked” figures with quick and vibrant brushstrokes animate the shore, suggesting the contrast between the immutable grandeur of the glorious past and the transience of daily life.
The impasto brushwork, still legible on the surface of the canvas, returns the freshness and vitality of a rapid and measured execution, intended to decorate, with intellectual grace, the environments of the era’s aristocracy or the educated travelers of the Grand Tour.
The work preserves the fascinating patina of time and the old craquelé corroborates the historic flavor of the view.
The painting has been restored and relined in the last century. It deserves an updated cleaning.
Comes from a private Tuscan collection.
Dimensions: 41 cm x 21 cm.
Architectural Capriccio with Roman Ruins and Figures. Oil on canvas.
Follower of Giovanni Paolo Panini (1691–1765).
Roman School, 19th century.
The elegiac painting proposed here offers a refined and dense testament to the great era of the Roman Capriccio of the eighteenth century. The composition, with its peculiar horizontal format—historically conceived as a precious element for an over-door or boiserie in a patrician drawing room—organized in the manner of the circle of the master Giovanni Paolo Panini, the foremost codifier of this genre.
The canvas invites the observer to a mental journey suspended in time, where archaeology becomes poetry. At the center of the scene rises the geometric silhouette of the Pyramid of Cestius, visual and ideal focal point of the Urbs, flanked by monumental backdrops of ruined columns and a majestic triumphal arch framing the background.
The composition evokes an immersive atmosphere: the palette plays on warm, earthy tones, where the browns of the millennial stones convey the solar warmth imprinted on the stone. The background opens onto a river basin bathed in a golden, powdery light, typical of the Lazio sunset, which reflects on the calm waters, imprinting a sense of widespread quiet.
Small “streaked” figures with quick and vibrant brushstrokes animate the shore, suggesting the contrast between the immutable grandeur of the glorious past and the transience of daily life.
The impasto brushwork, still legible on the surface of the canvas, returns the freshness and vitality of a rapid and measured execution, intended to decorate, with intellectual grace, the environments of the era’s aristocracy or the educated travelers of the Grand Tour.
The work preserves the fascinating patina of time and the old craquelé corroborates the historic flavor of the view.
The painting has been restored and relined in the last century. It deserves an updated cleaning.
Comes from a private Tuscan collection.
Dimensions: 41 cm x 21 cm.
Details
Artist
Giovanni Paolo Panini (1691–1765)
Sold with frame
No
Sold by
Owner or reseller
Attribution
Follower of
Title of artwork
Capriccio architettonico - NO RESERVE
Technique
Oil painting
Signature
Not signed
Country of origin
Italy
Condition
Fair condition
Height
41 cm
Width
21 cm
Period
19th century
Sold by
