Tijs Dragtsma (1992) - Rocking Without a Rider

The chair rocks on, and there is no one there to rock it.

On a porch swallowed in darkness, a single chair holds its motion, caught between one sway and the next. The floorboards beneath it have been worn pale by years of feet and weather that are no longer present, and a single hard light falls from above, cutting the whole scene out of a deep, pure black. It is a portrait of absence built from stillness, or its opposite, movement with nobody left to claim it.

No paint. No print. No ink. The chair, the pale grain of the boards, the fall of shadow into that surrounding dark, all of it is scratched into the surface of the acrylic glass, drawn out through controlled surface damage rather than applied onto it. The image exists because material was taken away, not laid down.

The image is always present, even in a dim room. Under direct light the controlled scratches catch and hold it, the contrast deepens, and the fine grain and floating dust seem to hang a little longer in the air. Light does not create the image here. It sharpens it, and the piece reads differently from every angle without ever losing what it shows.

Seen from across a room, it settles into something monumental and quiet, one object holding an entire porch in silence and negative space. Move closer and that certainty dissolves into a field of fine controlled scratches, resolving back into the whole only once you step away again. Between those two distances sits the real subject of the work, what remains of someone once they are gone.

Rocking Without a Rider continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.

"Some things keep moving long after we let go of them."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.