Aleix Albareda - LA COMA I LA PEDRA FORGOTTEN FEARS

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Original 112 × 112 cm acrylic painting on canvas titled 'LA COMA I LA PEDRA FORGOTTEN FEARS' from Spain, hand-signed, dated 2023, sold directly by the artist, in excellent condition, a unique piece with a certificate of authenticity.

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Description from the seller

Unique piece, with certificate of authenticity.

REDARKNES·S - Acrylics on canvas, 112 × 112 cm
These paintings build a territory between the recognizable and the imagined. From an essential palette of blacks, grays and whites, the pictorial matter becomes landscape, memory and imprint. The surfaces appear fragmented, eroded and reconstructed through stains, gestures, transparencies and geometric weaves that coexist with a freer, more organic gesturality.
The image seems to emerge from an accumulation of matter. The dark center concentrates the gaze and functions as a kind of expanding nucleus, while the brushstrokes surrounding it suggest movement, vegetation, rock or a nature subjected to continual transformation. Light does not come from a single point: it appears between the layers, in small voids and white fragments that make the composition vibrate.
An architecture-like structure is introduced. Grids, modules and fields of texture organize the apparent chaos and establish a tension between order and overflow. The landscape stops being a literal representation to become an experience: something to be traversed, remembered and finally rebuilt through fragments.
In these works, the territory is not described; it is experienced. The painting functions as an emotional map where nature, memory and human intervention coexist. The geometric forms seem to be remnants of a rational structure that the painting material itself strives to undo. From this confrontation emerges a powerful, almost archaeological image, where each layer seems to contain the trace of a previous one.
The square format of 112 × 112 cm reinforces this frontal, enveloping experience: the viewer does not easily find an entry or exit point, but is trapped in a surface that expands in all directions.
These are works that speak, ultimately, of concrete places without being limited to them. Painting thus becomes a space of sedimentation: a place where lived, observed and imagined converge into the same matter.
aleixalbareda.com

Unique piece, with certificate of authenticity.

REDARKNES·S - Acrylics on canvas, 112 × 112 cm
These paintings build a territory between the recognizable and the imagined. From an essential palette of blacks, grays and whites, the pictorial matter becomes landscape, memory and imprint. The surfaces appear fragmented, eroded and reconstructed through stains, gestures, transparencies and geometric weaves that coexist with a freer, more organic gesturality.
The image seems to emerge from an accumulation of matter. The dark center concentrates the gaze and functions as a kind of expanding nucleus, while the brushstrokes surrounding it suggest movement, vegetation, rock or a nature subjected to continual transformation. Light does not come from a single point: it appears between the layers, in small voids and white fragments that make the composition vibrate.
An architecture-like structure is introduced. Grids, modules and fields of texture organize the apparent chaos and establish a tension between order and overflow. The landscape stops being a literal representation to become an experience: something to be traversed, remembered and finally rebuilt through fragments.
In these works, the territory is not described; it is experienced. The painting functions as an emotional map where nature, memory and human intervention coexist. The geometric forms seem to be remnants of a rational structure that the painting material itself strives to undo. From this confrontation emerges a powerful, almost archaeological image, where each layer seems to contain the trace of a previous one.
The square format of 112 × 112 cm reinforces this frontal, enveloping experience: the viewer does not easily find an entry or exit point, but is trapped in a surface that expands in all directions.
These are works that speak, ultimately, of concrete places without being limited to them. Painting thus becomes a space of sedimentation: a place where lived, observed and imagined converge into the same matter.
aleixalbareda.com

Details

Artist
Aleix Albareda
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
LA COMA I LA PEDRA FORGOTTEN FEARS
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Year
2023
Condition
Excellent condition
Height
112 cm
Width
112 cm
Depiction/theme
Landscape
Style
Contemporary
Period
2020+
SpainVerified
617
Objects sold
100%
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