Vasco - Behind the Walls






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Vasco presents Behind the Walls, an abstract work on delicate tissue paper sprayed with acrylic lacquer, signed Handsigniert, in an Original edition from 2020 and ff., measuring 70 by 50 cm and produced in Bulgaria, sold directly by the artist, in excellent condition.
Description from the seller
Behind the Walls is created on delicate tissue paper using acrylic lacquer spray. The paper is deliberately crumpled and then unfolded and smoothed again. This physical process leaves permanent folds, fractures and irregularities across the surface. The spray settles differently on every raised and recessed area, allowing color, shadow and texture to emerge from the damaged and transformed paper itself.
The process is essential to the work. The material is not returned to its original state. Every fold remains as evidence of what has happened to it.
Within the Boundaries series, these traces become a metaphor for the invisible structures we build around ourselves — boundaries shaped by memory, fear, experience, protection and belonging.
What appears to be a wall may also be a skin. What seems to separate may also protect. And what looks damaged may simply carry the evidence of having lived.
We spend much of our lives constructing walls between ourselves and the world, between who we are and who we believe we should be. Eventually, we may forget what exists behind them.
But perhaps there is no separate world behind the wall. Perhaps the wall itself has become part of us.
Behind the Walls does not ask us to destroy our boundaries. It asks us to recognize them — to understand what they protect, what they conceal, and whether we still need them.
Sometimes freedom does not begin when the wall disappears.
It begins when we dare to see what lies behind it.
Behind the Walls is created on delicate tissue paper using acrylic lacquer spray. The paper is deliberately crumpled and then unfolded and smoothed again. This physical process leaves permanent folds, fractures and irregularities across the surface. The spray settles differently on every raised and recessed area, allowing color, shadow and texture to emerge from the damaged and transformed paper itself.
The process is essential to the work. The material is not returned to its original state. Every fold remains as evidence of what has happened to it.
Within the Boundaries series, these traces become a metaphor for the invisible structures we build around ourselves — boundaries shaped by memory, fear, experience, protection and belonging.
What appears to be a wall may also be a skin. What seems to separate may also protect. And what looks damaged may simply carry the evidence of having lived.
We spend much of our lives constructing walls between ourselves and the world, between who we are and who we believe we should be. Eventually, we may forget what exists behind them.
But perhaps there is no separate world behind the wall. Perhaps the wall itself has become part of us.
Behind the Walls does not ask us to destroy our boundaries. It asks us to recognize them — to understand what they protect, what they conceal, and whether we still need them.
Sometimes freedom does not begin when the wall disappears.
It begins when we dare to see what lies behind it.
