Joan Torres de Torres (1953) - Venecia

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Estimate  € 450 - € 550
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Venecia, oil on canvas by Joan Torres de Torres (1953) from Spain, created in the 1970s, 61 × 50 cm, hand-signed, original edition.

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Description from the seller

Pictura Subastas presents this magnificent artwork belonging to Torres de Torres, depicting a tranquil urban canal surrounded by old buildings and vegetation, whose shapes reflect on dark, quiet waters. The painting stands out for its excellent technique and the high pictorial quality it conveys.

• Unframed dimensions: 61x50x2 cm.
• Oil on canvas hand-signed by the artist on the back of the work.
• The piece is in good condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the actual article in color, scale, and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the professional packaging cost and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping is available.

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This painting presents a suggestive urban scene organized around a canal that winds between old buildings until it disappears into the distance. Water occupies the center and most of the composition, becoming the element that unites the facades, vegetation, sky and shadows through an extensive reflective surface. The scene conveys a sense of silence and contemplation, as if the city had been suspended for a few moments and only the slow movement of the water remained.

The perspective leads the eye from the bottom toward the canal’s narrowing in the background. The two margins advance diagonally and approach progressively, creating an intense sense of depth. This visual journey invites the viewer to follow the water’s course and imagine what streets, bridges or urban corners might lie beyond the buildings that partially close the view.

On the left side appears a narrow elevated promenade that accompanies the canal’s course. Its light surface contrasts with the dark water and seems bounded by a small wall. The path curves gently as it advances toward the background, disappearing behind a dense mass of vegetation. This combination between architecture and nature softens the hardness of the structures and brings freshness to the urban environment.

The vegetation along the promenade forms a dense ensemble of greens, grays and bluish tones. Its irregular canopies project toward the canal and seem to partially hide the buildings behind. The lighter areas suggest leaves touched by light, while the deeper greens create shaded spaces. This green band provides a beautiful contrast with the warm facades that rise on the opposite bank.

On the right side there is a succession of old buildings whose walls descend directly to the water. The facades display an attractive range of ochers, earth tones, pinks, browns and grays, accompanied by lighter areas that seem worn by time. The dark windows are distributed at different heights and break the continuity of the walls, suggesting quiet interiors full of history.

Some structures show upper floors in warm tones, with rows of narrow windows repeated in an orderly fashion. Other facades are simpler and present small isolated openings near the canal’s surface. The variety of heights, colors and proportions adds richness to the architectural ensemble and conveys the impression of a city that has grown slowly, accumulating buildings from different eras.

In the distance, the constructions seem to cluster and close around the canal. Their outlines become progressively less defined and take on softer tones, creating an enveloping atmosphere. Small green notes appear on balconies or windows, hinting at the presence of plants and domestic life. These details add humanity to the scene, even though no figures are seen strolling along the banks.

The water possesses deep chromatic richness and blends dark greens, bluish grays, browns, blacks and white highlights. Fragmented reflections of the buildings and trees are projected onto its surface. The vertical reflections of the warm facades mix with the deep shadows of the canal, while the lighter areas seem to gather the sky’s brightness. This superimposition turns the water into a changing and mysterious mirror.

At the bottom, the reflections become broader and more diffuse. A wide blue-white area occupies the center, as if the sky had forced its way through the shadows. Green and dark shapes related to trees and nearby buildings appear around it. The lack of rigid contours gives the water a soft, silent, and slightly unreal appearance, enhancing the artwork’s evocative character.

The absence of boats and people reinforces the sense of stillness. The canal seems to belong to an early morning hour or to a moment after rain, when streets are empty and humidity intensifies colors. The viewer can imagine the faint sound of water against the walls, some distant echo from the houses, and the fresh air circulating among the façades.

The work establishes an interesting dialogue between the solidity of architecture and the changing nature of the reflections. The buildings represent permanence, memory and the passage of time, while the water continually transforms its shapes and colors. This opposition gives emotional depth to the scene and allows contemplation not only as an urban view but also as an image connected to memory, stillness and the beauty of everyday life.

The overall atmosphere has an intimate and melancholy character. Muted colors, soft lights and deep shadows create a sense of mystery without being unsettling. The canal functions as a quiet path that runs through the city, preserving on its surface fragments of everything that surrounds it. Each window, each wall and each tree seems to be mirrored in the water, acquiring a more fragile and poetic existence.

All in all, this painting offers a serene and deeply evocative view of an urban canal flanked by ancient buildings and abundant vegetation, whose forms are reflected on dark, tranquil waters. The pronounced perspective, the richness of the reflections and the silent atmosphere turn the scene into an image full of depth, nostalgia and mystery, capable of conveying the intimate beauty of a city viewed from the water.

Seller's Story

We are Pictura Auctions and our mission is to provide an online space where art lovers, collectors and enthusiasts can immerse themselves in a wide repertoire of masterpieces, from the most revolutionary avant-garde to classic jewels that have stood the test of time. Our team of expert curators has carefully assembled a diverse and exciting collection, selecting the most significant and moving pieces from different eras and cultures.
Translated by Google Translate

Pictura Subastas presents this magnificent artwork belonging to Torres de Torres, depicting a tranquil urban canal surrounded by old buildings and vegetation, whose shapes reflect on dark, quiet waters. The painting stands out for its excellent technique and the high pictorial quality it conveys.

• Unframed dimensions: 61x50x2 cm.
• Oil on canvas hand-signed by the artist on the back of the work.
• The piece is in good condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the actual article in color, scale, and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the professional packaging cost and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping is available.

------------------------------------------------------------------

This painting presents a suggestive urban scene organized around a canal that winds between old buildings until it disappears into the distance. Water occupies the center and most of the composition, becoming the element that unites the facades, vegetation, sky and shadows through an extensive reflective surface. The scene conveys a sense of silence and contemplation, as if the city had been suspended for a few moments and only the slow movement of the water remained.

The perspective leads the eye from the bottom toward the canal’s narrowing in the background. The two margins advance diagonally and approach progressively, creating an intense sense of depth. This visual journey invites the viewer to follow the water’s course and imagine what streets, bridges or urban corners might lie beyond the buildings that partially close the view.

On the left side appears a narrow elevated promenade that accompanies the canal’s course. Its light surface contrasts with the dark water and seems bounded by a small wall. The path curves gently as it advances toward the background, disappearing behind a dense mass of vegetation. This combination between architecture and nature softens the hardness of the structures and brings freshness to the urban environment.

The vegetation along the promenade forms a dense ensemble of greens, grays and bluish tones. Its irregular canopies project toward the canal and seem to partially hide the buildings behind. The lighter areas suggest leaves touched by light, while the deeper greens create shaded spaces. This green band provides a beautiful contrast with the warm facades that rise on the opposite bank.

On the right side there is a succession of old buildings whose walls descend directly to the water. The facades display an attractive range of ochers, earth tones, pinks, browns and grays, accompanied by lighter areas that seem worn by time. The dark windows are distributed at different heights and break the continuity of the walls, suggesting quiet interiors full of history.

Some structures show upper floors in warm tones, with rows of narrow windows repeated in an orderly fashion. Other facades are simpler and present small isolated openings near the canal’s surface. The variety of heights, colors and proportions adds richness to the architectural ensemble and conveys the impression of a city that has grown slowly, accumulating buildings from different eras.

In the distance, the constructions seem to cluster and close around the canal. Their outlines become progressively less defined and take on softer tones, creating an enveloping atmosphere. Small green notes appear on balconies or windows, hinting at the presence of plants and domestic life. These details add humanity to the scene, even though no figures are seen strolling along the banks.

The water possesses deep chromatic richness and blends dark greens, bluish grays, browns, blacks and white highlights. Fragmented reflections of the buildings and trees are projected onto its surface. The vertical reflections of the warm facades mix with the deep shadows of the canal, while the lighter areas seem to gather the sky’s brightness. This superimposition turns the water into a changing and mysterious mirror.

At the bottom, the reflections become broader and more diffuse. A wide blue-white area occupies the center, as if the sky had forced its way through the shadows. Green and dark shapes related to trees and nearby buildings appear around it. The lack of rigid contours gives the water a soft, silent, and slightly unreal appearance, enhancing the artwork’s evocative character.

The absence of boats and people reinforces the sense of stillness. The canal seems to belong to an early morning hour or to a moment after rain, when streets are empty and humidity intensifies colors. The viewer can imagine the faint sound of water against the walls, some distant echo from the houses, and the fresh air circulating among the façades.

The work establishes an interesting dialogue between the solidity of architecture and the changing nature of the reflections. The buildings represent permanence, memory and the passage of time, while the water continually transforms its shapes and colors. This opposition gives emotional depth to the scene and allows contemplation not only as an urban view but also as an image connected to memory, stillness and the beauty of everyday life.

The overall atmosphere has an intimate and melancholy character. Muted colors, soft lights and deep shadows create a sense of mystery without being unsettling. The canal functions as a quiet path that runs through the city, preserving on its surface fragments of everything that surrounds it. Each window, each wall and each tree seems to be mirrored in the water, acquiring a more fragile and poetic existence.

All in all, this painting offers a serene and deeply evocative view of an urban canal flanked by ancient buildings and abundant vegetation, whose forms are reflected on dark, tranquil waters. The pronounced perspective, the richness of the reflections and the silent atmosphere turn the scene into an image full of depth, nostalgia and mystery, capable of conveying the intimate beauty of a city viewed from the water.

Seller's Story

We are Pictura Auctions and our mission is to provide an online space where art lovers, collectors and enthusiasts can immerse themselves in a wide repertoire of masterpieces, from the most revolutionary avant-garde to classic jewels that have stood the test of time. Our team of expert curators has carefully assembled a diverse and exciting collection, selecting the most significant and moving pieces from different eras and cultures.
Translated by Google Translate

Details

Artist
Joan Torres de Torres (1953)
Sold with frame
No
Sold by
Gallery
Edition
Original
Title of artwork
Venecia
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Good condition
Height
61 cm
Width
50 cm
Style
Impressionism
Period
1970-1980
SpainVerified
2606
Objects sold
100%
protop

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