Camerapohoto Epoche/Vittorio Pavan - 19-Alain Delon in piazza San Marco, Venezia, 1962






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 141948 reviews
Rated Excellent on Trustpilot.
Digital pigment ink print by Camerapohoto Epoche/Vittorio Pavan, titled “19-Alain Delon in piazza San Marco, Venezia, 1962,” edition 01/30, 55 × 55 cm, signed with a stamp.
Description from the seller
Digital printing with pigment inks on baryta fiber silk paper, using a 60×70 cm sheet.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310 g Silk fiber baryta paper. pigment inks. Paper 60×70 cm.
The image is obtained from a 6×6 cm negative.
Camera Epoche - Venice Historical Archive:
Three hundred thousand mostly unpublished black-and-white images: negatives on glass give way, as time passes, to 4×5 inch film sheets, then to 120-roll films during the Fifties, replaced by 135 cartridges from the early 1970s onward. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick peek at it and we can’t help falling in love with long-gone faces, places and facts whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day- and night-time views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or prints reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and white-and-black analogue press and the creation of photographic services for newspapers and weeklies, including “Il Corriere della Sera”, “La Stampa”, “Der Spiegel”, “Time” and “Life”.
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogs, including Vasily Kandinsky, Egon Schiele, Cagnaccio, Titian and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he performs analogue prints in black and white and fine-art digital prints, for professionals and artists; among my clients include Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about five years he has dedicated himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, which negatives represent, in various aspects, the history of Venice and not only.
Digital printing with pigment inks on baryta fiber silk paper, using a 60×70 cm sheet.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310 g Silk fiber baryta paper. pigment inks. Paper 60×70 cm.
The image is obtained from a 6×6 cm negative.
Camera Epoche - Venice Historical Archive:
Three hundred thousand mostly unpublished black-and-white images: negatives on glass give way, as time passes, to 4×5 inch film sheets, then to 120-roll films during the Fifties, replaced by 135 cartridges from the early 1970s onward. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick peek at it and we can’t help falling in love with long-gone faces, places and facts whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day- and night-time views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or prints reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and white-and-black analogue press and the creation of photographic services for newspapers and weeklies, including “Il Corriere della Sera”, “La Stampa”, “Der Spiegel”, “Time” and “Life”.
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogs, including Vasily Kandinsky, Egon Schiele, Cagnaccio, Titian and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he performs analogue prints in black and white and fine-art digital prints, for professionals and artists; among my clients include Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about five years he has dedicated himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, which negatives represent, in various aspects, the history of Venice and not only.
