Camerapohoto Epoche/Vittorio Pavan - 70-Salvador Dalì-Teatro "La fenice" Venezia 1961
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Selected by Kai Brückner
Over 35 years' experience; former gallery owner and Museum Folkwang curator.
Estimate € 300 - € 400
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Camerapohoto Epoche/Vittorio Pavan presents the digital pigment ink print titled “70-Salvador Dalì-Teatro La fenice Venezia 1961,” edition 01/30, on 310 g silk fiber baryta paper measuring 60x70 cm with a 55x55 cm image area and stamped signature.
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Description from the seller
Digital inkjet pigment prints on baryta fiber silk paper, on a 60x70 cm sheet.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310 g Silk fiber baryta paper. Pigment inks. Paper 60 x 70 cm.
The image obtained from a 6×6 cm negative
Camera Epoche - Venice Historical Archive:
Three hundred thousand, mostly unpublished black-and-white photographs: negatives on glass giving way, as time passes, to 4 x 5 film sheet images, then to 120 rolls during the Fifties, replaced by 135 cartridges from the early 1970s onward. Such is the content of the Cameraphoto Epoche archive in numbers. A quick look at it and we can’t help falling in love with long-gone faces, places and events whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day and night views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or print reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weeklies, including “Il Corriere della Sera”, “La Stampa”, “Der Spiegel”, “Time” and “Life”.
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogues, including
Vasilij Kandiskij, Egon Schiele, Cagnaccio, Tiziano and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he produces analogue black-and-white prints and fine art digital prints, for professionals and artists, among my clients include; Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about 5 years he dedicates himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, which negatives represent in the various aspects, the history of Venice and not only.
Digital inkjet pigment prints on baryta fiber silk paper, on a 60x70 cm sheet.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310 g Silk fiber baryta paper. Pigment inks. Paper 60 x 70 cm.
The image obtained from a 6×6 cm negative
Camera Epoche - Venice Historical Archive:
Three hundred thousand, mostly unpublished black-and-white photographs: negatives on glass giving way, as time passes, to 4 x 5 film sheet images, then to 120 rolls during the Fifties, replaced by 135 cartridges from the early 1970s onward. Such is the content of the Cameraphoto Epoche archive in numbers. A quick look at it and we can’t help falling in love with long-gone faces, places and events whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day and night views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or print reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weeklies, including “Il Corriere della Sera”, “La Stampa”, “Der Spiegel”, “Time” and “Life”.
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogues, including
Vasilij Kandiskij, Egon Schiele, Cagnaccio, Tiziano and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he produces analogue black-and-white prints and fine art digital prints, for professionals and artists, among my clients include; Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about 5 years he dedicates himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, which negatives represent in the various aspects, the history of Venice and not only.
Details
Artist
Camerapohoto Epoche/Vittorio Pavan
Sold by
Owner or reseller
Title of artwork
70-Salvador Dalì-Teatro "La fenice" Venezia 1961
Condition
Extremely fine
Technique
Digital print
Height
55 cm
Edition
01/30
Width
55 cm
Signature
Stamped
Genre
Photojournalism
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