Alunno - Fabrica del Mondo - 1562

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Francesco Alunno da Ferrara's Fabrica del Mondo, published in Venice in 1562 by Francesco Rampazetto, 1st edition in this format, in Italian, 604 pages, parchment binding, in good condition.

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Description from the seller

THE FACTORY OF THE WORLD: DANTE, PETRARCA AND BOCCACCIO, NOMINATORS OF THINGS
Just as Odysseus rules the world by naming things, so Francesco Alunno attempts to reconstruct the entire universe of the Italian language through the words of its three greatest authors: Dante, Petrarch and Boccaccio. The Fabrica del Mondo is not merely a lexical repertory, but one of the first great European attempts to catalogue reality through language. Published in Venice in 1562 in the expanded and corrected edition by Francesco Rampazetto, the work gathers thousands of vocabularies, expressions, and linguistic forms drawn from the great vernacular literature, becoming the most authoritative reference tool for scholars, jurists, preachers, and humanists of the Renaissance. Anticipating by several decades the Vocabolario dell’Accademia della Crusca, the Fabrica del Mondo represents a milestone in the birth of Italian lexicography. The specimen preserves the authentic contemporary binding in full parchment, an element always appreciated by collectors of Renaissance linguistic texts.
WHY TO BUY
One of the first great dictionaries of the Italian language.
A fundamental work in the history of lexicography before the Crusca.
Built entirely on the lexicon of Dante, Petrarch and Boccaccio.
An indispensable tool for understanding the formation of literary Italian.

MARKET VALUE
The sixteenth-century editions of the Fabrica del Mondo are consistently sought after by collectors of lexicography, Italian philology, and Dante studies. Complete copies of the Venetian editions of the XVI century appear relatively rarely on the international market. Copies in similar condition, preserved in their contemporary binding and with normal signs of use, are typically valued between €1,000 and €2,500, while particularly fresh copies or those from important historical libraries can command higher prices.

PHYSICAL DESCRIPTION AND CONDITION
In folio. Frontispiece with a large woodcut typographic mark. Contemporary full parchment binding, worn, with manuscript title on the spine and old annotations on the rear board. Spine restored and showing signs of use. Small worming present in the initial leaves and gradually disappearing after about twenty leaves. Guard attachments reinforced. Some tears and stains, more evident in the lower outer corner of some leaves. Complete, genuine specimen. Leaves [38], 262 [i.e. 264]. In old books, with a centuries-long history, there may be some imperfections not always noted in the description. This listing contains AI visualizations. Please refer to the original photographs to verify the actual condition of the item. The images are an integral part of the description.

FULL TITLE AND AUTHOR
Francesco Alunno da Ferrara.
Della Fabrica del Mondo di M. Francesco Alunno da Ferrara, nella quale si contengono le voci di Dante, del Petrarca, del Boccaccio, & d’altri buoni autori... Di nuovo ristampata, corregta et ampliata.
Venezia, Francesco Rampazetto, 1562.

CONTEXT AND SIGNIFICANCE
The Fabrica del Mondo represents one of the decisive moments in the construction of the Italian language. In an era when Italian did not yet have a widely shared standard, Alunno transformed Dante, Petrarch and Boccaccio into the great legislators of the vernacular, systematically collecting their lexical patrimony and offering scholars a tool capable of guiding writing according to the models deemed most authoritative. More than a simple linguistic repertory, the volume is an attempt to order the world through words, building a geography of knowledge founded on literature. For decades it was one of the main working tools for scholars, notaries, preachers, and students, exerting a decisive influence on the codification of literary Italian.

BIOGRAPHY OF THE AUTHOR
Francesco Alunno da Ferrara (c. 1484–1556) was among the most important grammarians, philologists, and lexicographers of the Italian Renaissance. He devoted much of his activity to the study of the vernacular and to the systematization of the lexicon drawn from the great Trecento authors. His works enjoyed widespread editorial diffusion and prepared the ground for the birth of modern Italian lexicography, directly influencing the subsequent work of the Accademia della Crusca.

PRINTING HISTORY AND CIRCULATION
The first edition of the Fabrica del Mondo appeared in Venice in 1546 and was immediately very successful. In the following decades the work was printed again, expanded and corrected several times, testifying to its enormous diffusion among Italian humanist circles. The 1562 edition belongs to the mature phase of the work and is one of the most complete versions published in the sixteenth century. Its broad circulation decisively contributed to the formation of Renaissance linguistic taste and to the future development of Crusca’s Vocabolario.

BIBLIOGRAPHY AND REFERENCES
EDIT16, CNCE 1368.
ICCU – OPAC SBN, record of the Venetian edition of 1562.
Adams, Catalogue of Books Printed on the Continent of Europe.
Mortimer, Italian Sixteenth Century Books.
BM STC Italian Books.
USTC – Universal Short Title Catalogue, editions of Francesco Alunno.
Gianfranco Folena, La lessicografia italiana dalle origini alla Crusca.
Mirko Tavoni, Storia della lingua italiana. Il primo Cinquecento.
Amedeo Quondam, Il volgare come lingua della cultura nel Rinascimento.
Enciclopedia Dantesca, entries dedicated to the linguistic fortune of Dante in the XVI century.

Seller's Story

Luxury Books: Your Go-To Guide for Nabbing Literary Treasures! Embarking on the thrilling journey of collecting rare and timeless printed works? Here's your snappy rundown, "The Collector's Cheat Sheet," to ensure you're not just flipping pages but stacking up the value: 1. Edition and Rarity: Rarity is the name of the game. First editions, limited printings, and books flaunting unique features like eye-catching illustrations or mind-blowing bindings? Consider them the VIPs of the collector's world. 2. Condition & Dimension: Picture this – a book in mint condition, untouched by the woes of wear and tear. Now, flip the script: wear, foxing, discoloration – they're the villains here. And don't forget to size up the dimensions, because a book's size matters in the collector's universe. 3. Authenticity: In a world of replicas and forgeries, verifying a book's authenticity is your superhero move. Expert examination and authentication – your trusty sidekicks in this quest. 4. Provenance: Who owned it before you? If the book has hobnobbed with famous figures or danced through historical events, its value skyrockets. Every book has a story, but some have blockbuster tales. 5. Demand and Market Trends: Think of book values as the stock market of the literary world. Stay savvy on collector trends and market shifts to ride the waves of value. 6. Subject Matter: Some topics are like fine wine – they get better with time. Dive into subjects with a timeless appeal or ride the wave of emerging cultural and historical relevance. 7. Binding and Design: Beauty is more than skin deep. Intricate bindings, stunning covers, and illustrations – these are the accessories that make a book runway-ready in the collector's eyes. 8. Association Copies: Books with a personal touch – whether it's a connection to the author or a famous personality – elevate the historical vibes. A book with a backstory? Count us in. 9. Investment Potential: Passion is the engine, but some collectors eye future returns. Keep in mind, though, that the book market can be as unpredictable as a plot twist. 10. Expert Advice: New to the game? Don't play solo. Seek wisdom from the book gurus, hit up book fairs, and join collector communities. We at Luxury Books are the Yodas of the rare book galaxy, helping you build collections that scream sophistication and cultural clout. Because collecting rare books isn't just about dollar signs – it's a journey of preserving heritage and embracing literary treasures. Happy collecting!
Translated by Google Translate

THE FACTORY OF THE WORLD: DANTE, PETRARCA AND BOCCACCIO, NOMINATORS OF THINGS
Just as Odysseus rules the world by naming things, so Francesco Alunno attempts to reconstruct the entire universe of the Italian language through the words of its three greatest authors: Dante, Petrarch and Boccaccio. The Fabrica del Mondo is not merely a lexical repertory, but one of the first great European attempts to catalogue reality through language. Published in Venice in 1562 in the expanded and corrected edition by Francesco Rampazetto, the work gathers thousands of vocabularies, expressions, and linguistic forms drawn from the great vernacular literature, becoming the most authoritative reference tool for scholars, jurists, preachers, and humanists of the Renaissance. Anticipating by several decades the Vocabolario dell’Accademia della Crusca, the Fabrica del Mondo represents a milestone in the birth of Italian lexicography. The specimen preserves the authentic contemporary binding in full parchment, an element always appreciated by collectors of Renaissance linguistic texts.
WHY TO BUY
One of the first great dictionaries of the Italian language.
A fundamental work in the history of lexicography before the Crusca.
Built entirely on the lexicon of Dante, Petrarch and Boccaccio.
An indispensable tool for understanding the formation of literary Italian.

MARKET VALUE
The sixteenth-century editions of the Fabrica del Mondo are consistently sought after by collectors of lexicography, Italian philology, and Dante studies. Complete copies of the Venetian editions of the XVI century appear relatively rarely on the international market. Copies in similar condition, preserved in their contemporary binding and with normal signs of use, are typically valued between €1,000 and €2,500, while particularly fresh copies or those from important historical libraries can command higher prices.

PHYSICAL DESCRIPTION AND CONDITION
In folio. Frontispiece with a large woodcut typographic mark. Contemporary full parchment binding, worn, with manuscript title on the spine and old annotations on the rear board. Spine restored and showing signs of use. Small worming present in the initial leaves and gradually disappearing after about twenty leaves. Guard attachments reinforced. Some tears and stains, more evident in the lower outer corner of some leaves. Complete, genuine specimen. Leaves [38], 262 [i.e. 264]. In old books, with a centuries-long history, there may be some imperfections not always noted in the description. This listing contains AI visualizations. Please refer to the original photographs to verify the actual condition of the item. The images are an integral part of the description.

FULL TITLE AND AUTHOR
Francesco Alunno da Ferrara.
Della Fabrica del Mondo di M. Francesco Alunno da Ferrara, nella quale si contengono le voci di Dante, del Petrarca, del Boccaccio, & d’altri buoni autori... Di nuovo ristampata, corregta et ampliata.
Venezia, Francesco Rampazetto, 1562.

CONTEXT AND SIGNIFICANCE
The Fabrica del Mondo represents one of the decisive moments in the construction of the Italian language. In an era when Italian did not yet have a widely shared standard, Alunno transformed Dante, Petrarch and Boccaccio into the great legislators of the vernacular, systematically collecting their lexical patrimony and offering scholars a tool capable of guiding writing according to the models deemed most authoritative. More than a simple linguistic repertory, the volume is an attempt to order the world through words, building a geography of knowledge founded on literature. For decades it was one of the main working tools for scholars, notaries, preachers, and students, exerting a decisive influence on the codification of literary Italian.

BIOGRAPHY OF THE AUTHOR
Francesco Alunno da Ferrara (c. 1484–1556) was among the most important grammarians, philologists, and lexicographers of the Italian Renaissance. He devoted much of his activity to the study of the vernacular and to the systematization of the lexicon drawn from the great Trecento authors. His works enjoyed widespread editorial diffusion and prepared the ground for the birth of modern Italian lexicography, directly influencing the subsequent work of the Accademia della Crusca.

PRINTING HISTORY AND CIRCULATION
The first edition of the Fabrica del Mondo appeared in Venice in 1546 and was immediately very successful. In the following decades the work was printed again, expanded and corrected several times, testifying to its enormous diffusion among Italian humanist circles. The 1562 edition belongs to the mature phase of the work and is one of the most complete versions published in the sixteenth century. Its broad circulation decisively contributed to the formation of Renaissance linguistic taste and to the future development of Crusca’s Vocabolario.

BIBLIOGRAPHY AND REFERENCES
EDIT16, CNCE 1368.
ICCU – OPAC SBN, record of the Venetian edition of 1562.
Adams, Catalogue of Books Printed on the Continent of Europe.
Mortimer, Italian Sixteenth Century Books.
BM STC Italian Books.
USTC – Universal Short Title Catalogue, editions of Francesco Alunno.
Gianfranco Folena, La lessicografia italiana dalle origini alla Crusca.
Mirko Tavoni, Storia della lingua italiana. Il primo Cinquecento.
Amedeo Quondam, Il volgare come lingua della cultura nel Rinascimento.
Enciclopedia Dantesca, entries dedicated to the linguistic fortune of Dante in the XVI century.

Seller's Story

Luxury Books: Your Go-To Guide for Nabbing Literary Treasures! Embarking on the thrilling journey of collecting rare and timeless printed works? Here's your snappy rundown, "The Collector's Cheat Sheet," to ensure you're not just flipping pages but stacking up the value: 1. Edition and Rarity: Rarity is the name of the game. First editions, limited printings, and books flaunting unique features like eye-catching illustrations or mind-blowing bindings? Consider them the VIPs of the collector's world. 2. Condition & Dimension: Picture this – a book in mint condition, untouched by the woes of wear and tear. Now, flip the script: wear, foxing, discoloration – they're the villains here. And don't forget to size up the dimensions, because a book's size matters in the collector's universe. 3. Authenticity: In a world of replicas and forgeries, verifying a book's authenticity is your superhero move. Expert examination and authentication – your trusty sidekicks in this quest. 4. Provenance: Who owned it before you? If the book has hobnobbed with famous figures or danced through historical events, its value skyrockets. Every book has a story, but some have blockbuster tales. 5. Demand and Market Trends: Think of book values as the stock market of the literary world. Stay savvy on collector trends and market shifts to ride the waves of value. 6. Subject Matter: Some topics are like fine wine – they get better with time. Dive into subjects with a timeless appeal or ride the wave of emerging cultural and historical relevance. 7. Binding and Design: Beauty is more than skin deep. Intricate bindings, stunning covers, and illustrations – these are the accessories that make a book runway-ready in the collector's eyes. 8. Association Copies: Books with a personal touch – whether it's a connection to the author or a famous personality – elevate the historical vibes. A book with a backstory? Count us in. 9. Investment Potential: Passion is the engine, but some collectors eye future returns. Keep in mind, though, that the book market can be as unpredictable as a plot twist. 10. Expert Advice: New to the game? Don't play solo. Seek wisdom from the book gurus, hit up book fairs, and join collector communities. We at Luxury Books are the Yodas of the rare book galaxy, helping you build collections that scream sophistication and cultural clout. Because collecting rare books isn't just about dollar signs – it's a journey of preserving heritage and embracing literary treasures. Happy collecting!
Translated by Google Translate

Details

Number of books
1
Subject
Literature
Book title
Fabrica del Mondo
Author/ Illustrator
Alunno
Condition
Good
Publication year oldest item
1562
Height
306 mm
Edition
1st Edition Thus
Width
232 mm
Language
Italian
Original language
Yes
Publisher
Venezia, Francesco Rampazetto, 1562.
Binding/ Material
Vellum
Number of pages
604
ItalyVerified
219
Objects sold
100%
protop

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