Francien Krieg - Inhereted beauty






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
€170 | ||
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€160 | ||
€150 |
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Inherited beauty, hand-signed, 2026, a digital print with woodcut by a Surrealist portrait from the Netherlands, original edition, 35 × 45 cm, period 2020+, sold directly from the artist, in excellent condition.
Description from the seller
I investigate how a face never remains a single fixed image. Different fragments of the same figure shift, overlap, and contradict each other. The classical portrait and the old frame are torn open, as if the image can no longer be confined within one form.
The work refers to the way beauty, identity and memory change over time. Not one face is the true face; every version carries something of the others within it.
The irregular silhouette makes the work an object between painting, relief and contemporary portrait. The soft skin tones and historical references contrast with the sharp cutouts and visible interruptions.
The image is digitally constructed, with AI used as part of the image-making process. The different facial fragments, frames, overlaps and cutouts were then selected, edited and brought together by the artist into a single composition. The image is high-quality printed on a specially cut-to-size wooden panel. The outer contour follows the composition, making it not a traditional rectangular print, but a physically shaped panel that sits between image, painting and object.
Seller's Story
I investigate how a face never remains a single fixed image. Different fragments of the same figure shift, overlap, and contradict each other. The classical portrait and the old frame are torn open, as if the image can no longer be confined within one form.
The work refers to the way beauty, identity and memory change over time. Not one face is the true face; every version carries something of the others within it.
The irregular silhouette makes the work an object between painting, relief and contemporary portrait. The soft skin tones and historical references contrast with the sharp cutouts and visible interruptions.
The image is digitally constructed, with AI used as part of the image-making process. The different facial fragments, frames, overlaps and cutouts were then selected, edited and brought together by the artist into a single composition. The image is high-quality printed on a specially cut-to-size wooden panel. The outer contour follows the composition, making it not a traditional rectangular print, but a physically shaped panel that sits between image, painting and object.
