Francien Krieg - Outside the Given






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
€198 | ||
|---|---|---|
€188 |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142824 reviews
Rated Excellent on Trustpilot.
Outside the Given is a 2026 hand-signed original woodprint incorporating digital print, woodcut, giclee and AI techniques in a surreal portrait, 40 × 30 cm, originating from the Netherlands and sold directly by the artist.
Description from the seller
This work is a wood relief with an irregular, cut-out contour. Through the use of trompe-l’oeil — literally ‘deceiving the eye’ — parts of the face and the surround seem to lie at different depths. Shadows, edges and overlaps evoke the impression of protruding fragments and recessed planes. Thus the portrait takes on the character of a spatial wall object.
The image refers to classical European portrait painting, but breaks its unity. The face and the frame seem to slide apart. What normally holds a portrait together becomes, here, part of the estrangement.
With these works I investigate how the image of women is formed by ideals of beauty and expectations. The frame also stands for the context within which someone is expected to fit. The face does not entirely conform to it: it remains present, but cannot be easily captured.
Seller's Story
This work is a wood relief with an irregular, cut-out contour. Through the use of trompe-l’oeil — literally ‘deceiving the eye’ — parts of the face and the surround seem to lie at different depths. Shadows, edges and overlaps evoke the impression of protruding fragments and recessed planes. Thus the portrait takes on the character of a spatial wall object.
The image refers to classical European portrait painting, but breaks its unity. The face and the frame seem to slide apart. What normally holds a portrait together becomes, here, part of the estrangement.
With these works I investigate how the image of women is formed by ideals of beauty and expectations. The frame also stands for the context within which someone is expected to fit. The face does not entirely conform to it: it remains present, but cannot be easily captured.
