J. Levy (XIX-XX) - Maison au bord de la rivière - NO RESERVE

02
days
09
hours
59
minutes
48
seconds
Current bid
€ 22
No reserve price
Caroline Bokobza
Expert
Selected by Caroline Bokobza

Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.

Estimate  € 200 - € 300
NL
€22
ES
€3
IT
€2

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Maison au bord de la rivière, a nineteenth‑century oil painting by J. Levy from France, in the Romantic landscape tradition, measuring 49 × 65 cm, sold with frame.

AI-assisted summary

Description from the seller

J. Lévy — French School, late 19th century – early 20th century
House by the river

Oil on canvas. Signed “J. Lévy”.

An attractive landscape belonging to the French school of the late 19th century – early 20th century, signed J. Lévy in the lower right corner. The work is part of the important French landscape tradition developed between the two centuries, still linked to naturalism and the legacy of the Barbizon School, but gradually adopting a freer and more atmospheric execution.

The composition depicts a tranquil river scene. On the right bank rises a small rural house, partially sheltered by a lush mass of trees, while a boat with several figures slowly crosses the water. Other figures appear scattered around the dwelling and the path, introducing small scenes of daily life that discretely animate the landscape.

The composition is carefully balanced. The large open space of the sky and horizon occupies a good portion of the left sector, while the house and dense vegetation concentrate visual weight on the right. This arrangement creates a pleasant sense of depth, breadth, and serenity.

The treatment of the water is especially successful, resolved with silvery, ochre, and greenish tones that gently capture the luminosity of the sky. The river’s surface also serves as a visual entry point into the scene, guiding the eye from the foreground to the boat and then toward the distant landscape.

The vegetation presents a rich and varied execution. Deep greens, earth tones, ochres and small bright touches build the trees and riverbank vegetation, while tiny notes of red, yellow, and orange appear among the foreground flowers. These small chromatic accents bring vitality without interrupting the restrained character of the whole.

The rural architecture is treated with special sensitivity. The small dwelling, with its aged roofs and earthen walls, is practically integrated into the landscape, reinforcing that harmonious vision of the relationship between nature and human presence that characterizes much French landscape painting of the period.

The figures, executed with small, precise brushstrokes, play a fundamental role in the composition: they provide scale to the landscape and add a narrative dimension without competing with the true protagonist of the work, which remains nature.

From a stylistic point of view, the painting maintains close ties with the French realist landscape tradition of the 19th century, particularly with the Barbizon-derived tradition and with later plein air painting. At the same time, the relatively free brushwork in certain areas and the interest in atmospheric effects place it within the transitional period toward the new landscape sensibilities of the early 20th century.

The work is signed “J. Lévy” in red in the lower right corner. The signature is clearly visible, though the exact attribution would require additional documentation or research, so it is prudent to catalog it within the French school of the late 19th century – early 20th century.

The conservation state should be carefully assessed using the supplied photographs, which are an integral part of the description and allow appreciation of the signs of age and use.

The frame, if included, is considered a gift, without commercial value and not part of the artwork. Any damage to the frame during transport shall not be grounds for complaint.

The work will be carefully packaged in a professional manner, using materials appropriate to provide maximum protection during transportation.

IMPORTANT: shipments to islands, extra-peninsular territories, or destinations subject to customs procedures may incur additional transport, handling, and/or customs costs, which will be borne by the buyer.

Seller's Story

At ARTEMISA we specialize in the selection and auction of artworks, antiques, and collectible items, combining experience, passion, and special care in the choosing and presentation of each piece. Throughout our journey we have assembled a catalog of more than 10,000 works, spanning a wide variety of schools, styles, and periods, with particular attention to painting and European art. The pieces mainly come from private collections and other selected sources, which allows us to maintain a broad, diverse, and continually renewing offering. Each work is studied and presented with the aim of providing the collector with rigorous and transparent information, paying special attention to its cataloging, condition, and artistic context. We work for both seasoned collectors and those who are just beginning to discover the world of art, offering—from accessible works to pieces of special historical, artistic, or decorative interest. At ARTEMISA we understand each auction as an opportunity to discover, conserve, and give new life to works with history, connecting them with collectors around the world.
Translated by Google Translate

J. Lévy — French School, late 19th century – early 20th century
House by the river

Oil on canvas. Signed “J. Lévy”.

An attractive landscape belonging to the French school of the late 19th century – early 20th century, signed J. Lévy in the lower right corner. The work is part of the important French landscape tradition developed between the two centuries, still linked to naturalism and the legacy of the Barbizon School, but gradually adopting a freer and more atmospheric execution.

The composition depicts a tranquil river scene. On the right bank rises a small rural house, partially sheltered by a lush mass of trees, while a boat with several figures slowly crosses the water. Other figures appear scattered around the dwelling and the path, introducing small scenes of daily life that discretely animate the landscape.

The composition is carefully balanced. The large open space of the sky and horizon occupies a good portion of the left sector, while the house and dense vegetation concentrate visual weight on the right. This arrangement creates a pleasant sense of depth, breadth, and serenity.

The treatment of the water is especially successful, resolved with silvery, ochre, and greenish tones that gently capture the luminosity of the sky. The river’s surface also serves as a visual entry point into the scene, guiding the eye from the foreground to the boat and then toward the distant landscape.

The vegetation presents a rich and varied execution. Deep greens, earth tones, ochres and small bright touches build the trees and riverbank vegetation, while tiny notes of red, yellow, and orange appear among the foreground flowers. These small chromatic accents bring vitality without interrupting the restrained character of the whole.

The rural architecture is treated with special sensitivity. The small dwelling, with its aged roofs and earthen walls, is practically integrated into the landscape, reinforcing that harmonious vision of the relationship between nature and human presence that characterizes much French landscape painting of the period.

The figures, executed with small, precise brushstrokes, play a fundamental role in the composition: they provide scale to the landscape and add a narrative dimension without competing with the true protagonist of the work, which remains nature.

From a stylistic point of view, the painting maintains close ties with the French realist landscape tradition of the 19th century, particularly with the Barbizon-derived tradition and with later plein air painting. At the same time, the relatively free brushwork in certain areas and the interest in atmospheric effects place it within the transitional period toward the new landscape sensibilities of the early 20th century.

The work is signed “J. Lévy” in red in the lower right corner. The signature is clearly visible, though the exact attribution would require additional documentation or research, so it is prudent to catalog it within the French school of the late 19th century – early 20th century.

The conservation state should be carefully assessed using the supplied photographs, which are an integral part of the description and allow appreciation of the signs of age and use.

The frame, if included, is considered a gift, without commercial value and not part of the artwork. Any damage to the frame during transport shall not be grounds for complaint.

The work will be carefully packaged in a professional manner, using materials appropriate to provide maximum protection during transportation.

IMPORTANT: shipments to islands, extra-peninsular territories, or destinations subject to customs procedures may incur additional transport, handling, and/or customs costs, which will be borne by the buyer.

Seller's Story

At ARTEMISA we specialize in the selection and auction of artworks, antiques, and collectible items, combining experience, passion, and special care in the choosing and presentation of each piece. Throughout our journey we have assembled a catalog of more than 10,000 works, spanning a wide variety of schools, styles, and periods, with particular attention to painting and European art. The pieces mainly come from private collections and other selected sources, which allows us to maintain a broad, diverse, and continually renewing offering. Each work is studied and presented with the aim of providing the collector with rigorous and transparent information, paying special attention to its cataloging, condition, and artistic context. We work for both seasoned collectors and those who are just beginning to discover the world of art, offering—from accessible works to pieces of special historical, artistic, or decorative interest. At ARTEMISA we understand each auction as an opportunity to discover, conserve, and give new life to works with history, connecting them with collectors around the world.
Translated by Google Translate

Details

Artist
J. Levy (XIX-XX)
Sold with frame
Yes
Sold by
Gallery
Title of artwork
Maison au bord de la rivière - NO RESERVE
Technique
Oil painting
Signature
Signed
Country of origin
France
Condition
Fair condition
Height
49 cm
Width
65 cm
Depiction/theme
Landscape
Style
Romanticism
Period
19th century
SpainVerified
2019
Objects sold
100%
protop

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