Lucía Laurent - XL - La dama del kimono





€180 | ||
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€170 | ||
€160 | ||
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Lucía Laurent - XL presents La dama del kimono, an acrylic painting on canvas (120 x 90 cm), original edition, hand-signed, created after 2020 in Spain.
Description from the seller
Lucía Lauren (LILI) is a Cuban visual artist who is essentially self-taught, trained in Social Communication at the University of Havana.
Her relationship with images began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a keen sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity have in her current painting.
Ultimately she found in the plastic arts a much broader space for expression. Painting allowed her to bring together those earlier experiences and transform them into an intimate and recognizable universe, mainly constructed with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely aim to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting begins from a marked visual synthesis. Lucía removes much of the secondary information to retain only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build immediately legible images, yet loaded with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not depicted as a heroic or distant figure, but from a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional shelter. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost merge, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or merge into the backgrounds until the boundary between figure and nature blurs at times. Thus, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast of black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus Lucía Lauren develops seemingly simple painting but carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until it reveals its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can appear decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies much of the personality of her work.
Artwork by the artist Lucía Laurent made in Acrylic on high-quality professional canvas.
Dimension: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world.
The work will be rolled and will be protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Three days are required for the packaging process and delivery to the shipping company once the work is paid.
The piece will arrive within ten days, depending on the destination country.
“This lot contains AI-generated visualizations. Please consult the original photographs to verify the actual condition of the work.”
This acrylic on canvas work combines stylized figuration with a marked influence of Art Deco and geometric abstraction. The composition presents a serene-faced female figure with closed eyes in a contemplative attitude, holding a black-and-white cat in her lap that looks directly at the viewer. The sophisticated attire of the protagonist stands out, characterized by a tunic with expressive brushstrokes and polychrome tones in yellow, blue, orange, and pink, which harmoniously contrasts with the linear and fragmented structure of the background. The use of golden delimitations and patches of pure color generates great visual richness, chromatic dynamism, and a modern atmosphere of great aesthetic refinement.
Lucía Lauren (LILI) is a Cuban visual artist who is essentially self-taught, trained in Social Communication at the University of Havana.
Her relationship with images began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a keen sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity have in her current painting.
Ultimately she found in the plastic arts a much broader space for expression. Painting allowed her to bring together those earlier experiences and transform them into an intimate and recognizable universe, mainly constructed with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely aim to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting begins from a marked visual synthesis. Lucía removes much of the secondary information to retain only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build immediately legible images, yet loaded with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not depicted as a heroic or distant figure, but from a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional shelter. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost merge, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or merge into the backgrounds until the boundary between figure and nature blurs at times. Thus, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast of black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus Lucía Lauren develops seemingly simple painting but carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until it reveals its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can appear decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies much of the personality of her work.
Artwork by the artist Lucía Laurent made in Acrylic on high-quality professional canvas.
Dimension: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world.
The work will be rolled and will be protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Three days are required for the packaging process and delivery to the shipping company once the work is paid.
The piece will arrive within ten days, depending on the destination country.
“This lot contains AI-generated visualizations. Please consult the original photographs to verify the actual condition of the work.”
This acrylic on canvas work combines stylized figuration with a marked influence of Art Deco and geometric abstraction. The composition presents a serene-faced female figure with closed eyes in a contemplative attitude, holding a black-and-white cat in her lap that looks directly at the viewer. The sophisticated attire of the protagonist stands out, characterized by a tunic with expressive brushstrokes and polychrome tones in yellow, blue, orange, and pink, which harmoniously contrasts with the linear and fragmented structure of the background. The use of golden delimitations and patches of pure color generates great visual richness, chromatic dynamism, and a modern atmosphere of great aesthetic refinement.

