Lucía Laurent - XL - Aroma de café

Lucía Lauren (LILI) is a Cuban artist with a primarily self-taught plastic art formation, graduated in Social Communication from the University of Havana.

Her relationship with images began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Finally, she found in the plastic arts a much broader space for expression. Painting allowed her to unite those earlier experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a pronounced visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined contours, and flat forms build immediately legible images, yet loaded with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on clearly graphic intensity.

The woman occupies the center of practically her entire pictorial universe. She is not represented as a heroic or distant figure, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and quiet glamour.

Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional shelter. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds to the point of blurring the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming the same sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to construct the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman seated next to the cat and the cup of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image that does not feel cold. The protagonist does not perform any concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus, Lucía Lauren develops apparently simple painting but carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies a large part of the personality of her work.

Artwork by the artist Lucía Laurent made in Acrylic on high-quality professional canvas.
Dimensions 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and handover to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Please check the original photographs to verify the actual condition of the work.”


This acrylic on canvas work is a stylized figurative piece with strong Art Deco influence and modern pop illustration that evokes the warmth of a everyday ritual. The composition features the portrait of a female figure with her eyes closed in a gesture of delight, sporting a jet-black mane adorned with daisies, a blouse with horizontal stripes in navy blue and light blue tones, and a polka-dot scarf at the neck. She delicately holds a steaming cup adorned with a heart, accompanied in the surroundings by a traditional Italian moka pot on the right and ornamental cacti on the left. The background is articulated by symmetrical arches, golden lines, and a radiant field of carmine red that highlights the central figure, achieving an exceptionally sophisticated, harmonious aesthetic proposal with strong chromatic impact.