Lucía Laurent - XL - El abrazo silente





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Lucía Laurent - XL presents El abrazo silente, an original acrylic painting on canvas (120 cm by 90 cm) in multicolor, created after 2020, hand-signed and sold directly by the artist in Spain.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with a predominantly self-taught plastic arts background, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Later she spent several years immersed in the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphical clarity acquire in her current painting.
Ultimately she found in the plastic arts a much broader space for expression. Painting allowed her to bring together those previous experiences and transform them into an intimate and recognizable universe, mainly built with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she deems essential. Serene faces, large areas of color, defined contours, and flat forms build images that are immediately legible, yet charged with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, earth tones, ochres, mustards, and cream tones live alongside deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of virtually her entire pictorial universe. She is not represented as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shape of the cat nearly fuse, turning the composition into a representation of affection.
Flowers and vegetation serve a similar function. They surround the protagonists, appear on their dresses, or merge into the backgrounds to the point of blurring the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensitivity.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, like the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene to find its essential emotion.
Her universe is feminine, botanical, domestic, and affective. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent created in acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) to Spain and Europe, and via FedEx to the rest of the world. The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging and delivery to the shipping company process. The piece will reach you within ten days, depending on the destination country.
"This lot contains visualizations created with AI. Please check the original photographs to verify the real condition of the work."
This acrylic-on-canvas work stands out for its modern Art Deco-influenced aesthetic and retro illustration, combining stylized figuration with an elaborate geometric composition. The painting shows a female figure with a bob haircut in profile, delicately holding a black cat with vibrant yellow eyes, both oriented in serenity toward the same direction. The protagonist wears a garment adorned with large polka dots in warm tones—orange, pink, and beige—creating an organic counterpoint against a fragmented background of color blocks in olive green, cobalt blue, red, and yellow, delineated by fine gold lines. The precision of the line, the application of flat color, and the richness of the abstract shapes give the piece a sophisticated, harmonious character with a strong visual impact.
Lucía Lauren (LILI) is a Cuban artist with a predominantly self-taught plastic arts background, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Later she spent several years immersed in the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphical clarity acquire in her current painting.
Ultimately she found in the plastic arts a much broader space for expression. Painting allowed her to bring together those previous experiences and transform them into an intimate and recognizable universe, mainly built with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she deems essential. Serene faces, large areas of color, defined contours, and flat forms build images that are immediately legible, yet charged with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, earth tones, ochres, mustards, and cream tones live alongside deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of virtually her entire pictorial universe. She is not represented as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shape of the cat nearly fuse, turning the composition into a representation of affection.
Flowers and vegetation serve a similar function. They surround the protagonists, appear on their dresses, or merge into the backgrounds to the point of blurring the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensitivity.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, like the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene to find its essential emotion.
Her universe is feminine, botanical, domestic, and affective. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent created in acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) to Spain and Europe, and via FedEx to the rest of the world. The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging and delivery to the shipping company process. The piece will reach you within ten days, depending on the destination country.
"This lot contains visualizations created with AI. Please check the original photographs to verify the real condition of the work."
This acrylic-on-canvas work stands out for its modern Art Deco-influenced aesthetic and retro illustration, combining stylized figuration with an elaborate geometric composition. The painting shows a female figure with a bob haircut in profile, delicately holding a black cat with vibrant yellow eyes, both oriented in serenity toward the same direction. The protagonist wears a garment adorned with large polka dots in warm tones—orange, pink, and beige—creating an organic counterpoint against a fragmented background of color blocks in olive green, cobalt blue, red, and yellow, delineated by fine gold lines. The precision of the line, the application of flat color, and the richness of the abstract shapes give the piece a sophisticated, harmonious character with a strong visual impact.

