Yuni R. P - Sendero florido

YUNI R. P.'s painting is built from a direct, physical relationship with matter. Working mainly with oil on canvas and discarding the brush in favor of the spatula, the artist develops a pictorial surface where color does not merely describe the image: it acquires volume, direction, and movement.

The spatula allows him to deposit, drag, and layer the oil through broad, decisive gestures. From this procedure emerge surfaces of considerable material- chromatic richness, where colors are partially on the canvas without losing their individuality entirely. This feature constitutes one of the most recognizable elements of his language: intense blues, turquoises, solar yellows, oranges, reds, and whites appear confronted and interwoven in a highly luminous palette.

Although his output includes landscapes, gardens, figures, and urban scenes, in recent years the sea has become one of the great axes of his painting. Sails, ports, coasts, reflections, and horizons appear repeatedly, transformed by a gaze that privileges sensory experience over meticulous description. His residence in Havana and the daily proximity to the coastal landscape thus find natural reflection in his imagination.

Formally, his work dialogues with certain principles of Impressionism and Post-Impressionism: capturing changing light, chromatic fragmentation, and the will to convey an impression rather than a photographic reproduction of the subject. In some of his seascapes there is even a discernible affinity with Joaquín Sorolla's luminist tradition, particularly in the interest in the radiance of the water and in the way whites, blues, and yellows turn the marine surface into a space of light. It is not a imitation, but an affinity within a long tradition of artists fascinated by the relationship between sea, color, and luminosity.

However, YUNI R. P. takes that tradition toward a more materially emphatic painting. The imprint of the spatula remains visible and turns each color plane into a small structure. Up close, the painting can verge on abstraction; from a distance, those blobs and directions reorganize themselves as sails, reflections, vegetation, figures, or horizons. That tension between abstraction and representation is one of the most appealing aspects of his work.

Photographs can hardly fully convey this character. In front of the canvas, the relief of the oil and the changes produced by the incident light give the works a presence and a depth that exceed the two-dimensional image. The result is an immediate, vital, and recognizable painting, characterized by strong chromatic energy and by a deeply optimistic view of the landscape.

Yuniesky Rodríguez Peña's public career includes solo and group exhibitions in Cuba and his work in international private collections. His work has also been internationally disseminated through platforms and organizations dedicated to contemporary art. His works are collected in several places in Europe both privately and institutionally.

Artwork by the artist Yuni made in the oil on high-quality professional canvas technique.
Dimension: 73 x 52 cm of painting.
Original edition.
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The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
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The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please consult the original photographs to verify the actual condition of the work.”

This oil painting on canvas is a piece of distinctly impressionist style that evokes serenity and contemplation in nature. The composition follows a female figure with her back turned, wearing a light-blue dress, who enters a narrow path flanked by an abundance of wildflowers. The expressive use of the spatula and heavy impastos stand out, creating a rich texture and tactile dynamism in the petals and foliage. The color palette is bright and festive, dominated by intense greens, luminous yellows, pinks, whites, and touches of crimson red, where natural light seems to filter through the plants to bathe the scene in a warm, poetic, and enveloping atmosphere.