Anton Wessely (1848–1908), Attributed to - Landscape with figures by the river






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Landscape with figures by the river, a 1898 oil on canvas attributed to Anton Wessely (1848–1908), Austrian, with frame.
Description from the seller
Attributed to Anton Wessely (1848–1908) — Landscape with Figures by the River, 1898
Technical sheet
Authorship: Attributed to Anton Wessely (Vienna, 1848–1908)
School: Central European / Austro-Hungarian, late 19th century
Title: Landscape with figures by the river
Date: 1898
Technique: Oil on canvas
Signature: Signed and dated in the lower left corner
Signature reading: Compatible with “A. Wesely / A. Wessely”
Dimensions of the work: 113.5 × 86 cm
Dimensions with frame: 117 × 100 cm
Frame: 19th-century gilded frame, later adapted to the work
Description
An interesting and elegant oil on canvas dated 1898, large format with notable decorative presence.
The composition centers around a monumental, large tree that dominates the center of the scene and structurally frames the landscape. At its feet unfolds a tranquil expanse of water, while in the distance gentle mountain elevations appear, wrapped in a luminous atmosphere.
In the lower central zone, a small group of figures develops a scene of everyday life along the shore. Their traditional attire, rendered with delicate touches of red, white, blue and earth tones, adds an attractive narrative and ethnographic component.
The reduced scale of the figures against nature accentuates the monumentality of the landscape and provides a convincing sense of depth.
The execution combines areas of thicker, more impasto brushwork—especially visible in the vegetation and the surface of the land—with others treated more softly and atmospherically in the sky, water, and distant planes.
Authorship and context
The painting bears a signed date of 1898 in the lower left corner.
Although the signature is partially integrated into the dark tonalities of the landscape, its script is compatible with reading:
“A. Wesely / A. Wessely”
The research conducted allows proposing as a hypothesis of authorship the Austrian painter Anton Wessely (1848–1908), active during the second half of the 19th century.
There are documented works by Wessely signed with spellings close to “A. Wessely” and “A. Wesely”; this circumstance, together with the chronology, the pictorial language and the subject matter of this painting, makes this attribution reasonable.
As a prudent and rigorous cataloguing precaution, and until a definitive authentication of authorship exists, the work is offered as:
Attributed to Anton Wessely (1848–1908).
School and possible geographic context
Both the character of the landscape and the attire of the figures place the work within the Central European and Austro-Hungarian cultural sphere of the late 19th century.
The traditional costumes depicted could be related to territories of the southeastern part of the former Austro-Hungarian Empire or Balkan and dynamic areas, though it is not possible to determine a specific location for certain based solely on the scene depicted.
This element adds special interest to the painting, combining landscape, genre painting and representation of rural life in the late 19th century.
State of conservation
The work is in a conservation state appropriate for its age.
Natural signs of the passage of time and small historical conservation interventions are visible, including on the back of the canvas.
The gilded frame is old, probably 19th century, and has been adapted later to the painting’s dimensions. It shows wear, small losses, marks and signs typical of its age.
Photographs are an integral part of the description and allow a detailed assessment of the work’s condition.
A large-format painting with strong visual presence and notable historical charm, especially attractive for the monumentality of the landscape, the delicacy of its small figures and the serene atmosphere that envelops the entire composition.
A work created more than 125 years ago, yet still capable of preserving the sensitivity and taste for nature characteristic of late 19th-century European painting.
Shipping and conditions
The work will be prepared and shipped by a professional transport company, using specialized packaging, a custom-made box, and foam protections, with particular attention to the safe protection of the piece throughout the entire logistics process.
We ship worldwide.
Because of the work’s dimensions, certain destinations may require special logistical services. If there are additional charges arising from the large format, continental or non-EU destinations, or special transport circumstances, such extra amounts will be borne by the buyer.
The frame is included free of charge with the work. Since it is an antique ornamental element that is not the main part of the lot, no claims relating to its conservation status will be admitted.
Barcelona Art Gallery prepares each work with maximum care, professionalism and respect, aiming for it to reach its new destination in the best possible condition.
Seller's Story
Attributed to Anton Wessely (1848–1908) — Landscape with Figures by the River, 1898
Technical sheet
Authorship: Attributed to Anton Wessely (Vienna, 1848–1908)
School: Central European / Austro-Hungarian, late 19th century
Title: Landscape with figures by the river
Date: 1898
Technique: Oil on canvas
Signature: Signed and dated in the lower left corner
Signature reading: Compatible with “A. Wesely / A. Wessely”
Dimensions of the work: 113.5 × 86 cm
Dimensions with frame: 117 × 100 cm
Frame: 19th-century gilded frame, later adapted to the work
Description
An interesting and elegant oil on canvas dated 1898, large format with notable decorative presence.
The composition centers around a monumental, large tree that dominates the center of the scene and structurally frames the landscape. At its feet unfolds a tranquil expanse of water, while in the distance gentle mountain elevations appear, wrapped in a luminous atmosphere.
In the lower central zone, a small group of figures develops a scene of everyday life along the shore. Their traditional attire, rendered with delicate touches of red, white, blue and earth tones, adds an attractive narrative and ethnographic component.
The reduced scale of the figures against nature accentuates the monumentality of the landscape and provides a convincing sense of depth.
The execution combines areas of thicker, more impasto brushwork—especially visible in the vegetation and the surface of the land—with others treated more softly and atmospherically in the sky, water, and distant planes.
Authorship and context
The painting bears a signed date of 1898 in the lower left corner.
Although the signature is partially integrated into the dark tonalities of the landscape, its script is compatible with reading:
“A. Wesely / A. Wessely”
The research conducted allows proposing as a hypothesis of authorship the Austrian painter Anton Wessely (1848–1908), active during the second half of the 19th century.
There are documented works by Wessely signed with spellings close to “A. Wessely” and “A. Wesely”; this circumstance, together with the chronology, the pictorial language and the subject matter of this painting, makes this attribution reasonable.
As a prudent and rigorous cataloguing precaution, and until a definitive authentication of authorship exists, the work is offered as:
Attributed to Anton Wessely (1848–1908).
School and possible geographic context
Both the character of the landscape and the attire of the figures place the work within the Central European and Austro-Hungarian cultural sphere of the late 19th century.
The traditional costumes depicted could be related to territories of the southeastern part of the former Austro-Hungarian Empire or Balkan and dynamic areas, though it is not possible to determine a specific location for certain based solely on the scene depicted.
This element adds special interest to the painting, combining landscape, genre painting and representation of rural life in the late 19th century.
State of conservation
The work is in a conservation state appropriate for its age.
Natural signs of the passage of time and small historical conservation interventions are visible, including on the back of the canvas.
The gilded frame is old, probably 19th century, and has been adapted later to the painting’s dimensions. It shows wear, small losses, marks and signs typical of its age.
Photographs are an integral part of the description and allow a detailed assessment of the work’s condition.
A large-format painting with strong visual presence and notable historical charm, especially attractive for the monumentality of the landscape, the delicacy of its small figures and the serene atmosphere that envelops the entire composition.
A work created more than 125 years ago, yet still capable of preserving the sensitivity and taste for nature characteristic of late 19th-century European painting.
Shipping and conditions
The work will be prepared and shipped by a professional transport company, using specialized packaging, a custom-made box, and foam protections, with particular attention to the safe protection of the piece throughout the entire logistics process.
We ship worldwide.
Because of the work’s dimensions, certain destinations may require special logistical services. If there are additional charges arising from the large format, continental or non-EU destinations, or special transport circumstances, such extra amounts will be borne by the buyer.
The frame is included free of charge with the work. Since it is an antique ornamental element that is not the main part of the lot, no claims relating to its conservation status will be admitted.
Barcelona Art Gallery prepares each work with maximum care, professionalism and respect, aiming for it to reach its new destination in the best possible condition.
