G. Gabellone (XX) - Bodegón con peces





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Bodegón con peces, an oil painting attributed to the Italian artist Giuseppe Gabellone (XX), signed by hand, post-impressionist in style, framed, painting 28 × 38 cm (43 × 52 cm with frame), period 1970–1980, original edition.
Description from the seller
Still life with fish
Oil painting attributed to Giuseppe Gabellone, Italian artist of the 20th century.
Work of a post-impressionist character, executed with expressive brushwork and impasto, with a particular presence of pictorial material in the fish and in the different elements of the still life. The composition stands out for its use of color and contrasts of light.
Hand-signed at the bottom of the work.
Approximate period: second half of the 20th century.
Country of origin: Italy.
Technique: oil.
Dimensions of the painting: 28 × 38 cm.
Total dimensions with frame: 43 × 52 cm.
The work is attributed to Giuseppe Gabellone based on the signature present and its pictorial characteristics. There is no certificate of authenticity.
The work shows signs of age and use consistent with its era. It is recommended to observe closely the photographs, which are an integral part of the description of the state of conservation.
Still life with fish
Oil painting attributed to Giuseppe Gabellone, Italian artist of the 20th century.
Work of a post-impressionist character, executed with expressive brushwork and impasto, with a particular presence of pictorial material in the fish and in the different elements of the still life. The composition stands out for its use of color and contrasts of light.
Hand-signed at the bottom of the work.
Approximate period: second half of the 20th century.
Country of origin: Italy.
Technique: oil.
Dimensions of the painting: 28 × 38 cm.
Total dimensions with frame: 43 × 52 cm.
The work is attributed to Giuseppe Gabellone based on the signature present and its pictorial characteristics. There is no certificate of authenticity.
The work shows signs of age and use consistent with its era. It is recommended to observe closely the photographs, which are an integral part of the description of the state of conservation.

