Fulvia Bisi (1818-1911) - Paesaggio






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Paesaggio, an oil painting on canvas by Fulvia Bisi (1818–1911) from the XIX century, Italy, sold with frame.
Description from the seller
Oil painting on canvas
Signed bottom right: FULVIA BISI
Canvas size 99 x 66 cm
Dimensions with frame 116 x 86 cm
The painting is in good condition, large in size and of painterly quality.
The frame is also in excellent condition
In case of sale the painting will be carefully packaged and insured for shipping
Daughter of an artist, her father was Giuseppe Bisi, a respected Lombard painter. After being awarded at the Brera Academy in 1845 for a large mountain landscape, she established herself on the Milanese artistic scene as the heir to the Lombard Romantic tradition. She began to exhibit frequently and participated in the major exhibitions of Turin, Parma and Florence, at the National Exhibition of 1881 in Milan and in 1887 in Venice, achieving notable success. From the mid-forties of the twentieth century she began to detach herself from her father's influence and produced a vast repertoire of Lombard and Ticinese views and landscapes influenced by contemporary researches in a naturalistic key, as well represented by the work catalogued. Her painting is characterized by vibrant tones composed of rapid brushstrokes and a particular sensitivity to the light values of the landscape.
Oil painting on canvas
Signed bottom right: FULVIA BISI
Canvas size 99 x 66 cm
Dimensions with frame 116 x 86 cm
The painting is in good condition, large in size and of painterly quality.
The frame is also in excellent condition
In case of sale the painting will be carefully packaged and insured for shipping
Daughter of an artist, her father was Giuseppe Bisi, a respected Lombard painter. After being awarded at the Brera Academy in 1845 for a large mountain landscape, she established herself on the Milanese artistic scene as the heir to the Lombard Romantic tradition. She began to exhibit frequently and participated in the major exhibitions of Turin, Parma and Florence, at the National Exhibition of 1881 in Milan and in 1887 in Venice, achieving notable success. From the mid-forties of the twentieth century she began to detach herself from her father's influence and produced a vast repertoire of Lombard and Ticinese views and landscapes influenced by contemporary researches in a naturalistic key, as well represented by the work catalogued. Her painting is characterized by vibrant tones composed of rapid brushstrokes and a particular sensitivity to the light values of the landscape.
