Escuela Barroco Francesa (XIX) - Alegoria a la Abundacia

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Caroline Bokobza
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Selected by Caroline Bokobza

Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.

Estimate  € 1,800 - € 2,200
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Alegoría a la Abundancia, a late 19th‑century French Baroque allegorical oil painting on copper, Europe, 46 × 65 cm, framed.

AI-assisted summary

Description from the seller

Title: Allegory of Abundance

School: French (19th century)

Style: Late Baroque, allegorical and decorative in character

Technique: Oil on copper

Circle and artistic influence:

Work linked to the French tradition of allegorical painting with Baroque inspiration, echoes of mythological and decorative compositions developed during the 17th and 18th centuries and carried into the 19th. The depiction of a semidesnude female figure accompanied by cherubs, birds, flowers, fruits, and grains recalls the classical iconography of abundance and fertility. Influences of French courtly and decorative painting, as well as Flemish and Baroque models, are perceived in the profusion of natural and symbolic elements.

An interesting allegorical composition in which a semidesnude female figure occupies the center of the scene, partially covered by a wide red mantle. The protagonist appears surrounded by numerous attributes related to prosperity, fertility, and the wealth of nature.

Around her are distributed several putti or cherubs, birds of different species, flowers, fruits, ears of corn, and other earthly products. The deliberate accumulation of these elements reinforces the interpretation of the main figure as the Personification of Abundance, a concept traditionally associated with the fertility of the land and prosperity.

The composition presents a marked theatricality, with the female figure illuminated and standing out against a predominantly dark background. The reddish, warm tones of the cloth contrast with the greens, ochres, and blacks of the surroundings, while flowers and fruits introduce small color points. The copper support provides a smooth surface suitable for meticulous painting execution and for the definition of the numerous elements that make up the scene.

It presents restorations.

The work is presented with a wide dark wooden frame, beveled profile and sober finish, internally enriched by a fine gilded molding. The contrast between the dark wood tone and the gilded interior appropriately accompanies the historical and decorative character of the painting. Signs of age and surface wear related to use and chronology are evident.

Notes

The work may incur damage during transport even with proper packaging. In such a case, we will require photographs of the damages to proceed with compensation. Customer satisfaction is always our priority.

Exceptionally, shipping costs may be affected by a surcharge for reasons such as being outside a continental territory, excessive dimensions or weight of the item. PremiArt in no case will cover this surcharge.

The courier that must cross the Swiss border may be delayed much more than usual, so, if possible to expedite processing, we will provide the customs number that is holding the shipment so the customer can release it and thus reach its destination. Experience has shown us that this is the most effective solution for both parties.

Due to the high volume of shipments, orders may be delayed by more than three days, for which we apologize and thank you for your patience. If you have any questions about your order, please contact us via internal messaging.

Dimensions of the artwork: 46 x 65 cm
Dimensions with frame: 76 x 67 cm

Title: Allegory of Abundance

School: French (19th century)

Style: Late Baroque, allegorical and decorative in character

Technique: Oil on copper

Circle and artistic influence:

Work linked to the French tradition of allegorical painting with Baroque inspiration, echoes of mythological and decorative compositions developed during the 17th and 18th centuries and carried into the 19th. The depiction of a semidesnude female figure accompanied by cherubs, birds, flowers, fruits, and grains recalls the classical iconography of abundance and fertility. Influences of French courtly and decorative painting, as well as Flemish and Baroque models, are perceived in the profusion of natural and symbolic elements.

An interesting allegorical composition in which a semidesnude female figure occupies the center of the scene, partially covered by a wide red mantle. The protagonist appears surrounded by numerous attributes related to prosperity, fertility, and the wealth of nature.

Around her are distributed several putti or cherubs, birds of different species, flowers, fruits, ears of corn, and other earthly products. The deliberate accumulation of these elements reinforces the interpretation of the main figure as the Personification of Abundance, a concept traditionally associated with the fertility of the land and prosperity.

The composition presents a marked theatricality, with the female figure illuminated and standing out against a predominantly dark background. The reddish, warm tones of the cloth contrast with the greens, ochres, and blacks of the surroundings, while flowers and fruits introduce small color points. The copper support provides a smooth surface suitable for meticulous painting execution and for the definition of the numerous elements that make up the scene.

It presents restorations.

The work is presented with a wide dark wooden frame, beveled profile and sober finish, internally enriched by a fine gilded molding. The contrast between the dark wood tone and the gilded interior appropriately accompanies the historical and decorative character of the painting. Signs of age and surface wear related to use and chronology are evident.

Notes

The work may incur damage during transport even with proper packaging. In such a case, we will require photographs of the damages to proceed with compensation. Customer satisfaction is always our priority.

Exceptionally, shipping costs may be affected by a surcharge for reasons such as being outside a continental territory, excessive dimensions or weight of the item. PremiArt in no case will cover this surcharge.

The courier that must cross the Swiss border may be delayed much more than usual, so, if possible to expedite processing, we will provide the customs number that is holding the shipment so the customer can release it and thus reach its destination. Experience has shown us that this is the most effective solution for both parties.

Due to the high volume of shipments, orders may be delayed by more than three days, for which we apologize and thank you for your patience. If you have any questions about your order, please contact us via internal messaging.

Dimensions of the artwork: 46 x 65 cm
Dimensions with frame: 76 x 67 cm

Details

Artist
Escuela Barroco Francesa (XIX)
Sold with frame
Yes
Sold by
Owner or reseller
Title of artwork
Alegoria a la Abundacia
Technique
Oil painting
Signature
Not signed
Country of origin
Europe
Condition
Excellent condition
Height
46 cm
Width
65 cm
Depiction/theme
Mythology
Style
Baroque
Period
19th century
Sold by
SpainVerified
1629
Objects sold
96.18%
Private

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