Jone Hopper - Belle à la piscine





€400 | ||
|---|---|---|
€200 | ||
€100 |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 141255 reviews
Rated Excellent on Trustpilot.
Jone Hopper, Belle à la piscine, is a mixed media on canvas artwork (aerosol, pastel and acrylic) 75 cm high by 55 cm wide, hand-signed, original edition, produced in France from 2020 or later, sold directly by the artist and with a certificate of authenticity.
Description from the seller
Born in 1977, Jone Hopper is a French artist.
By the late 1980s, he cut his teeth on the streets through an emerging movement of the time: graffiti. He tags his name on the streets, on walls and on trains. Known for his characters and aerosol signatures, he founded the TBS collective (The Brutal Style) with Skepa and a few other committed graffiti writers. We know little about him because the artist remains faithful to the spirit of graffiti and wishes to stay anonymous, believing that it is the artwork that should be highlighted, not the character.
Nonexistent on social media, absent from openings, a faceless artist, he remains a true mystery except for a few gallery owners in the know. He compares his painting to a Hip Hop track, borrowing from Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol or even Bacon, drawing from all art movements, from Modern to Contemporary and including Classical, acting like a sampler... sampling, cutting, assembling and thus creating new images.
- Techniques mixtes : aérosol, pastel et acrylique sur toile
- Avec certificat d'authenticité
Born in 1977, Jone Hopper is a French artist.
By the late 1980s, he cut his teeth on the streets through an emerging movement of the time: graffiti. He tags his name on the streets, on walls and on trains. Known for his characters and aerosol signatures, he founded the TBS collective (The Brutal Style) with Skepa and a few other committed graffiti writers. We know little about him because the artist remains faithful to the spirit of graffiti and wishes to stay anonymous, believing that it is the artwork that should be highlighted, not the character.
Nonexistent on social media, absent from openings, a faceless artist, he remains a true mystery except for a few gallery owners in the know. He compares his painting to a Hip Hop track, borrowing from Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol or even Bacon, drawing from all art movements, from Modern to Contemporary and including Classical, acting like a sampler... sampling, cutting, assembling and thus creating new images.
- Techniques mixtes : aérosol, pastel et acrylique sur toile
- Avec certificat d'authenticité

