Pier REGNIER (1958) - Street Mood

Pier REGNIER
Unique work
Print on Dibond of a digital painting
60X60 cm
2020
Back attachment
Signed on the back

Pier Régnier has the strength of those artists who do not doubt the power of art to cross time. The BriKs memories of this visual artist are written in duration, nourished by the instant. The instant printed from our daily life, still in the hour of the morning newspaper and the last colorful advertisements. And while all-paper yields to the digital era, Pier Régnier chooses to leave a printed, compacted trace, to allow a rereading in the form of a support art. Timeless, the BriKs memories, gathered in installations like no others, offer another reading. That of a memory that we are already all losing.
Marie-Laure Gobin
Journalist
The work of Pier Régnier leads to an unprecedented reflection on the world and its temporality. Creator of the BriK memory, he becomes an architect and a great builder to give an eclectic vision of the worlds in which the “homo sapiens comunicans” evolves, informs itself, and interacts with other humans. Pier Régnier is, without a doubt, an essential artist for understanding the world in which we live.
Bruno Massa
Art critic
Pier Regnier is among the painters who today describe in their paintings processes of meaning rather than ready-made images.
It would be vain to consider these artists as archaists, that is to say repeating the primitive gestures of Australians, Indians, or African tribes.
These arrangements are laid out to produce a movement, a given effect: not the effect of the exhibited work but rather the first, primary reaction, one might say, of the spectator.
Muriel Carbonnet
Art critic for Beaux-arts Magazine (excerpt)
He loves to tinker with, transfigure, transform reality.
He says: “I need the viewer to come walking into the painting, imagine their own image, invent their own journey.”
Marie-Laure Gobin
Sud-Ouest journalist, 12/07/2002 issue (excerpt)
Student at the École des Beaux-Arts de Bordeaux from 1979 to 1983
Present in numerous collections in France and abroad
Member of many national salons
Painter of the Heritage of the city of Eysines
Numerous group and solo exhibitions, the latest being:

GROUP EXHIBITIONS (a few)
2015 GRAND PALAIS 2015
2014 GRAND PALAIS Salon Comparaisons
2013 GRAND PALAIS Salon Comparaisons
2012 GRAND PALAIS Salon Comparaisons
2012 CHAMPS-ÉLYSÉES, Honour Work, Salon d’Automne
2011 CAIRO Biennale
2010 GRAND PALAIS Art en Capital
2010 ESPACE CHAMPERRET Salon d’Automne
2010 SHANGHAI World Expo
2008 Paris Salon d’Automne Espace Auteuil
2008 New York Manhattan Reference Gallery
2007 PARIS Salon d’Automne Espace Auteuil
2007 BLAYE Jumping International
2006 BORDEAUX-LAC (international wine competition)
2005 LEEDS (Britain)
2004 BORDEAUX Guest of Honor, Contemporary Art Salon in Aquitaine
2002 JUMILHAC LE GRAND, Dordogne
2001 SERVIÈRES LE CHATEAU, in the chapel
2001 CEZAC Guest of Honor
2000 BEGLES Spring Salon
2000 ARGENTAT, Corrèze
1999 PARIS-MORANGIS Autumn Salon
1999 EYSINES Château lascombes

SOLO EXHIBITIONS (a few)
2016 BLAYE, Couvent des Minimes
2014 CAVIGNAC, Guest of Honor
2013 SALIGNAC, Patron of the salon
2012 PARIS, Galerie Art and Events
2012 JONZAC, Cloître des Carmes
2012 BORDEAUX, Maison Ecocitoyenne
2012 BORDEAUX, Hangar H 14
2010 Permanent Exhibition PARIS Galerie Art Present
2009 BLAYE, Vauban citadel
2008 BORDEAUX, Cour Mably (retrospective)
2007 SAINT-GERVAIS, Château Cantemerle
2006 BLAYE, Salle de la Poudrière
2005 LEEDS (England) Intervention in two high schools
2005 BORDEAUX, World City of Wine
2004 BORDEAUX, Guest of Honor at the Contemporary Art Salon in Aquitaine
2004 BORDEAUX, Espace Gambetta
2003 SAINT ANDRÉ DE CUBZAC, Château du Bouilh
2002 BLAYE, international jumping
2002 AMSTERDAM, gallery Anoesjka
2001 BOURG-SUR-GIRONDE, tourist office
2001 TRESSES, Guest of Honor
2000 BORDEAUX, Espace Gambetta
1999 BRIVES, the colors of time
1998 BORDEAUX, the colors of time
1993/1995/1997 PARIS, Galerie Kiron

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