Luigi Rossanigo (1948) - Presenze





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Luigi Rossanigo's 2010 mixed-media work Presenze, an edition 1/1, framed, measuring 32 cm by 23 cm.
Description from the seller
(During this period I ship only within the European Union)
The proposed work is a metal embossed plate (embossing done by my hand) artist's proof numbered 1/1, 30x21 cm, painted in canary yellow and white - signed on the plate - with frame 32x23x2 cm - a piece that suits all interiors.
The artwork will be carefully packaged and shipped within 3 days with a photo-authentic signed by the artist — ready to hang or to rest on a surface —
trackable and insured shipment - (unfortunately the photo never renders well)
For those who love the innovations of the 20th century enhanced in technique in the 2000s — an intriguing and innovative work - not to be missed
…in the slow and steady unfolding of his research, Luigi Rossanigo followed a particular artistic training, characterized by various experiments across different disciplines. From the early painting experiences where the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, synthesized in a rapid and blunt gesturality. This informal detour found its natural evolution in a surrealism lived with a very personal introspective intention, among abnormal mystifications of reality, punctuated with the precision of an eighteenth-century traveler. Cultivating simultaneously a delight in the precious art of goldsmithing and moving closer to the sculptural environment of Carrara, the versatile artist felt the need to challenge himself with the volumetric definition of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureate jewel. This path led Rossanigo to modify the structural layout of the painting, proceeding to the creation of tensile structures and multi-material polymer compounds, a new dialectic in which the agreement between painting and sculpture became concrete...
(During this period I ship only within the European Union)
The proposed work is a metal embossed plate (embossing done by my hand) artist's proof numbered 1/1, 30x21 cm, painted in canary yellow and white - signed on the plate - with frame 32x23x2 cm - a piece that suits all interiors.
The artwork will be carefully packaged and shipped within 3 days with a photo-authentic signed by the artist — ready to hang or to rest on a surface —
trackable and insured shipment - (unfortunately the photo never renders well)
For those who love the innovations of the 20th century enhanced in technique in the 2000s — an intriguing and innovative work - not to be missed
…in the slow and steady unfolding of his research, Luigi Rossanigo followed a particular artistic training, characterized by various experiments across different disciplines. From the early painting experiences where the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, synthesized in a rapid and blunt gesturality. This informal detour found its natural evolution in a surrealism lived with a very personal introspective intention, among abnormal mystifications of reality, punctuated with the precision of an eighteenth-century traveler. Cultivating simultaneously a delight in the precious art of goldsmithing and moving closer to the sculptural environment of Carrara, the versatile artist felt the need to challenge himself with the volumetric definition of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureate jewel. This path led Rossanigo to modify the structural layout of the painting, proceeding to the creation of tensile structures and multi-material polymer compounds, a new dialectic in which the agreement between painting and sculpture became concrete...

