Eugène Ciceri / Martens - La Suisse et la Savoie - 1859-1865






Holds a master’s degree in bibliography, with seven years of experience specialising in incunabula and Arabic manuscripts.
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La Suisse et la Savoie, an illustrated edition by Eugène Ciceri and Martens in French, bound in leather with purple cloth, containing 40 colour lithographs on card, with sizes 56 cm by 40 cm, published by Lemercier (Paris/London/Berlin) with Knoedler in 1859–1865.
Description from the seller
Contemporary half-leather and cloth binding in purple with, on the spine, a gold title and gold fillets, marbled endpapers, losses to the upper and lower parts of the spine. On the first white endpaper, ownership signature of Count Carlo Sallier de La Tour. 40 plates hors texte magnificently lithographed and printed in multiple colors on card stock. The collection is part of a series of 122 plates issued from Lemercier’s presses for the publishers Goupil and Knoedler from 1859 to 1865 under the title La Suisse et la Savoie for the first part, and La Suisse, la Savoie et le Tyrol for the final part. The magnificent lithographic anthology is inspired by photographs of the renowned photographer Martens and depicts the most beautiful landscapes and towns of Switzerland and Haute-Savoie; of particular interest are the prints concerning Mont Blanc. The collection presented here consists of the following plates arranged in this order: 38-Zurich; 23-Lucerne; 49- la Chapelle de G. Tell; 10-Le Pont du Diable; 50-Hospital Route de S.te Gothard; 48-Tour de Guillaume Tell; 9-Flüelen; 7-Meringen; 8-Brienz; 44- La Jungfraü; 1-Le Staubach; 2-La Wergernalp; 43-L’Eiger, 6-Vue Prise au Dessous; 4-Vallee de Grindelwald; 3- Grindelwald, 57-Vue de Saas; 19-Brieg, 30-Châlet pres Brieg; 18-Sion; 40-Martigny; 41- Cascade de Pissevache; 42-S.t Maurice; 45-Vevey, 56-Montreux, 29-Pont Près de Zermatt; 14- Passage de la Tete-Noire; 28-Le Breithor; 17-Le Mont Blanc; 46-Aiguille Verte; 16- La Mer de Glace; 15-Glacier des Boissons; 37-Lausanne; 47-Les Alpes Bernoises; 20- Beme; 71-Châlet de la Handeck; 70- Altdorf; 73-Maison de Jacques Balmat; 84-Chûte de la Reuss; 78-Le Lac Moerill. A full-margin copy, in excellent condition with sporadic foxing."} } )? (Note: The final line appears truncated in the input; the translation assumes it ends with
Contemporary half-leather and cloth binding in purple with, on the spine, a gold title and gold fillets, marbled endpapers, losses to the upper and lower parts of the spine. On the first white endpaper, ownership signature of Count Carlo Sallier de La Tour. 40 plates hors texte magnificently lithographed and printed in multiple colors on card stock. The collection is part of a series of 122 plates issued from Lemercier’s presses for the publishers Goupil and Knoedler from 1859 to 1865 under the title La Suisse et la Savoie for the first part, and La Suisse, la Savoie et le Tyrol for the final part. The magnificent lithographic anthology is inspired by photographs of the renowned photographer Martens and depicts the most beautiful landscapes and towns of Switzerland and Haute-Savoie; of particular interest are the prints concerning Mont Blanc. The collection presented here consists of the following plates arranged in this order: 38-Zurich; 23-Lucerne; 49- la Chapelle de G. Tell; 10-Le Pont du Diable; 50-Hospital Route de S.te Gothard; 48-Tour de Guillaume Tell; 9-Flüelen; 7-Meringen; 8-Brienz; 44- La Jungfraü; 1-Le Staubach; 2-La Wergernalp; 43-L’Eiger, 6-Vue Prise au Dessous; 4-Vallee de Grindelwald; 3- Grindelwald, 57-Vue de Saas; 19-Brieg, 30-Châlet pres Brieg; 18-Sion; 40-Martigny; 41- Cascade de Pissevache; 42-S.t Maurice; 45-Vevey, 56-Montreux, 29-Pont Près de Zermatt; 14- Passage de la Tete-Noire; 28-Le Breithor; 17-Le Mont Blanc; 46-Aiguille Verte; 16- La Mer de Glace; 15-Glacier des Boissons; 37-Lausanne; 47-Les Alpes Bernoises; 20- Beme; 71-Châlet de la Handeck; 70- Altdorf; 73-Maison de Jacques Balmat; 84-Chûte de la Reuss; 78-Le Lac Moerill. A full-margin copy, in excellent condition with sporadic foxing."} } )? (Note: The final line appears truncated in the input; the translation assumes it ends with
