V. Altieri (1977) - Guardiani della luna





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Guardiani della luna, oil on panel, 40 × 40 cm, Italy, 2010–2020, by V. Altieri (born 1977), original edition, Modern style, depicting Architecture, signed by hand.
Description from the seller
Title: The Moon’s Guardians
Artist: V. Altieri
Dimensions: 40x40 cm
Technique: Oil on panel
In this vivid composition by Vittorio Altieri, a nocturnal landscape transforms into a geometrical and chromatic tapestry. Dominating the scene, two stylized trees with fiery red trunks and foliage in vivid colors (lime green, yellow) rise against a jet-black sky dotted with stars, crowned by a full, white moon. The organic forms are reduced to simplified geometric volumes, with rounded hills painted in shades of yellow, emerald green, cyan blue, and a deep violet. In the center, a sinuous river faithfully mirrors the ordered chaos above, reflecting the shapes and colors of the trees and hills, as well as some geometric rocks arranged on the water. The oil-on-panel technique gives the work a tangible quality, with the grain of the wood visible at the edges, adding a tactile dimension to its visual boldness. The piece is an excellent example of Altieri’s post-Cubist and Fauvist style, where color is not only descriptive but emotional and structural, creating an atmosphere of dreaminess and surrealism. The artist’s signature is visible at the bottom right.
Title: The Moon’s Guardians
Artist: V. Altieri
Dimensions: 40x40 cm
Technique: Oil on panel
In this vivid composition by Vittorio Altieri, a nocturnal landscape transforms into a geometrical and chromatic tapestry. Dominating the scene, two stylized trees with fiery red trunks and foliage in vivid colors (lime green, yellow) rise against a jet-black sky dotted with stars, crowned by a full, white moon. The organic forms are reduced to simplified geometric volumes, with rounded hills painted in shades of yellow, emerald green, cyan blue, and a deep violet. In the center, a sinuous river faithfully mirrors the ordered chaos above, reflecting the shapes and colors of the trees and hills, as well as some geometric rocks arranged on the water. The oil-on-panel technique gives the work a tangible quality, with the grain of the wood visible at the edges, adding a tactile dimension to its visual boldness. The piece is an excellent example of Altieri’s post-Cubist and Fauvist style, where color is not only descriptive but emotional and structural, creating an atmosphere of dreaminess and surrealism. The artist’s signature is visible at the bottom right.

