Lucía Laurent - XL - Lazos de Afecto

01
day
04
hours
08
minutes
32
seconds
Current bid
€ 25
No reserve price
Nathalia Oliveira
Expert
Gallery Estimate  € 600 - € 800
FR
€25
PT
€2
PT
€1

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 141736 reviews

Rated Excellent on Trustpilot.

Lucía Laurent - XL, Lazos de Afecto, an original acrylic painting on canvas in multicolor, 120 cm high by 90 cm wide, hand-signed and originating from Spain, created after 2020.

AI-assisted summary

Description from the seller

Lucía Lauren (LILI) is a Cuban artist with essentially self-taught plastic arts training, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she professionally devoted herself to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Later she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Finally she found in the plastic arts a space of expression that is much broader. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren's work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large expanses of color, defined contours, and flat shapes build instantly legible images, but loaded with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday and feminine.

One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of practically her entire pictorial universe. She does not appear represented as a heroic or distant character, but from a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and contained gestures. There is glamour, but it is intimate and quiet glamour.

Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the cat's forms almost fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and center the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and quiet.

In other pieces, like the woman seated next to the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks,beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of melodrama constitutes much of the charm of the work.

Thus Lucía Lauren develops painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies a large part of the personality of her work.

Artwork by the artist Lucía Laurent created in acrylic on high-quality professional canvas.
Size 90 x 120 cm of painting.
Original edition.
The shipment will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the real condition of the work.”


This emotive work in acrylic on canvas is a powerful contemporary figurative representation and fashion illustration, focused on intimacy and the affective connection between two women. The composition stands out for a striking graphic play: the outfits of both figures are defined by a dynamic pattern of curved white and black stripes that visually intertwine, reflecting the closeness of the embrace. Their profiles, with warm skin tones, intensely red lips, and updos (one dark-haired and one blonde), convey a deep sense of serenity, tenderness, and trust. The background of vertical stripes in red and burgundy adds drama and warmth, framing the characters in an intimate space where clean geometry and saturated colors enhance the emotional charge of the canvas.

Lucía Lauren (LILI) is a Cuban artist with essentially self-taught plastic arts training, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she professionally devoted herself to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Later she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Finally she found in the plastic arts a space of expression that is much broader. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren's work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large expanses of color, defined contours, and flat shapes build instantly legible images, but loaded with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday and feminine.

One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of practically her entire pictorial universe. She does not appear represented as a heroic or distant character, but from a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and contained gestures. There is glamour, but it is intimate and quiet glamour.

Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the cat's forms almost fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and center the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and quiet.

In other pieces, like the woman seated next to the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks,beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of melodrama constitutes much of the charm of the work.

Thus Lucía Lauren develops painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies a large part of the personality of her work.

Artwork by the artist Lucía Laurent created in acrylic on high-quality professional canvas.
Size 90 x 120 cm of painting.
Original edition.
The shipment will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the real condition of the work.”


This emotive work in acrylic on canvas is a powerful contemporary figurative representation and fashion illustration, focused on intimacy and the affective connection between two women. The composition stands out for a striking graphic play: the outfits of both figures are defined by a dynamic pattern of curved white and black stripes that visually intertwine, reflecting the closeness of the embrace. Their profiles, with warm skin tones, intensely red lips, and updos (one dark-haired and one blonde), convey a deep sense of serenity, tenderness, and trust. The background of vertical stripes in red and burgundy adds drama and warmth, framing the characters in an intimate space where clean geometry and saturated colors enhance the emotional charge of the canvas.

Details

Artist
Lucía Laurent - XL
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Lazos de Afecto
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Condition
Excellent condition
Colour
Multicolour
Height
120 cm
Width
90 cm
Style
Modern
Period
2020+
SpainVerified
1211
Objects sold
100%
protop

Similar objects

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

For you in

Modern & Contemporary Art

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​