Lucía Laurent - XL - Renacer






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
€1 |
|---|
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 141582 reviews
Rated Excellent on Trustpilot.
Renacer is an original post-2020 acrylic on canvas artwork by Lucía Laurent - XL, 90 by 120 cm, hand-signed, in excellent condition, multicolour, produced in Spain and sold directly by the artist.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with essentially self-taught formal training in plastic arts, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she professionally devoted herself to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she explored the world of tattooing for several years, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Ultimately she found in the visual arts a space of much broader expression. Painting allowed her to bring together those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting begins from a marked visual synthesis. Lucía eliminates much of the secondary information to retain only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build instantly legible images, yet filled with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not portrayed as a heroic or distant character, but from a calm, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and quiet glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost fuse, turning the composition into a representation of affection.
Flowers and vegetation serve a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds to the point of erasing the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast of black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the embrace’s gesture. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist does not perform any specific action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.
Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene to find its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, relationships with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies much of the personality of her work.
Artwork by the artist Lucía Laurent made in acrylic on high-quality professional canvas.
Size: 90 x 120 cm painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you after ten days, depending on the destination country.
“This lot contains visualizations made with AI. Check the original photographs to verify the actual condition of the work.”
This emotive acrylic on canvas work is a figurative piece rich in symbolism and poetic sensitivity, framed in an aesthetic of clean contours and stylized forms. The composition shows a woman with her head tilted and eyes closed, from whose face white tears emerge that fall directly onto a clay pot she holds delicately in her hands, germinating into small green shoots. Beside her, in the background, a white dove deposits seeds into a small vessel, reinforcing the narrative of rebirth, emotional nourishment, and hope through pain. The color palette dominated by deep blues in the clothing and background, in contrast with the warm browns of the earth and the golden touches of the linear arches behind the figure, creates an atmosphere of serene contemplation, melancholy, and spiritual resilience.
Lucía Lauren (LILI) is a Cuban artist with essentially self-taught formal training in plastic arts, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she professionally devoted herself to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she explored the world of tattooing for several years, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Ultimately she found in the visual arts a space of much broader expression. Painting allowed her to bring together those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting begins from a marked visual synthesis. Lucía eliminates much of the secondary information to retain only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build instantly legible images, yet filled with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not portrayed as a heroic or distant character, but from a calm, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and quiet glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost fuse, turning the composition into a representation of affection.
Flowers and vegetation serve a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds to the point of erasing the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast of black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the embrace’s gesture. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist does not perform any specific action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.
Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene to find its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, relationships with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And precisely in that simplicity lies much of the personality of her work.
Artwork by the artist Lucía Laurent made in acrylic on high-quality professional canvas.
Size: 90 x 120 cm painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you after ten days, depending on the destination country.
“This lot contains visualizations made with AI. Check the original photographs to verify the actual condition of the work.”
This emotive acrylic on canvas work is a figurative piece rich in symbolism and poetic sensitivity, framed in an aesthetic of clean contours and stylized forms. The composition shows a woman with her head tilted and eyes closed, from whose face white tears emerge that fall directly onto a clay pot she holds delicately in her hands, germinating into small green shoots. Beside her, in the background, a white dove deposits seeds into a small vessel, reinforcing the narrative of rebirth, emotional nourishment, and hope through pain. The color palette dominated by deep blues in the clothing and background, in contrast with the warm browns of the earth and the golden touches of the linear arches behind the figure, creates an atmosphere of serene contemplation, melancholy, and spiritual resilience.
