Lucía Laurent - XL - Serenidad Cobalto





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Lucía Laurent - XL presents Serenidad Cobalto, an acrylic on canvas, original edition, created after 2020, 120 by 90 cm, hand signed, made in Spain and sold directly by the artist.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with essentially self-taught plastic arts training, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she professionally devoted herself to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years in the tattoo world, a formative stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Finally she found in the plastic arts a space of much wider expression. Painting allowed her to bring together those earlier experiences and transform them into a private and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely aim to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman who holds her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined outlines, and flat shapes build immediately legible images, yet filled with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not portrayed as a heroic or distant figure, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.
The cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat virtually merge, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until sometimes erasing the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming the same sensitivity.
In works such as the figure embracing the cat on a red background, Lucía dramatically reduces the palette to construct the image through the contrast between black, white, and red. The stripes of the dress stop being merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting next to the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist does not perform any specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Please check the original photographs to verify the real condition of the work.”
This cozy acrylic-on-canvas piece is a stylized figurative representation of contemporary style and fashion illustration, focused on intimacy and calm. The composition centers on a woman with a low bun and serene profile who gently rests her face on a sleeping white-and-black cat in her arms. The design stands out for the strong graphical contrast of the outfit, characterized by a fluid organic pattern of curvilinear stripes in black and white that wrap around both figures, integrating the feline in almost a symbiotic way. In the background, a geometric pattern of vertical stripes in two tones of cobalt blue creates a clean and vibrant structure that highlights the warmth of the central gesture, achieving an atmosphere of peace, sophistication, and genuine affection.
Lucía Lauren (LILI) is a Cuban artist with essentially self-taught plastic arts training, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she professionally devoted herself to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years in the tattoo world, a formative stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Finally she found in the plastic arts a space of much wider expression. Painting allowed her to bring together those earlier experiences and transform them into a private and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely aim to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman who holds her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined outlines, and flat shapes build immediately legible images, yet filled with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not portrayed as a heroic or distant figure, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.
The cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat virtually merge, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until sometimes erasing the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming the same sensitivity.
In works such as the figure embracing the cat on a red background, Lucía dramatically reduces the palette to construct the image through the contrast between black, white, and red. The stripes of the dress stop being merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting next to the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist does not perform any specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Please check the original photographs to verify the real condition of the work.”
This cozy acrylic-on-canvas piece is a stylized figurative representation of contemporary style and fashion illustration, focused on intimacy and calm. The composition centers on a woman with a low bun and serene profile who gently rests her face on a sleeping white-and-black cat in her arms. The design stands out for the strong graphical contrast of the outfit, characterized by a fluid organic pattern of curvilinear stripes in black and white that wrap around both figures, integrating the feline in almost a symbiotic way. In the background, a geometric pattern of vertical stripes in two tones of cobalt blue creates a clean and vibrant structure that highlights the warmth of the central gesture, achieving an atmosphere of peace, sophistication, and genuine affection.

