Lucía Laurent - XL - Nostalgia en Azul





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Lucía Laurent - XL, Nostalgia en Azul, acrylic painting on canvas, original edition, 120 x 90 cm, origin Spain, hand-signed, sold directly by the artist.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with a essentially self-taught plastic arts formation, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity toward composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years delving into the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Ultimately she found in the plastic arts a space of much wider expression. Painting allowed her to unite those former experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as the silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, a imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet filled with sensitivity.
In her language we find echoes of contemporary illustration and naive painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, bluish-greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not represented as a heroic or distant figure, but from a tranquil, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the cat’s forms almost fuse, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the border between figure and nature is sometimes erased. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to construct the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and quiet.
In other pieces, like the woman sitting beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.
Thus Lucía Lauren develops a painting that appears simple yet is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until it finds its essential emotion.
Her universe is feminine, botanical, domestic, and affective. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.
In a contemporary panorama where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent made with the technique Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and will be protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Check the original photographs to verify the real condition of the work.”
This captivating acrylic painting on canvas combines modern figuration with strong influences of Art Deco and contemporary textile illustration. The scene centers on a woman in a contemplative and reflective attitude, resting her face on her hand, dressed in a loose outfit with bold flowing stripes in navy blue and white. By her side, a tabby cat in terracotta tones sleeps placidly, contributing a warm sense of domestic serenity. The composition stands out for its impeccable play of flat color planes and geometric shapes in the background (ochre blocks, reds, vertical stripes, and a white circle evoking the moon or sun), balanced by the botanical silhouette of a plant in a vase, achieving an atmosphere of peace, sophistication, and aesthetic harmony.
Lucía Lauren (LILI) is a Cuban artist with a essentially self-taught plastic arts formation, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity toward composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years delving into the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Ultimately she found in the plastic arts a space of much wider expression. Painting allowed her to unite those former experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as the silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, a imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet filled with sensitivity.
In her language we find echoes of contemporary illustration and naive painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, bluish-greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not represented as a heroic or distant figure, but from a tranquil, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the cat’s forms almost fuse, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the border between figure and nature is sometimes erased. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to construct the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and quiet.
In other pieces, like the woman sitting beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.
Thus Lucía Lauren develops a painting that appears simple yet is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until it finds its essential emotion.
Her universe is feminine, botanical, domestic, and affective. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.
In a contemporary panorama where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent made with the technique Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and will be protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Check the original photographs to verify the real condition of the work.”
This captivating acrylic painting on canvas combines modern figuration with strong influences of Art Deco and contemporary textile illustration. The scene centers on a woman in a contemplative and reflective attitude, resting her face on her hand, dressed in a loose outfit with bold flowing stripes in navy blue and white. By her side, a tabby cat in terracotta tones sleeps placidly, contributing a warm sense of domestic serenity. The composition stands out for its impeccable play of flat color planes and geometric shapes in the background (ochre blocks, reds, vertical stripes, and a white circle evoking the moon or sun), balanced by the botanical silhouette of a plant in a vase, achieving an atmosphere of peace, sophistication, and aesthetic harmony.

