Jean-Guy Caumeil (1945–2018) - Sharlyne au sol 1






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
The proposed photograph is titled "Sharlyne au sol 1".
It is an art print on professional photo paper Fujifilm Museum Crystal DP II.
Dimensions 30/40 without margin.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print fresh from the workshop.
Studio du Trident, 1 rue Vial 42000 Saint Etienne, France
The certificate of authenticity will be sent by email
Jean-Guy Caumeil, photographer, still alive, from Saint Etienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no decor or accessory, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to depersonalize the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning the viewer will give to the photo. The photograph is not a story or a pre-established meaning to be seen. The photograph does not tell a story, does not advocate, does not deliver a message, does not impose a point of view. The photograph is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The handling of light is crucial for him, as is the complicity with the model. In this minimalist vein, since 2015 he has begun a long-term, non-exclusive collaboration with a single model.
The proposed photograph is titled "Sharlyne au sol 1".
It is an art print on professional photo paper Fujifilm Museum Crystal DP II.
Dimensions 30/40 without margin.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print fresh from the workshop.
Studio du Trident, 1 rue Vial 42000 Saint Etienne, France
The certificate of authenticity will be sent by email
Jean-Guy Caumeil, photographer, still alive, from Saint Etienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no decor or accessory, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to depersonalize the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning the viewer will give to the photo. The photograph is not a story or a pre-established meaning to be seen. The photograph does not tell a story, does not advocate, does not deliver a message, does not impose a point of view. The photograph is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The handling of light is crucial for him, as is the complicity with the model. In this minimalist vein, since 2015 he has begun a long-term, non-exclusive collaboration with a single model.
