Miguel Galanda (1951) - Cuerpo parasitado





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Miguel Galanda, born 1951, presents Cuerpo parasitado, an oil on canvas of 35 by 27 cm, signed by hand in the lower right and on the back, an original work in the Expressionist style from 2000 depicting a nude, from Spain and in good condition, mounted on a stretcher and unframed.
Description from the seller
Parasitized body. 2000. Miguel Galanda. Oil on canvas. 35 x 27 cm. Signed in the lower right corner and on the back of the canvas. Stretched on a frame. Unframed.
Miguel Galanda (Caspe, Zaragoza, 1951) holds a degree in Philosophy from the University of Barcelona, where he also studied Fine Arts. In 1984 he moved to Madrid. Belonging to the so-called Generation of the 80s, in his painting he defends a return to matter, to the centrality of the figure and, consequently, to the condition of human tragedy at the essential point of the pictorial vision.
He has exhibited his work at Galerie Brigitte Schenk (Cologne), Galería AAM (Rome) or the Madrid-based Juana Mordó, and his works are part of the collections of institutions such as Banco Bilbao Vizcaya or Círculo de Bellas Artes. He is the author of the stage design for Oda a Napoleón by Arnold Schönberg and Cuatro canciones serias by Johannes Brahms, productions that were staged in July 2009 at the CBA. In October 2009 he opened an exhibition at The Gabarrón Foundation in New York.
Parasitized body. 2000. Miguel Galanda. Oil on canvas. 35 x 27 cm. Signed in the lower right corner and on the back of the canvas. Stretched on a frame. Unframed.
Miguel Galanda (Caspe, Zaragoza, 1951) holds a degree in Philosophy from the University of Barcelona, where he also studied Fine Arts. In 1984 he moved to Madrid. Belonging to the so-called Generation of the 80s, in his painting he defends a return to matter, to the centrality of the figure and, consequently, to the condition of human tragedy at the essential point of the pictorial vision.
He has exhibited his work at Galerie Brigitte Schenk (Cologne), Galería AAM (Rome) or the Madrid-based Juana Mordó, and his works are part of the collections of institutions such as Banco Bilbao Vizcaya or Círculo de Bellas Artes. He is the author of the stage design for Oda a Napoleón by Arnold Schönberg and Cuatro canciones serias by Johannes Brahms, productions that were staged in July 2009 at the CBA. In October 2009 he opened an exhibition at The Gabarrón Foundation in New York.

