Babi Bensusan - Rigoberta





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Babi Bensusan's original acrylic painting Rigoberta on natural cotton canvas (70 x 100 cm), created in 2026 in a naïf style depicting animals, signed on the back and shipped rolled with a hand-signed certificate of authenticity, from Spain and sold directly by the artist.
Description from the seller
Rigoberta (70 x 100 cm. Acrylic on 100% natural cotton canvas. 2026) belongs to the collection A Sublime Time of the artist Babi Bensusan. An emerging, self-taught artist based in Madrid, she has held multiple solo exhibitions as well as participated in group shows. Her work is included in private collections in Spain, France and the United States.
Signed on the back. It is shipped rolled and with a hand-signed certificate of authenticity.
A Sublime Time is the collection that begins in 2026 (after the project Automatic Still Lives). A Sublime Time speaks to how digital dynamics settle into analog life to redefine it: hyper-productivity, acceleration, constant notifications, exacerbated individualization, the imperative of performance... It proposes not only a dialogue about current dangers but also a space to re-center and defend: rest, community, slow reflection, and culture as refuge. Rigoberta is the first piece of the second act of A Sublime Time; the one that imagines a more humane and less algorithmic temporality.
BABI BENSUSAN is an emerging visual artist, entirely self-taught. Her practice operates at the intersection of art, politics, and the intimate. It is based on the need to address contemporary social tensions through tangible and visual forms. For her, art functions as a more accessible and humane space of expression, capable of housing questions in a sensitive way that may find it difficult to engage in dialogue in other spheres.
She works with diverse formats and materials — canvas, ceramics, murals and installations — as ways of giving form to a set of thoughts and emotions that require material presence. Each project unfolds as a process of research and creation, in which ideas find their shape through different supports, without hierarchies or fixed limits. In recent years, participatory and collaborative processes have become a structural element of her practice (explored in “Saca tu silla,” for example), allowing her work to extend beyond individual authorship and relate directly to shared experience.
Rigoberta (70 x 100 cm. Acrylic on 100% natural cotton canvas. 2026) belongs to the collection A Sublime Time of the artist Babi Bensusan. An emerging, self-taught artist based in Madrid, she has held multiple solo exhibitions as well as participated in group shows. Her work is included in private collections in Spain, France and the United States.
Signed on the back. It is shipped rolled and with a hand-signed certificate of authenticity.
A Sublime Time is the collection that begins in 2026 (after the project Automatic Still Lives). A Sublime Time speaks to how digital dynamics settle into analog life to redefine it: hyper-productivity, acceleration, constant notifications, exacerbated individualization, the imperative of performance... It proposes not only a dialogue about current dangers but also a space to re-center and defend: rest, community, slow reflection, and culture as refuge. Rigoberta is the first piece of the second act of A Sublime Time; the one that imagines a more humane and less algorithmic temporality.
BABI BENSUSAN is an emerging visual artist, entirely self-taught. Her practice operates at the intersection of art, politics, and the intimate. It is based on the need to address contemporary social tensions through tangible and visual forms. For her, art functions as a more accessible and humane space of expression, capable of housing questions in a sensitive way that may find it difficult to engage in dialogue in other spheres.
She works with diverse formats and materials — canvas, ceramics, murals and installations — as ways of giving form to a set of thoughts and emotions that require material presence. Each project unfolds as a process of research and creation, in which ideas find their shape through different supports, without hierarchies or fixed limits. In recent years, participatory and collaborative processes have become a structural element of her practice (explored in “Saca tu silla,” for example), allowing her work to extend beyond individual authorship and relate directly to shared experience.

