Lucía Laurent - XL - Aura de Frida

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Original acrylic on canvas portrait by Lucía Laurent - XL, titled Aura de Frida, 120 × 90 cm, signed by hand, in excellent condition, from Spain and sold directly by the artist.

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Description from the seller

Lucía Lauren (LILI) is a Cuban artist with a essentially self-taught plastic arts training, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity toward composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years in the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Finally she found in the visual arts a much broader space for expression. Painting allowed her to unite those earlier experiences and transform them into an intimate and recognizable universe, mainly built through acrylic on canvas.

Lucía Lauren's work revolves especially around the woman, nature, flowers, and animals, with the recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting begins with a marked visual synthesis. Lucía eliminates much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet filled with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility—warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of practically her entire pictorial universe. She is not represented as a heroic or distant character, but from a tranquil, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. Glamour exists, but it is an intimate, quiet glamour.

Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation perform a similar function. They surround the protagonists, appear on their dresses, or merge into the backgrounds until the boundary between figure and nature sometimes blurs. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat against a red background, Lucía radically reduces the palette to build the image through the contrast of black, white, and red. The stripes on the dress cease to be merely a print and become the main compositional resource: they surround both characters and concentrate the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension of 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), for Spain and Europe, and through Fedex for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the actual condition of the work.”

This acrylic-on-canvas piece presents a figurative illustrative portrait strongly inspired by Caribbean aesthetics and the iconography of Latin American art. The composition highlights a central female figure with a serene gaze and marked features, framed by the sober presence of a black cat to her right and a white bird resting on her shoulder, establishing a symbolic dialogue of balance between mystery and peace. The color palette stands out for its vibrant use of deep greens, yellows, and blues in the exotic vegetation, contrasting with the warmth of the protagonist's ornate yellow dress. The technique shows clean strokes, well-defined flat areas of color, and rich organic ornamentation that gives the piece a contemporary, fresh, and expressive character.

Lucía Lauren (LILI) is a Cuban artist with a essentially self-taught plastic arts training, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity toward composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years in the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Finally she found in the visual arts a much broader space for expression. Painting allowed her to unite those earlier experiences and transform them into an intimate and recognizable universe, mainly built through acrylic on canvas.

Lucía Lauren's work revolves especially around the woman, nature, flowers, and animals, with the recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting begins with a marked visual synthesis. Lucía eliminates much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet filled with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility—warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of practically her entire pictorial universe. She is not represented as a heroic or distant character, but from a tranquil, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. Glamour exists, but it is an intimate, quiet glamour.

Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation perform a similar function. They surround the protagonists, appear on their dresses, or merge into the backgrounds until the boundary between figure and nature sometimes blurs. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat against a red background, Lucía radically reduces the palette to build the image through the contrast of black, white, and red. The stripes on the dress cease to be merely a print and become the main compositional resource: they surround both characters and concentrate the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension of 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), for Spain and Europe, and through Fedex for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the actual condition of the work.”

This acrylic-on-canvas piece presents a figurative illustrative portrait strongly inspired by Caribbean aesthetics and the iconography of Latin American art. The composition highlights a central female figure with a serene gaze and marked features, framed by the sober presence of a black cat to her right and a white bird resting on her shoulder, establishing a symbolic dialogue of balance between mystery and peace. The color palette stands out for its vibrant use of deep greens, yellows, and blues in the exotic vegetation, contrasting with the warmth of the protagonist's ornate yellow dress. The technique shows clean strokes, well-defined flat areas of color, and rich organic ornamentation that gives the piece a contemporary, fresh, and expressive character.

Details

Artist
Lucía Laurent - XL
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Aura de Frida
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Condition
Excellent condition
Colour
Multicolour
Height
120 cm
Width
90 cm
Style
Modern
Period
2020+
SpainVerified
1185
Objects sold
99.5%
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