Guido Hanset (1910-1992) - Boccadasse, Genova

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Caterina Maffeis
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Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.

Estimate  € 250 - € 300
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Guido Hanset’s Boccadasse, Genova, a 18 × 24 cm original watercolor on cardboard from Italy, dated 1977 and signed, sold with a frame by Galleria.

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Description from the seller

# Boccadasse and the Light of the Riviera: *Boccadasse, Genoa* by Guido Hanset

**Guido Hanset (Genoa, 1910 – 1992)**
*Boccadasse, Genoa*
**Watercolor on cardboard, 18 × 24 cm**
**Signed in the lower right and dated 1976**
**With frame**
**Estimate: € 200 – 300**

## Guido Hanset and Genovese Landscape

Guido Hanset, born in Genoa in 1910 and who died in the same city in 1992, is one of Ligurian artists of the twentieth century most closely tied to the representation of landscape and, in particular, to the technique of watercolor.

Of Belgian family origin, he attended the Accademia Ligustica di Belle Arti and began his artistic activity around 1930, dedicating himself mainly to watercolor. Over the course of his long career he turned his attention primarily to the **nature, the seascapes, the ports, the coastal villages and the urban views of Liguria**. His presence is documented in several Genoese and national exhibitions, including the International Art Exhibition of Venice in 1942.

Hanset's painting remains deeply linked to the observation of reality. The landscape is not rendered in a purely descriptive way: through the transparency of watercolor the artist mainly seeks the **light, atmosphere and chromatic relationships** that characterize each place.

## Boccadasse: An Icon of Genoa

The subject of *Boccadasse, Genoa* takes on particular interest precisely for its strong identification with the artist's birthplace.

Boccadasse, an ancient fishing village facing the Gulf of Genoa, represents one of the most recognizable places on the Genoese coast. The houses gathered around the small bay, the direct relationship with the sea and the village's particular morphology constitute a subject naturally congenial to a painter interested in the relationship between **architecture, water and light**.

The choice of Boccadasse can thus be read within Hanset's constant attention to the Ligurian territory. The painter does not only address large coastal panoramas, but also the most characterful and everyday corners of Genoese landscape.

It is precisely this local dimension that gives the work additional interest: the view does not simply represent a marine landscape, but preserves the visual memory of one of Genoa's symbolic places.

## Technical and Stylistic Analysis

The work is realized in **watercolor on cardboard**, a technique particularly representative of Guido Hanset's output.

The contained format of **18 × 24 cm** gives the composition a compact and immediate character. The dimensions are well suited to reproducing a directly observed view, in which the artist can focus on the essential elements of the landscape without resorting to overly analytic description.

Watercolor allows Hanset to build the image through **transparencies, light overlays and tonal variations**, letting the support contribute to the overall luminosity.

Critical commentary has highlighted Hanset's particular understanding of the relationships between water and color, as well as attention to balances between warm and cool tones. His painting remains figurative and recognizable, but uses the watercolor medium to achieve an atmospheric rendering of the subject.

## The Light of Boccadasse

In a view like this, **light** necessarily plays a central role.

The relationship between the sea and the village architectures offers a wide variety of surfaces and color values: the water reflects the sky, the facades of the houses introduce different tones and the shaded areas contribute to defining the depth of the small inlet.

It is precisely in this type of situation that watercolor reveals its most interesting qualities. The possibility of letting the white of the support come through, layering transparent glazes and gradually modulating the color intensity allows for a restitution of the Ligurian Riviera's particular luminosity.

The **date 1976** places the work in a mature phase of Hanset's activity. The dating is consistent with other documented works by the artist: Cambi, for example, proposed *Vernazzola*, a 1977 watercolor on paper, 25 × 30 cm, signed and dated, with an estimate of €300–350.

Also a *Scorcio di Genova* by Hanset, realized in watercolor on paper, 38 × 50 cm and sold with frame, has been offered by Cambi with an estimate of €150–200.

## A Recurrent Subject in the Artist's Production

Hanset's interest in Genoa and the Ligurian coast is widely documented.

Among the works on the market there appear several Genoese views and seascapes: from *Porto di Genova* to views of **Vernazzola**, up to city and coastal glimpses. Another significant element is represented by *La casa di Colombo*, a 1976 watercolor on paper, 38 × 48 cm, also signed and dated.

1976, therefore, emerges as a particularly interesting year for the artist's production, in which representations of Genoese places continued to be an important theme.

*Boccadasse, Genoa* naturally fits into this trajectory: the painting unites the autobiographical dimension of the artist's homeland with his preference for watercolor and coastal landscape.

## Signature and Dating

The **signature in the lower right**, accompanied by the date **1976**, constitutes an important identifying element of the work.

The presence of the date also allows placing the painting precisely within Hanset's mature production and relating it to other watercolors created in the same period.

It is interesting to note how the habit of signing and dating works is recurring in Hanset's market-available works: *Vernazzola* of 1977, for example, features signature and date in the lower right, while other watercolors from the seventies similarly bear the year of execution.

## Collectible Value and Conclusions

The estimate of **€ 200 – 300** sits within a range coherent with available comparisons for Guido Hanset's watercolors, considering format, dating and especially the recognizability of the subject.

Compared with *Vernazzola*, 1977, watercolor on paper of 25 × 30 cm, estimated **€300–350**, and with *Scorcio di Genova*, watercolor of 38 × 50 cm, estimated **€150–200**, they offer useful references for placing the work within the artist's market.

Overall, *Boccadasse, Genoa* represents a work particularly coherent with Guido Hanset's poetics: **a place strongly tied to his birthplace, interpreted through watercolor sensitivity and attention to the light of the Riviera**.

The compact format, the signature, the precise dating to **1976** and the presence of the frame complete a work of pleasant collectible and decorative interest.

A small watercolor in which Hanset renders one of Genoa's most characteristic corners through a painting that is **luminous, delicate and atmospheric**, turning Boccadasse from a simple urban view into a testament to Ligurian figurative culture of the twentieth century.

Seller's Story

XIX & XX century paintings
Translated by Google Translate

# Boccadasse and the Light of the Riviera: *Boccadasse, Genoa* by Guido Hanset

**Guido Hanset (Genoa, 1910 – 1992)**
*Boccadasse, Genoa*
**Watercolor on cardboard, 18 × 24 cm**
**Signed in the lower right and dated 1976**
**With frame**
**Estimate: € 200 – 300**

## Guido Hanset and Genovese Landscape

Guido Hanset, born in Genoa in 1910 and who died in the same city in 1992, is one of Ligurian artists of the twentieth century most closely tied to the representation of landscape and, in particular, to the technique of watercolor.

Of Belgian family origin, he attended the Accademia Ligustica di Belle Arti and began his artistic activity around 1930, dedicating himself mainly to watercolor. Over the course of his long career he turned his attention primarily to the **nature, the seascapes, the ports, the coastal villages and the urban views of Liguria**. His presence is documented in several Genoese and national exhibitions, including the International Art Exhibition of Venice in 1942.

Hanset's painting remains deeply linked to the observation of reality. The landscape is not rendered in a purely descriptive way: through the transparency of watercolor the artist mainly seeks the **light, atmosphere and chromatic relationships** that characterize each place.

## Boccadasse: An Icon of Genoa

The subject of *Boccadasse, Genoa* takes on particular interest precisely for its strong identification with the artist's birthplace.

Boccadasse, an ancient fishing village facing the Gulf of Genoa, represents one of the most recognizable places on the Genoese coast. The houses gathered around the small bay, the direct relationship with the sea and the village's particular morphology constitute a subject naturally congenial to a painter interested in the relationship between **architecture, water and light**.

The choice of Boccadasse can thus be read within Hanset's constant attention to the Ligurian territory. The painter does not only address large coastal panoramas, but also the most characterful and everyday corners of Genoese landscape.

It is precisely this local dimension that gives the work additional interest: the view does not simply represent a marine landscape, but preserves the visual memory of one of Genoa's symbolic places.

## Technical and Stylistic Analysis

The work is realized in **watercolor on cardboard**, a technique particularly representative of Guido Hanset's output.

The contained format of **18 × 24 cm** gives the composition a compact and immediate character. The dimensions are well suited to reproducing a directly observed view, in which the artist can focus on the essential elements of the landscape without resorting to overly analytic description.

Watercolor allows Hanset to build the image through **transparencies, light overlays and tonal variations**, letting the support contribute to the overall luminosity.

Critical commentary has highlighted Hanset's particular understanding of the relationships between water and color, as well as attention to balances between warm and cool tones. His painting remains figurative and recognizable, but uses the watercolor medium to achieve an atmospheric rendering of the subject.

## The Light of Boccadasse

In a view like this, **light** necessarily plays a central role.

The relationship between the sea and the village architectures offers a wide variety of surfaces and color values: the water reflects the sky, the facades of the houses introduce different tones and the shaded areas contribute to defining the depth of the small inlet.

It is precisely in this type of situation that watercolor reveals its most interesting qualities. The possibility of letting the white of the support come through, layering transparent glazes and gradually modulating the color intensity allows for a restitution of the Ligurian Riviera's particular luminosity.

The **date 1976** places the work in a mature phase of Hanset's activity. The dating is consistent with other documented works by the artist: Cambi, for example, proposed *Vernazzola*, a 1977 watercolor on paper, 25 × 30 cm, signed and dated, with an estimate of €300–350.

Also a *Scorcio di Genova* by Hanset, realized in watercolor on paper, 38 × 50 cm and sold with frame, has been offered by Cambi with an estimate of €150–200.

## A Recurrent Subject in the Artist's Production

Hanset's interest in Genoa and the Ligurian coast is widely documented.

Among the works on the market there appear several Genoese views and seascapes: from *Porto di Genova* to views of **Vernazzola**, up to city and coastal glimpses. Another significant element is represented by *La casa di Colombo*, a 1976 watercolor on paper, 38 × 48 cm, also signed and dated.

1976, therefore, emerges as a particularly interesting year for the artist's production, in which representations of Genoese places continued to be an important theme.

*Boccadasse, Genoa* naturally fits into this trajectory: the painting unites the autobiographical dimension of the artist's homeland with his preference for watercolor and coastal landscape.

## Signature and Dating

The **signature in the lower right**, accompanied by the date **1976**, constitutes an important identifying element of the work.

The presence of the date also allows placing the painting precisely within Hanset's mature production and relating it to other watercolors created in the same period.

It is interesting to note how the habit of signing and dating works is recurring in Hanset's market-available works: *Vernazzola* of 1977, for example, features signature and date in the lower right, while other watercolors from the seventies similarly bear the year of execution.

## Collectible Value and Conclusions

The estimate of **€ 200 – 300** sits within a range coherent with available comparisons for Guido Hanset's watercolors, considering format, dating and especially the recognizability of the subject.

Compared with *Vernazzola*, 1977, watercolor on paper of 25 × 30 cm, estimated **€300–350**, and with *Scorcio di Genova*, watercolor of 38 × 50 cm, estimated **€150–200**, they offer useful references for placing the work within the artist's market.

Overall, *Boccadasse, Genoa* represents a work particularly coherent with Guido Hanset's poetics: **a place strongly tied to his birthplace, interpreted through watercolor sensitivity and attention to the light of the Riviera**.

The compact format, the signature, the precise dating to **1976** and the presence of the frame complete a work of pleasant collectible and decorative interest.

A small watercolor in which Hanset renders one of Genoa's most characteristic corners through a painting that is **luminous, delicate and atmospheric**, turning Boccadasse from a simple urban view into a testament to Ligurian figurative culture of the twentieth century.

Seller's Story

XIX & XX century paintings
Translated by Google Translate

Details

Artist
Guido Hanset (1910-1992)
Sold with frame
Yes
Sold by
Gallery
Edition
Original
Title of artwork
Boccadasse, Genova
Technique
Watercolour painting
Signature
Hand signed
Country of origin
Italy
Year
1977
Condition
Good condition
Height
18 cm
Width
24 cm
Style
Realism
Period
1970-1980
ItalyVerified
130
Objects sold
100%
pro

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