Northern India – ancient Bengal, Chandraketugarh type Terracotta Set of three votive medallions - 14 cm

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Peter Reynaers
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Selected by Peter Reynaers

Has nearly 30 years’ experience and moderated multiple online art research groups.

Estimate  € 400 - € 500
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Three circular terracotta votive medallions from North Bengal, Chandraketugarh, Early Historic Shunga period (IIe–Ier centuries BCE), mounted on a modern metal base to display their relief and patina variations, with provenance from a private Belgian collection acquired between 1979 and 2009 and identified as original objects.

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Description from the seller

Set of three circular votive medallions in molded terracotta, Northern India, Ancient Bengal, Chandraketugarh type, Shunga / Early Historic period, 2nd–1st century BCE.

Beautiful cohesive set of three small ancient terracotta medallions, today reunited on an elegant modern metal pedestal allowing simultaneous appreciation of their relief and patina variations.

Each medallion adopts a characteristic structure: a wide rounded peripheral rim, a central field slightly recessed, and a prominent central knob, around which a radiating molded composition develops.

The three examples belong to the same production tradition, while showing slight differences in diameter, thickness, design and relief depth. They are therefore related variants and not simple strictly identical repetitions.

The decoration is rich and figurative, combining several zoomorphic, vegetal and probably anthropomorphic motifs distributed around the center. Various animals in profile and vegetal elements remain discernible. This radial organization gives the compositions the appearance of a small symbolic wheel, while inviting a cautious iconographic reading.

The casting technique, small format, rim morphology and decorative vocabulary link these pieces to the corpus of ancient Bengal and Chandraketugarh terracotta, traditionally placed in the Early Historic / Shunga period, around the 2nd–1st centuries BCE.

The surfaces offer tones ranging from pink-beige to gray-brown, with darker areas, sometimes almost blackish, particularly visible on certain edges and the back. The reliefs remain clearly readable despite ancient, progressive wear of the most projecting parts.

The condition is good for this type of small-format archaeological object. There are small abrasions and edge nicks, a few micro-surface fissures and various old linear traces on the reverse. One medallion shows a radial crack localized at the lower rim, accompanied by a small peripheral flake, without visible detachment. No major structural damage or through crack is observed.

The reverses, deliberately simpler, preserve traces of a manual finish as well as color and surface variations. The visible perforations correspond to the modern mounting on a plinth.

Dimensions excluding base:
Medallion 1: Ø 4.6 cm × thickness 1.4 cm
Medallion 2: Ø 5 cm × thickness 1.8 cm
Medallion 3: Ø 4.6 cm × thickness 1.6 cm

Individual weights: 28.6 g; 31.9 g; 29.2 g.
Total weight excluding base: 89.7 g.

Dimensions including base: H. 14 cm × L. 10.5 cm × P. 6 cm.
Total weight including base: 351.1 g.

Provenance: private Belgian collection, assembled between 1979 and 2009.

A balanced and decorative set of three ancient Bengal terracotta pieces, whose common presentation particularly well highlights the variations in relief, material and patina specific to each medallion.

video link: https://www.dropbox.com/scl/fo/upm01b59egcp42lvhr410/AA8xoe-UPwoGW9NB5K3nWQU?rlkey=eyd9pixrm9cjk125cuht23suy&dl=0

Seller's Story

MIMOSA SA — EXPERTISE, RESEARCH AND TRANSMISSION For more than 26 years, I have been working as an art dealer specializing in ancient Asian arts. My work is not simply to offer objects: it is to observe them, to understand them, to study them and to document them before passing them to a new collector. Each work presented by Mimosa SA undergoes thorough examination. Depending on its nature, this study may concern the iconography, the style, the proportions, the material, the execution techniques, surface traces, patina, the condition, restorations, provenance as well as relevant bibliographic, museum or archaeological comparisons. When justified, additional scientific analyses may also be undertaken. Our approach rests on the experience of sight, gained from direct contact with the works for over two decades, but also on methodical and constantly renewed research. We always favor a cautious, coherent and argued attribution rather than a seductive but insufficiently substantiated assertion. Transparency is at the heart of our approach. The wear, gaps, accidents, ancient restorations or more recent interventions are reported as precisely as possible. When an attribution carries uncertainty or remains a working hypothesis, it is clearly presented as such. Present on Catawiki since 2016, we have chosen to maintain a regular selection of works there in order to meet international collectors who value authenticity, knowledge and quality of documentation. Each acquisition is accompanied by a certificate of authenticity issued under our professional responsibility. For the most important works, this certificate takes the form of a genuine study dossier gathering the main technical, stylistic, iconographic, historical and bibliographic observations made during our research. The same standard applies to shipping. Over the years, we have developed a packaging method adapted to old, fragile, heavy or complex-shaped objects. Each work is protected, immobilized and carefully packaged, according to its material and its particularities. The shipping costs correspond to the real needs for protection, handling, insurance and secure transport. Shipping is never regarded as a source of commercial profit. Acquiring a work from Mimosa SA is to receive a selected, studied, described, documented and prepared object with the same care that we would wish for a work destined for our own collection.
Translated by Google Translate

Set of three circular votive medallions in molded terracotta, Northern India, Ancient Bengal, Chandraketugarh type, Shunga / Early Historic period, 2nd–1st century BCE.

Beautiful cohesive set of three small ancient terracotta medallions, today reunited on an elegant modern metal pedestal allowing simultaneous appreciation of their relief and patina variations.

Each medallion adopts a characteristic structure: a wide rounded peripheral rim, a central field slightly recessed, and a prominent central knob, around which a radiating molded composition develops.

The three examples belong to the same production tradition, while showing slight differences in diameter, thickness, design and relief depth. They are therefore related variants and not simple strictly identical repetitions.

The decoration is rich and figurative, combining several zoomorphic, vegetal and probably anthropomorphic motifs distributed around the center. Various animals in profile and vegetal elements remain discernible. This radial organization gives the compositions the appearance of a small symbolic wheel, while inviting a cautious iconographic reading.

The casting technique, small format, rim morphology and decorative vocabulary link these pieces to the corpus of ancient Bengal and Chandraketugarh terracotta, traditionally placed in the Early Historic / Shunga period, around the 2nd–1st centuries BCE.

The surfaces offer tones ranging from pink-beige to gray-brown, with darker areas, sometimes almost blackish, particularly visible on certain edges and the back. The reliefs remain clearly readable despite ancient, progressive wear of the most projecting parts.

The condition is good for this type of small-format archaeological object. There are small abrasions and edge nicks, a few micro-surface fissures and various old linear traces on the reverse. One medallion shows a radial crack localized at the lower rim, accompanied by a small peripheral flake, without visible detachment. No major structural damage or through crack is observed.

The reverses, deliberately simpler, preserve traces of a manual finish as well as color and surface variations. The visible perforations correspond to the modern mounting on a plinth.

Dimensions excluding base:
Medallion 1: Ø 4.6 cm × thickness 1.4 cm
Medallion 2: Ø 5 cm × thickness 1.8 cm
Medallion 3: Ø 4.6 cm × thickness 1.6 cm

Individual weights: 28.6 g; 31.9 g; 29.2 g.
Total weight excluding base: 89.7 g.

Dimensions including base: H. 14 cm × L. 10.5 cm × P. 6 cm.
Total weight including base: 351.1 g.

Provenance: private Belgian collection, assembled between 1979 and 2009.

A balanced and decorative set of three ancient Bengal terracotta pieces, whose common presentation particularly well highlights the variations in relief, material and patina specific to each medallion.

video link: https://www.dropbox.com/scl/fo/upm01b59egcp42lvhr410/AA8xoe-UPwoGW9NB5K3nWQU?rlkey=eyd9pixrm9cjk125cuht23suy&dl=0

Seller's Story

MIMOSA SA — EXPERTISE, RESEARCH AND TRANSMISSION For more than 26 years, I have been working as an art dealer specializing in ancient Asian arts. My work is not simply to offer objects: it is to observe them, to understand them, to study them and to document them before passing them to a new collector. Each work presented by Mimosa SA undergoes thorough examination. Depending on its nature, this study may concern the iconography, the style, the proportions, the material, the execution techniques, surface traces, patina, the condition, restorations, provenance as well as relevant bibliographic, museum or archaeological comparisons. When justified, additional scientific analyses may also be undertaken. Our approach rests on the experience of sight, gained from direct contact with the works for over two decades, but also on methodical and constantly renewed research. We always favor a cautious, coherent and argued attribution rather than a seductive but insufficiently substantiated assertion. Transparency is at the heart of our approach. The wear, gaps, accidents, ancient restorations or more recent interventions are reported as precisely as possible. When an attribution carries uncertainty or remains a working hypothesis, it is clearly presented as such. Present on Catawiki since 2016, we have chosen to maintain a regular selection of works there in order to meet international collectors who value authenticity, knowledge and quality of documentation. Each acquisition is accompanied by a certificate of authenticity issued under our professional responsibility. For the most important works, this certificate takes the form of a genuine study dossier gathering the main technical, stylistic, iconographic, historical and bibliographic observations made during our research. The same standard applies to shipping. Over the years, we have developed a packaging method adapted to old, fragile, heavy or complex-shaped objects. Each work is protected, immobilized and carefully packaged, according to its material and its particularities. The shipping costs correspond to the real needs for protection, handling, insurance and secure transport. Shipping is never regarded as a source of commercial profit. Acquiring a work from Mimosa SA is to receive a selected, studied, described, documented and prepared object with the same care that we would wish for a work destined for our own collection.
Translated by Google Translate

Details

Culture
Northern India – ancient Bengal, Chandraketugarh type
Century/timeframe
IIe–Ier siècle av. J.-C. – période Shunga
Name of object
Set of three votive medallions
Acquired from
Private collection
Year acquired
2025
Material
Terracotta
Country acquired from
Belgium
Condition
Plaque formerly fragmented and restored; in good condition considering its age.
Previous owner acquired from
Gallery / Antique dealer
Height
14 cm
Previous owner - year acquired
1979
Width
10.5 cm
Previous owner - country acquired from
Belgium
Depth
6 cm
I verify that I have obtained this object legally and that I am allowed to sell it
Yes
Authenticity
Original/official
BelgiumVerified
505
Objects sold
pro

Disclaimer

The seller was informed by Catawiki about documentation requirements and guarantees the following: - the object was legally obtained, - the seller has the right to sell and/or export the object, as relevant, - the seller will provide the necessary provenance information and arrange required documentation and permits/licenses, as applicable and as per local laws, - the seller will notify the buyer of any delays in obtaining permits/licenses. By bidding, you acknowledge that import documentation may be required depending on your country of residence and that obtaining permits/licenses may cause delays in the delivery of your object.

The seller was informed by Catawiki about documentation requirements and guarantees the following: - the object was legally obtained, - the seller has the right to sell and/or export the object, as relevant, - the seller will provide the necessary provenance information and arrange required documentation and permits/licenses, as applicable and as per local laws, - the seller will notify the buyer of any delays in obtaining permits/licenses. By bidding, you acknowledge that import documentation may be required depending on your country of residence and that obtaining permits/licenses may cause delays in the delivery of your object.

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