Bernard Aubertin (1934-2015) - Affiche brûlée - Marilyn Monroe





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Bernard Aubertin, Affiche brûlée - Marilyn Monroe, 2010, mixed‑media poster in original edition, 64 × 50 cm including frame, in excellent condition, Italian origin, conceptual art, hand signed by the artist, sold with frame.
Description from the seller
BERNARD AUBERTIN (1934-2015)
Marilyn Monroe
Burnt poster.
Hand-signed by the artist
Dimensions: 64 x 50 cm including the frame, poster alone 50 x 35 cm.
In excellent condition.
Year: 2010.
The work is registered in the artist's official archive; The document will be included.
Sold framed as in the photo.
Shipped by express courier, professionally packed.
Description:
This unique work by Bernard Aubertin, master of combustion and central figure of the ZERO movement, features a poster depicting the famous pop icon Marilyn Monroe in her most iconic pose.
Aubertin directly intervenes on the poster with real burn marks, letting the flame traverse the image and transform its surface. The scorch marks — dark stains, tangible openings, burnt-out areas — become an integral part of the composition, creating a powerful dialogue between pop culture and radical gesture.
The artist's handwritten signature, accompanied by the date 2010, confirms the work's authenticity and places it in the mature phase of his research, when Aubertin experimented with unconventional supports and with iconic images of visual culture.
BERNARD AUBERTIN (1934-2015)
Marilyn Monroe
Burnt poster.
Hand-signed by the artist
Dimensions: 64 x 50 cm including the frame, poster alone 50 x 35 cm.
In excellent condition.
Year: 2010.
The work is registered in the artist's official archive; The document will be included.
Sold framed as in the photo.
Shipped by express courier, professionally packed.
Description:
This unique work by Bernard Aubertin, master of combustion and central figure of the ZERO movement, features a poster depicting the famous pop icon Marilyn Monroe in her most iconic pose.
Aubertin directly intervenes on the poster with real burn marks, letting the flame traverse the image and transform its surface. The scorch marks — dark stains, tangible openings, burnt-out areas — become an integral part of the composition, creating a powerful dialogue between pop culture and radical gesture.
The artist's handwritten signature, accompanied by the date 2010, confirms the work's authenticity and places it in the mature phase of his research, when Aubertin experimented with unconventional supports and with iconic images of visual culture.

