Keith Haring - Growing 3 - Giclée - Artestar licensed print - COA

Giclée Reproduction (*) of Keith Haring (**)
Reproduction of the work “Growing 3” created by Haring in 1988.
Luxury edition on conservation matte digital paper 250 g/m². A very versatile, high-quality paper, manufactured in Germany with acid- and chlorine-free wood pulp.
Authorized print by Artestar New York. Copyright: Keith Haring Foundation.
Includes Certificate of Authenticity (COA).

- Sheet dimensions: 60 x 48 cm
- Motif dimensions: 50 x 38 cm
- Condition: Excellent (this work has never been framed or exhibited, always stored in a professional art folder, thus offered in pristine condition).
- Provenance: Private collection.

The work will be carefully handled and packaged in reinforced cardboard packaging. Shipping will be tracked (UPS DPD DHL FedEx).

The shipment will also include transport insurance for the final value of the artwork with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Giclée is a term referring to a high-quality fine art print created digitally with inkjet printers. This process uses pigment-based inks and specialized papers to achieve great sharpness, color accuracy, and durability, ideal for reproductions of art and photographs.

(**) Keith Haring was born in 1958 in Reading, Pennsylvania, United States.
He grew up in Kutztown and from an early age showed a strong interest in art. He studied graphic design at The Ivy School of Professional Art in Pittsburg, and at 19, openly gay, he moved to New York, where he found inspiration in graffiti art and enrolled at the School of Visual Arts where he was influenced by Keith Sonnler and Joseph Kossuth, who encouraged him to train as a conceptual artist after experimenting with form and color.
Haring drew public attention in 1980 when he began doodling cartoon-like images with marker in the subways of the Big Apple, and later colored white chalk cartoons on black panels intended for advertising, which earned him more than one arrest.
His clean lines, vivid colors, and actively posed figures carried strong messages about life and unity, and his exhibitions were filmed by photographer Tseng Kwong Chi.
Also around this time, he organized an exhibition at Club 57, and participated in a show in Times Square where he drew animals and human faces for the first time.
His first solo exhibition was at Tony Shafrazi Gallery in 1981, the same year he took part in the Documenta 7 exhibition in Kassel, Germany.
In 1982 he befriended emerging artists of the time such as Kenny Scharf, Madonna and Jean-Michel Basquiat, and even met the famous Andy Warhol.
In 1984 Haring went to Australia and painted several murals in Melbourne and Sydney, and even received money for his work from the National Gallery Victoria and the Australian Centre for Contemporary Art.
He also visited and painted in Rio de Janeiro, the Paris Modern Art Museum, Minneapolis and Manhattan.
During this period he even designed a pink jacket that Madonna wore to interpret her song “Like a Virgin” on the show “Solid Gold.”
In 1985, the Museum of Modern Art in Bordeaux held an exhibition of his work, and he also participated in the Paris Biennale.
In November of that year he appeared on MTV where he painted on a program hosted by his friend Nick Rhodes of Duran Duran.
In 1986 he painted murals in Amsterdam, Paris, Phoenix and Berlin, also painted Grace Jones’ body for her music video for the song “I’m not Perfect,” and opened a store to sell his works in SOHO.
By then his works began to reflect the socio-political issues of the time such as anti-Apartheid, AIDS and drugs.
He also created pop art pieces for brands like Absolut Vodka, Lucky Strike and Coca Cola, and even designed the cover of the charity album “A Very Special Christmas,” on which his friend Madonna was included.
In 1988 he was included in a select list of artists whose works appeared on the labels of Chateau Mouton Rothschild wines, and that same year he was diagnosed with AIDS, so the following year he opened the Keith Haring Foundation with the aim of fighting the social problems related to this disease and to promote the artist’s work through exhibitions, publications and licenses of his work.
In June 1989 he painted his last public work on a wall of the San Antonio Church convent in Pisa. This work was titled “Tuttomondo.”
Keith Haring died on February 16, 1990, at the early age of 32 from AIDS.

(**) Of epic scale and ambition, Tree of Life (1985) was created at the crest of the tragically short yet intensely dynamic life and career of Keith Haring. At over three meters tall, Tree of Life takes on almost biblical proportions in its depiction of this fantastical scene. A fusion of punk and pop, Haring injects contemporary energy into a decidedly urban celebration that fuses established religious themes and historical references of traditional art with his distinctive culture of modern street art. From the spiraling branches, a wealth of life explodes in the form of dancing bodies, like an explosion of knowledge. Under the tree, four speckled yellow figures, fully formed, stand in exaltation. With economical line work, the green branches, bright as daylight, seem to vibrate against the fuchsia in a carnival of rhythmic patterns. “Look, when I paint, it’s an experience that, at its best, transcends reality,” Haring said, explaining that this dimension was also reflected in his mental state while working. “When it works, you transport yourself to another place, you connect with things that are totally universal, of total consciousness, completely beyond your ego and your own being. That’s what it’s about” (K. Haring, quoted in D. Sheff, “Keith Haring: An Intimate Conversation,” in Rolling Stone, August 1989, reproduced at www.haring.com [accessed May 25, 2014]). “Tree of Life” has been exhibited at the Ludwig Forum for International Art in Aachen, the Museum für Neue Kunst in Karlsruhe, the Museum Boijmans Van Beuningen in Rotterdam, the Milan Triennial in Milan, and the Dexia Banque Internationale de Luxembourg.