Emmanuelle Pellet - Sucré salé





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Emmanuelle Pellet - Sucré salé, a unique hand-painted acrylic work on cardboard (16.5 × 21.5 cm), signed and numbered, from 2005, in excellent condition, depicting animals in a surreal still life, produced in France and sold directly by the artist.
Description from the seller
Emmanuelle Pellet - Sweet and Sour (XS format)
Acrylic painting on cardboard
H: 16.5 cm W: 21.5 cm
Unique piece, hand-painted, signed and numbered
The work illustrates an interior double-page of the children’s book/CD Le Roi Crapaud, by the Brothers Grimm, which is included with the shipment.
About the work:
This composition mischievously reinterprets the vocabulary of a seventeenth-century Dutch vanitas still life by Willem Claesz Heda — deep ochre-green background, velvet tablecloth, overturned cup, a half-peeled lemon with its zest curling toward the viewer — to slip in an unexpected figure: the crowned toad from the Brothers Grimm fairy tale, seated cross-legged on a cake, a treat in hand, gaze turned toward the off-frame with a gravely royal seriousness.
The artist pays homage to the tradition of ostentatious still lifes where abundance and texture (patinated metal, citrus, fabric) assert status and refinement — while injecting the humor and strangeness of fairy-tale fantasy. The toad, elevated to the rank of the precious objects surrounding it, becomes both vanity and a character of fable: a reminder that material wealth, like the promise made to the princess, always calls for its own transformation.
The touch is precise, the lighting softly shaded faithful to the Flemish masters, yet the subject belongs fully to the contemporary imagination — a subtle dialogue between pictorial erudition and narrative fancy.
About the artist:
Historian by training, Emmanuelle Pellet studied at the École du Louvre and then at the Sorbonne, before passing the Agrégation in Plastic Arts (3rd place). After several years of teaching, she joined the Louvre Museum as head of educational outreach.
Her career now fuels a personal body of work where painting mastery dialogues with a deep culture of imagery and art history. Her creations have been exhibited in galleries in Paris, London, Singapore and Mauritius, and have been the subject of numerous publications. They are now in private collections in Europe, North America, Asia and the Indian Ocean.
Emmanuelle Pellet - Sweet and Sour (XS format)
Acrylic painting on cardboard
H: 16.5 cm W: 21.5 cm
Unique piece, hand-painted, signed and numbered
The work illustrates an interior double-page of the children’s book/CD Le Roi Crapaud, by the Brothers Grimm, which is included with the shipment.
About the work:
This composition mischievously reinterprets the vocabulary of a seventeenth-century Dutch vanitas still life by Willem Claesz Heda — deep ochre-green background, velvet tablecloth, overturned cup, a half-peeled lemon with its zest curling toward the viewer — to slip in an unexpected figure: the crowned toad from the Brothers Grimm fairy tale, seated cross-legged on a cake, a treat in hand, gaze turned toward the off-frame with a gravely royal seriousness.
The artist pays homage to the tradition of ostentatious still lifes where abundance and texture (patinated metal, citrus, fabric) assert status and refinement — while injecting the humor and strangeness of fairy-tale fantasy. The toad, elevated to the rank of the precious objects surrounding it, becomes both vanity and a character of fable: a reminder that material wealth, like the promise made to the princess, always calls for its own transformation.
The touch is precise, the lighting softly shaded faithful to the Flemish masters, yet the subject belongs fully to the contemporary imagination — a subtle dialogue between pictorial erudition and narrative fancy.
About the artist:
Historian by training, Emmanuelle Pellet studied at the École du Louvre and then at the Sorbonne, before passing the Agrégation in Plastic Arts (3rd place). After several years of teaching, she joined the Louvre Museum as head of educational outreach.
Her career now fuels a personal body of work where painting mastery dialogues with a deep culture of imagery and art history. Her creations have been exhibited in galleries in Paris, London, Singapore and Mauritius, and have been the subject of numerous publications. They are now in private collections in Europe, North America, Asia and the Indian Ocean.

