Niko Lina (1972) - Self-Portrait





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Self-Portrait by Niko Lina (b. 1972), an original 1/1 acrylic on canvas portrait (80 × 80 cm) from the Women in Transmission series, hand-signed on the front and reverse with an artist-signed Certificate of Authenticity, stretched on a wooden stretcher and ready to hang, Greece, 2026, in excellent condition.
Description from the seller
Artist: Niko Lina (1972)
Title: Self-Portrait
Series: Women in Transmission
Inventory number: NL001
Year: 2026
Country: Greece
Medium: Acrylic on canvas
Dimensions: 80 × 80 cm
Format: Square
Edition: Unique original, 1/1
Signature: Hand-signed on the reverse see images; and front signature
Certificate: Artist-signed Certificate of Authenticity
Presentation: Stretched on a wooden stretcher and ready to hang
Shipping: Shipped stretched; never rolled
Description:
Self-Portrait opens Women in Transmission, an ongoing series by Greek painter Niko Lina in which female portraits are constructed through repeated vertical bands and stepped, block-like interruptions.
Painted entirely by hand, the work behaves like an image being scanned, transmitted, or recovered from incomplete digital data. From a distance, the portrait gathers into view; seen closely, it separates into a physical architecture of lines, layers, exposed marks, and subtle irregularities. The warm pink, coral, orange, and burgundy palette combines tenderness with visual force.
The title does not suggest that permission was finally granted. It marks the moment the artist moved beyond waiting for it.
Niko Lina (b. 1972) is a Greek contemporary painter whose work explores female identity within a visual world shaped by screens, repetition, and image saturation. After years spent working in office environments and attending to the priorities of others, she returned to her hometown and committed herself to a painting practice long postponed. Her artist name derives from the line—the element through which she examines visibility, self-authorship, and the right to occupy space.
This is a unique original painting and the first work in the Women in Transmission series. It is signed on the reverse and accompanied by a Certificate of Authenticity signed by the artist.
The artwork is sold stretched on its wooden stretcher and is ready to hang. It will be carefully protected with reinforced outer carton, then shipped with tracking number. It will not be rolled or removed from its stretcher.
Please note that colors may vary slightly according to lighting and individual screen settings. Any room image or photomontage is provided only as an illustration of scale; the frontal photographs show the actual artwork.
Artist-profile biography
Niko Lina (b. 1972) is a Greek contemporary painter exploring female identity in a world shaped by screens, repetition, and image saturation. After years spent working within office systems and attending to the priorities of others, she returned to her hometown and committed herself to a painting practice long postponed. Her portraits are built from hand-painted vertical bands and stepped, pixel-like interruptions, making each figure appear scanned, transmitted, or partially recovered. The name Lina derives from “line,” the central element through which she examines visibility, self-authorship, and the right to occupy space.
Artist: Niko Lina (1972)
Title: Self-Portrait
Series: Women in Transmission
Inventory number: NL001
Year: 2026
Country: Greece
Medium: Acrylic on canvas
Dimensions: 80 × 80 cm
Format: Square
Edition: Unique original, 1/1
Signature: Hand-signed on the reverse see images; and front signature
Certificate: Artist-signed Certificate of Authenticity
Presentation: Stretched on a wooden stretcher and ready to hang
Shipping: Shipped stretched; never rolled
Description:
Self-Portrait opens Women in Transmission, an ongoing series by Greek painter Niko Lina in which female portraits are constructed through repeated vertical bands and stepped, block-like interruptions.
Painted entirely by hand, the work behaves like an image being scanned, transmitted, or recovered from incomplete digital data. From a distance, the portrait gathers into view; seen closely, it separates into a physical architecture of lines, layers, exposed marks, and subtle irregularities. The warm pink, coral, orange, and burgundy palette combines tenderness with visual force.
The title does not suggest that permission was finally granted. It marks the moment the artist moved beyond waiting for it.
Niko Lina (b. 1972) is a Greek contemporary painter whose work explores female identity within a visual world shaped by screens, repetition, and image saturation. After years spent working in office environments and attending to the priorities of others, she returned to her hometown and committed herself to a painting practice long postponed. Her artist name derives from the line—the element through which she examines visibility, self-authorship, and the right to occupy space.
This is a unique original painting and the first work in the Women in Transmission series. It is signed on the reverse and accompanied by a Certificate of Authenticity signed by the artist.
The artwork is sold stretched on its wooden stretcher and is ready to hang. It will be carefully protected with reinforced outer carton, then shipped with tracking number. It will not be rolled or removed from its stretcher.
Please note that colors may vary slightly according to lighting and individual screen settings. Any room image or photomontage is provided only as an illustration of scale; the frontal photographs show the actual artwork.
Artist-profile biography
Niko Lina (b. 1972) is a Greek contemporary painter exploring female identity in a world shaped by screens, repetition, and image saturation. After years spent working within office systems and attending to the priorities of others, she returned to her hometown and committed herself to a painting practice long postponed. Her portraits are built from hand-painted vertical bands and stepped, pixel-like interruptions, making each figure appear scanned, transmitted, or partially recovered. The name Lina derives from “line,” the central element through which she examines visibility, self-authorship, and the right to occupy space.

