Vase - Stoneware - Japan - Same-hada Texture
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Description from the seller
Item Description
This is a ceramic vase produced at the Komatsubara Kiln (Komatsubara-yaki) in Miyakonojo City, Miyazaki Prefecture. It rises from a slightly flaring cylindrical body to a gently outward-opening rim, around which three small handles (san-mimi, or three-eared) characteristic of this kiln have been applied.
The entire surface is covered with the kiln's distinctive thick, drip-glazed donko-yu (dull-shell glaze), in which an iron glaze with a red-brown base melts and flows evenly over the grey clay body, producing a weighty, lava-like texture. This effect is associated with the "same-hada" (sharkskin) style of glaze expression for which Komatsubara-yaki is known; because it arises from the interaction between the glaze and the clay body during firing, each piece takes on a unique appearance.
The base bears an inscribed or stamped mark made by nail carving or seal impression.
Artist Profile
Records held by Miyakonojo City contain a reference to a potter named Iida Kōsuke, who was active at the Komatsubara Kiln during the Taishō period (1912–1926). This is the only biographical information about Iida Kōsuke that could be confirmed in reliable sources; his dates of birth and death, exhibition history, and market transaction records could not be verified. Komatsubara-yaki itself traces its lineage to Naeshirogawa-yaki of Kagoshima, was established in the Komatsubara district of Miyakonojo City in 1860 (Man'en 1), and, after a period of interruption, was revived in Miyazaki City in 1969 (Shōwa 44), with its techniques continuing to the present day. The kiln is distinguished by its "tataki" (paddle-forming) technique and by its unique glaze expressions such as same-hada and donko-hada, producing a wide range of bold and substantial works from vases to everyday wares.
Dimensions
Height: 19.5 cm
Width: 10 cm
Depth: 10 cm
Weight: 1,119 g
Condition
Signs of age-related wear are present; the surface shows minor scuffing, and, as visible in the photographs, some chipping of the glaze can be seen near the rim. Visual inspection revealed no cracks or signs of restoration.
Additional Information
Kiln: Komatsubara-yaki (Miyakonojo City, Miyazaki Prefecture)
Type: Three-eared vase with donko glaze finish
Mark: Inscribed or stamped mark by nail carving or seal impression on the base.
NOITICE:
The lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.
It takes about 3 weeks to receive normally.
Import duties, taxes, and charges are not included in the item price or shipping cost.
These charges are the buyer's responsibility.
Sometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.
I appreciate your cooperation.
Seller's Story
We have been experienced as an antique dealer for more than a decade, we select and purchase high-quality products from all over Japan. I carefully select items with good taste, whether famous or not. I offer you an encounter with unknown Japanese goods.
Owner Profile
Name: Michito Nagahiro
Born in 1986 in Sapporo, Hokkaido. From an early age, I have been fascinated by the beautiful and practical designs of Japanese art, antiques, and consumer products, as well as the mindset and dedication of craftsmen and artists. I frequently visited museums and solo exhibitions as part of my daily life.
In 2012, under the guidance of a top mentor in the industry, I established myself as an antique dealer, handling a wide range of items, including Japanese antiques and artworks. Since 2017, I have specialized in selling Japanese antiques and fine art, primarily in Europe, achieving over 20,000 successful sales to date.
In 2019, I launched a completely free service to support individuals in Japan who experience loneliness. This initiative involves personally visiting people, engaging in conversations, sharing meals, and, if necessary, providing career advice. More than 1,000 people reach out to me annually for support.
Additionally, I am committed to promoting and supporting the sales of emerging artists whose work has not yet received public recognition. My philosophy goes beyond merely selling objects—I strive to convey the stories, history, and emotions embedded in each piece. By doing so, I aim to connect people with the lives of the artists and bring inspiration to those who encounter their work.
Item Description
This is a ceramic vase produced at the Komatsubara Kiln (Komatsubara-yaki) in Miyakonojo City, Miyazaki Prefecture. It rises from a slightly flaring cylindrical body to a gently outward-opening rim, around which three small handles (san-mimi, or three-eared) characteristic of this kiln have been applied.
The entire surface is covered with the kiln's distinctive thick, drip-glazed donko-yu (dull-shell glaze), in which an iron glaze with a red-brown base melts and flows evenly over the grey clay body, producing a weighty, lava-like texture. This effect is associated with the "same-hada" (sharkskin) style of glaze expression for which Komatsubara-yaki is known; because it arises from the interaction between the glaze and the clay body during firing, each piece takes on a unique appearance.
The base bears an inscribed or stamped mark made by nail carving or seal impression.
Artist Profile
Records held by Miyakonojo City contain a reference to a potter named Iida Kōsuke, who was active at the Komatsubara Kiln during the Taishō period (1912–1926). This is the only biographical information about Iida Kōsuke that could be confirmed in reliable sources; his dates of birth and death, exhibition history, and market transaction records could not be verified. Komatsubara-yaki itself traces its lineage to Naeshirogawa-yaki of Kagoshima, was established in the Komatsubara district of Miyakonojo City in 1860 (Man'en 1), and, after a period of interruption, was revived in Miyazaki City in 1969 (Shōwa 44), with its techniques continuing to the present day. The kiln is distinguished by its "tataki" (paddle-forming) technique and by its unique glaze expressions such as same-hada and donko-hada, producing a wide range of bold and substantial works from vases to everyday wares.
Dimensions
Height: 19.5 cm
Width: 10 cm
Depth: 10 cm
Weight: 1,119 g
Condition
Signs of age-related wear are present; the surface shows minor scuffing, and, as visible in the photographs, some chipping of the glaze can be seen near the rim. Visual inspection revealed no cracks or signs of restoration.
Additional Information
Kiln: Komatsubara-yaki (Miyakonojo City, Miyazaki Prefecture)
Type: Three-eared vase with donko glaze finish
Mark: Inscribed or stamped mark by nail carving or seal impression on the base.
NOITICE:
The lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.
It takes about 3 weeks to receive normally.
Import duties, taxes, and charges are not included in the item price or shipping cost.
These charges are the buyer's responsibility.
Sometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.
I appreciate your cooperation.
Seller's Story
We have been experienced as an antique dealer for more than a decade, we select and purchase high-quality products from all over Japan. I carefully select items with good taste, whether famous or not. I offer you an encounter with unknown Japanese goods.
Owner Profile
Name: Michito Nagahiro
Born in 1986 in Sapporo, Hokkaido. From an early age, I have been fascinated by the beautiful and practical designs of Japanese art, antiques, and consumer products, as well as the mindset and dedication of craftsmen and artists. I frequently visited museums and solo exhibitions as part of my daily life.
In 2012, under the guidance of a top mentor in the industry, I established myself as an antique dealer, handling a wide range of items, including Japanese antiques and artworks. Since 2017, I have specialized in selling Japanese antiques and fine art, primarily in Europe, achieving over 20,000 successful sales to date.
In 2019, I launched a completely free service to support individuals in Japan who experience loneliness. This initiative involves personally visiting people, engaging in conversations, sharing meals, and, if necessary, providing career advice. More than 1,000 people reach out to me annually for support.
Additionally, I am committed to promoting and supporting the sales of emerging artists whose work has not yet received public recognition. My philosophy goes beyond merely selling objects—I strive to convey the stories, history, and emotions embedded in each piece. By doing so, I aim to connect people with the lives of the artists and bring inspiration to those who encounter their work.
Details
Era
1900-2000
Weight
1119 g
Title additional information
Same-hada Texture
Number of objects
1
Country of origin
Japan
Material
Stoneware
Colour
Multicolour
Condition
Good condition - used with small signs of aging & blemishes
Height
19.5 cm
Width
10 cm
Depth
10 cm
Estimated period
1900-2000
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