lasveguix (1986) - Viva la vida Frida





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Lasveguix, Viva la vida Frida, a collage on canvas created in 2026, original edition, signed by hand, in excellent condition, from France, sold direct from the artist, framed, 103 cm high by 84 cm wide.
Description from the seller
Canvas on a wooden stretcher, torn posters, spray, 92x73 cm unframed. In a custom-made Baroque frame crafted by a quality framer, total size 103x83 cm.
Original and unique canvas artwork handmade, straight from the studio. Ready to hang on the wall.
Protected and fast shipping.
Certificate of authenticity provided.
LASVEGUIX
French contemporary artist, Lasveguix develops a singular universe at the crossroads of street art, collage and contemporary painting. His work questions the memory of walls, the passage of time and the poetry of the ephemeral, transforming urban scars into emotionally charged works.
Initiated into graffiti by his cousin SUOZ, he forges his visual language through contact with the walls of Paris and London. His work sits within an artistic lineage where the great names of urban and contemporary art dialogue. One finds the heritage of Jacques Villeglé and Raymond Hains in the art of torn posters, the sculptural power of Vhils, the raw energy of Jean‑Michel Basquiat, the silhouettes of Jérôme Mesnager, the poetry of Miss Tic, the urban memory of Ernest Pignon-Ernest, the stencil of Jef Aérosol, the pixelated universe of Invader and the iconic force of Shepard Fairey. Without ever imitating them, Lasveguix asserts a personal, immediately identifiable handwriting.
Torn posters, spray, acrylic, Posca and reliefs compose real “wall skins,” where tears, overlays and traces of time become witnesses to a collective memory. Each work reveals a dialogue between material, history and emotion, inviting the viewer to rediscover the beauty of what the city seemed to have forgotten.
Lasveguix regularly exhibits in France and internationally. His works join private collections in many countries and reflect a growing interest from collectors. His career leads him to participate in art fairs, prestigious exhibitions as well as charity galas uniting collectors, patrons and institutions. His work has notably been presented at events organized at Roland‑Garros, at the District 13 Art Fair at the Hôtel Drouot, in Monaco and in several emblematic venues of the contemporary art scene.
Through each of his creations, Lasveguix gives a second life to the remnants of the city. He does not represent the walls: he reveals their soul, making urban heritage, memory and creation dialogue in a work that is deeply contemporary and timeless.
Canvas on a wooden stretcher, torn posters, spray, 92x73 cm unframed. In a custom-made Baroque frame crafted by a quality framer, total size 103x83 cm.
Original and unique canvas artwork handmade, straight from the studio. Ready to hang on the wall.
Protected and fast shipping.
Certificate of authenticity provided.
LASVEGUIX
French contemporary artist, Lasveguix develops a singular universe at the crossroads of street art, collage and contemporary painting. His work questions the memory of walls, the passage of time and the poetry of the ephemeral, transforming urban scars into emotionally charged works.
Initiated into graffiti by his cousin SUOZ, he forges his visual language through contact with the walls of Paris and London. His work sits within an artistic lineage where the great names of urban and contemporary art dialogue. One finds the heritage of Jacques Villeglé and Raymond Hains in the art of torn posters, the sculptural power of Vhils, the raw energy of Jean‑Michel Basquiat, the silhouettes of Jérôme Mesnager, the poetry of Miss Tic, the urban memory of Ernest Pignon-Ernest, the stencil of Jef Aérosol, the pixelated universe of Invader and the iconic force of Shepard Fairey. Without ever imitating them, Lasveguix asserts a personal, immediately identifiable handwriting.
Torn posters, spray, acrylic, Posca and reliefs compose real “wall skins,” where tears, overlays and traces of time become witnesses to a collective memory. Each work reveals a dialogue between material, history and emotion, inviting the viewer to rediscover the beauty of what the city seemed to have forgotten.
Lasveguix regularly exhibits in France and internationally. His works join private collections in many countries and reflect a growing interest from collectors. His career leads him to participate in art fairs, prestigious exhibitions as well as charity galas uniting collectors, patrons and institutions. His work has notably been presented at events organized at Roland‑Garros, at the District 13 Art Fair at the Hôtel Drouot, in Monaco and in several emblematic venues of the contemporary art scene.
Through each of his creations, Lasveguix gives a second life to the remnants of the city. He does not represent the walls: he reveals their soul, making urban heritage, memory and creation dialogue in a work that is deeply contemporary and timeless.

