Santicri - Fucking World (No Reserve)

00
days
12
hours
18
minutes
21
seconds
Current bid
€ 82
No reserve price
Catherine Mikolajczak
Expert
Selected by Catherine Mikolajczak

Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.

Gallery Estimate  € 300 - € 380
IT
€82
FR
€79
IT
€72

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 142216 reviews

Rated Excellent on Trustpilot.

Fucking World (No Reserve), a 2020 resin sculpture by Santicri from Italy, open edition, hand-signed, measuring 37 cm high by 12 cm wide by 12 cm deep, in good condition.

AI-assisted summary

Description from the seller

Santicri has participated in numerous art exhibitions of international repute. Among the most significant, in 2022 he exhibited his works at the prestigious Palazzo Grillo in Genoa, and in 2023 he was present at the International Contemporary Furniture Fair (ICFF) in New York, thereby expanding his visibility in both national and international contexts.

Santicri-artist
Technique: RESIN and Marble Powder
Dimensions: H37 x L12 x D12 cm
Condition: new
Certificate of authenticity - hand-signed
Edition: open edition

Limited edition SOLD OUT
The sculpture is a combination of symbolism and irony that captures the viewer’s attention and pushes them to reflect on various levels of meaning.

First of all, the gesture of the raised hand with the middle finger raised is universally recognized as a sign of defiance or rebellion, a bold way to send a strong and unequivocal message. Here, this gesture is amplified by the fact that the hand supports the world itself, suggesting a kind of rejection or critique of the world as it is. It is a visual interpretation of frustration or dissent towards aspects of our contemporary world.

The use of this sculpture to represent the world itself, with the planet Earth resting on the middle finger, adds another layer of meaning. It could be interpreted as a critique of global challenges and socio-political tensions we face, or as a cry of alarm about the fragility of our planet. The hand, in this context, assumes a role of responsibility and power, almost as if the artist is saying that the solution to these problems lies in our hands.

In its boldness and provocation, this sculpture offers a stimulus for discussion and reflection on the contemporary world, the challenges we face, and our role in shaping it. It is a work of art that can elicit a wide range of reactions and discussions, just as many contemporary artworks aim to do.
The serial number may not correspond to the one in the photo.

Born in 1992 in Macerata, Marche, the Italian artist pursued a path that, between studies in Geometer and Architecture, led him to collaborate with a sculptor artisan in resin. There arose the growing need to find himself and unleash his creativity.

His works are sold worldwide, collaborating with galleries in Italy and Europe.
His art is widely appreciated and cannot be missing among collectors of street art, pop art, and contemporary art paintings.
"Classifying one’s own art is never easy; I try to convey what my eyes see, my way of seeing what surrounds me, and I rework it with a design that blends well with modern times: impactful and memorable."

Seller's Story

Communicating through a work goes beyond the message: it is the very heart of art. My works move between social messages and pure pop, often with a touch of irony. I try to reinterpret what surrounds me with a contemporary, impactful, and memorable visual language. Beauty, for me, is a bridge between people. In my works I seek to capture that sense of connection and recognition that comes from the harmony hidden in forms. Resin is today the material I prefer: it allows me to experiment, to fuse design and sculpture, to explore new aesthetic possibilities. This ongoing research pushes me beyond my comfort zone, keeping creative curiosity alive. I create to give shape to an inner impulse, to make visible what usually remains invisible: time, work, and experience that give meaning to our journey.
Translated by Google Translate

Santicri has participated in numerous art exhibitions of international repute. Among the most significant, in 2022 he exhibited his works at the prestigious Palazzo Grillo in Genoa, and in 2023 he was present at the International Contemporary Furniture Fair (ICFF) in New York, thereby expanding his visibility in both national and international contexts.

Santicri-artist
Technique: RESIN and Marble Powder
Dimensions: H37 x L12 x D12 cm
Condition: new
Certificate of authenticity - hand-signed
Edition: open edition

Limited edition SOLD OUT
The sculpture is a combination of symbolism and irony that captures the viewer’s attention and pushes them to reflect on various levels of meaning.

First of all, the gesture of the raised hand with the middle finger raised is universally recognized as a sign of defiance or rebellion, a bold way to send a strong and unequivocal message. Here, this gesture is amplified by the fact that the hand supports the world itself, suggesting a kind of rejection or critique of the world as it is. It is a visual interpretation of frustration or dissent towards aspects of our contemporary world.

The use of this sculpture to represent the world itself, with the planet Earth resting on the middle finger, adds another layer of meaning. It could be interpreted as a critique of global challenges and socio-political tensions we face, or as a cry of alarm about the fragility of our planet. The hand, in this context, assumes a role of responsibility and power, almost as if the artist is saying that the solution to these problems lies in our hands.

In its boldness and provocation, this sculpture offers a stimulus for discussion and reflection on the contemporary world, the challenges we face, and our role in shaping it. It is a work of art that can elicit a wide range of reactions and discussions, just as many contemporary artworks aim to do.
The serial number may not correspond to the one in the photo.

Born in 1992 in Macerata, Marche, the Italian artist pursued a path that, between studies in Geometer and Architecture, led him to collaborate with a sculptor artisan in resin. There arose the growing need to find himself and unleash his creativity.

His works are sold worldwide, collaborating with galleries in Italy and Europe.
His art is widely appreciated and cannot be missing among collectors of street art, pop art, and contemporary art paintings.
"Classifying one’s own art is never easy; I try to convey what my eyes see, my way of seeing what surrounds me, and I rework it with a design that blends well with modern times: impactful and memorable."

Seller's Story

Communicating through a work goes beyond the message: it is the very heart of art. My works move between social messages and pure pop, often with a touch of irony. I try to reinterpret what surrounds me with a contemporary, impactful, and memorable visual language. Beauty, for me, is a bridge between people. In my works I seek to capture that sense of connection and recognition that comes from the harmony hidden in forms. Resin is today the material I prefer: it allows me to experiment, to fuse design and sculpture, to explore new aesthetic possibilities. This ongoing research pushes me beyond my comfort zone, keeping creative curiosity alive. I create to give shape to an inner impulse, to make visible what usually remains invisible: time, work, and experience that give meaning to our journey.
Translated by Google Translate

Details

Era
After 2000
Country of origin
Italy
Material
Resin
Artist
Santicri
Title of artwork
Fucking World (No Reserve)
Signature
Hand signed
Edition
Open edition
Year
2020
Condition
Good condition
Height
37 cm
Width
12 cm
Depth
12 cm
ItalyVerified
3244
Objects sold
100%
protop

Similar objects

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

For you in

Modern & Contemporary Art

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​